WEIRD SCIENCE

He's totally wacko but ambition is attractive so she'll give him a chance.

A few years ago we talked about the 1959 sci-fi movie Caltiki il mostro immortale, aka Caltiki—The Immortal Monster, and shared the U.S. promo poster. Above is the Italian promo, which has a nice GGA style to it thanks to the highly skilled brush of Rodolfo Valcarenghi. His art has nothing to do with the film, though. Plotwise think scientific curiosity overcoming better judgement to facilitate the release of a blob monster and you’ll be in the ballpark. You can read our little summary at this linkCaltiki il mostro immortale premiered in Italy today in 1959.

What are the odds of a Mayan comet showing up at exactly the worst moment? Pretty good in cheeseball sci-fi.


Caltiki—The Immortal Monster was an Italian production originally titled Caltiki il mostro immortale, but made in English starring Canadian actor John Merivale in a tale revolving around Guatemala’s Tikal ruins. We used to live in Guatemala and visited the Mayan ruins at Tikal, so we simply had to watch this movie. But the actual ruins shown are an amalgam of pyramids and what look like buttes and rock spires from the southwest U.S. There’s a volcano thrown in there too, though Tikal is flat rain forest and low lying swamps. Creative license, we suppose. It all looks kind of otherworldly, which we guess was the goal, so nice work by the efx department.

The basics of this story are that there’s a legendary Mayan monster or goddess in a lake, and when a group of scientists is attacked, one of them returns to Mexico City with a piece attached to his arm. Doctors manage to carve off a sample and learn that radiation makes it grow. They of course keep the piece safely stowed away, but unfortunately a highly radioactive comet spoken of in Mayan lore choses that week to pass close to Earth. It only comes once every 1,352 years, so this is really unfortunate timing on the comet’s part, but that’s just Maya luck. Celestial bodies are nothing if not implacable and aloof. The lake specimen is irradiated, grows to monstrous size, and oozes terrifyingly across the city.

But the solution to this problem isn’t so difficult. Fire kills Caltiki, so it’s really just a matter of directing some flames onto the beast. Cue flamethrowers, army guys, and soundtrack tympani. Caltiki turns into a Caltiki torch then goes down like an undercooked soufflé. This is b-sci-fi at its goofiest, but we’ll admit the blob effects are actually pretty cool, aided as they are by the fact that all of them take place at night. Mario Bava, who is uncredited but actually did most of directing here, does a decent job and the acting is passable. Recommended? We wouldn’t go that far. Caltiki—The Immortal Monster premiered in Italy in 1959 and reached the U.S. today in 1960.

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Cover art by the great Sandro Symeoni for Peter Cheyney's mystery He Walked in her Sleep, from Ace Books in 1949.
The mysterious artist who signed his or her work as F. Harf produced this beautiful cover in 1956 for the French publisher S.E.P.I.A.
Aslan art was borrowed for many covers by Dutch publisher Uitgeverij A.B.C. for its Collection Vamp. The piece used on Mike Splane's Nachtkatje is a good example.

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