Above: two Japanese posters in bright blue and cool brown for the romantic thriller Charade, with Cary Grant as a slippery man of many identities and Audrey Hepburn as his baffled foil. It’s one of our favorite films of the 1960s, as discussed here. It opened in Japan today in 1963.
Charade is one of the great romantic thrillers in cinema history, and is a movie you should definitely see if you haven’t. Audrey Hepburn plays a woman whose husband is fatally thrown off a speeding train and Cary Grant is a charming but mysterious stranger willing to render aid in solving the murder. But Grant has ulterior motives, as well as multiple identities. Others are interested in the killing too, and it soon develops that they’re after $250,000 worth of missing gold.
The movie is great, as legions of fans and critics have agreed, but in addition to its narrative, directorial, and acting brilliance, what we like about it is that the unlikeliness of the May-December attraction between Grant and Hepburn does not go unaddressed. At one point Grant, 59, quips to Hepburn, 30, that he’s afraid he’ll be arrested for transporting a minor. We love the tack taken in dealing with the romance because it gives the audience credit for being intelligent enough to appreciate the subtleties of life. That’s increasingly rare in popular movies—as well as in popular culture.
For example, these days there’s talk of such things as “age appropriate” relationships, the inference being that older men should not be with younger women (and possibly vice versa). Horseshit. We can think of little more sexist than assuming women aren’t able to make their own life choices. Consenting adults—older/younger, male/male, female/female, other/other—trying to find love will tend to look anywhere they can, and internet tribunals can take a flying leap. We don’t say that merely because neither Pulp Intl. girlfriend is age appropriate. We say it because nothing in this life is more important than finding the right partner.
Interestingly, numerous other mid-century films—among them classics like Sabrina and To Catch a Thief—also addressed the presumed incongruity of older men with younger women, and did it in an empathetic, humanistic way. Charade does it more amusingly than most. Grant is initially embarrassed by Hepburn’s attentions, but of course she eventually wears him down. The film mixes comedy, romance, and thrills, plus it was made in beautiful locations around Paris, all of which makes it a total winner. It premiered in the U.S. today in 1963.
If you’ve been visiting the site for a while, you perhaps remember the cover we shared for H.R. Lenormand’s Renée, which shows a lonely woman staring out of her room at the majestic—and in that contextclearly metaphorical—Eiffel Tower. Since then we’ve seen the tower pop up on many covers, including Passion in Paris by Harrison Stone, above, so today we’ve compiled a collection. Most of these examples view the tower as just an innocent civic landmark, but take it from us—once the idea that it stands for something else gets into your head you really can’t get it out. Interestingly, while the tower appears on many U.S. book fronts, we found it on only two of the hundreds of French covers we have. Perhaps they consider it too banal. Twenty-one scans below.
Two for the Road is one of Audrey Hepburn’s lesser-known films, but it also may be her best.
Director Stanley Donen’s third collaboration with Audrey Hepburn after the hits Funny Face and Charade is not quite as breezy as those previous efforts, but it’s still a stellar effort. Basically, Two for the Road is an elliptical recounting of a difficult marriage, with the action set during different road trips across France taken at different times of life. Here you get a more mature Hepburn, playing a meatier role, derived from an excellent script by Frederic Raphael, aided by the great direction of Donen and a memorable musical score from Henry Mancini. You also get très groovy Japanese promo art printed for the premiere in Tokyo forty-two years ago today. Available on dvd only since late 2005, Two for the Road is lesser known Hepburn, but we think in time it will be considered her best work. Highly recommended.
A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.
1957—Sputnik Circles Earth
The Soviet Union launches the satellite Sputnik I, which becomes the first artificial object to orbit the Earth. It orbits for two months and provides valuable information about the density of the upper atmosphere. It also panics the United States into a space race that eventually culminates in the U.S. moon landing.
1970—Janis Joplin Overdoses
American blues singer Janis Joplin is found dead on the floor of her motel room in Los Angeles. The cause of death is determined to be an overdose of heroin, possibly combined with the effects of alcohol.
1908—Pravda Founded
The newspaper Pravda is founded by Leon Trotsky, Adolph Joffe, Matvey Skobelev and other Russian exiles living in Vienna. The name means “truth” and the paper serves as an official organ of the Central Committee of the Communist Party between 1912 and 1991.
1957—Ferlinghetti Wins Obscenity Case
An obscenity trial brought against Lawrence Ferlinghetti, owner of the counterculture City Lights Bookstore in San Francisco, reaches its conclusion when Judge Clayton Horn rules that Allen Ginsberg’s poetry collection Howl is not obscene.
1995—Simpson Acquitted
After a long trial watched by millions of people worldwide, former football star O.J. Simpson is acquitted of the murders of ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Simpson subsequently loses a civil suit and is ordered to pay millions in damages.
1919—Wilson Suffers Stroke
U.S. President Woodrow Wilson suffers a massive stroke, leaving him partially paralyzed. He is confined to bed for weeks, but eventually resumes his duties, though his participation is little more than perfunctory. Wilson remains disabled throughout the remainder of his term in office, and the rest of his life.