DRESS FOR SUCCESS

Well, you both meet the basic requirements, but a job like this also hinges on having a big personality.

It’s been a couple of years since we featured paperback illustrator Gene Bilbrew, so above you see a piece he painted for Hugo Paul’s novel Topless Waitress, from Chevron Books in 1967. Paul allegedly wrote as many as 700 sleaze novels under more than forty pseudonyms. That level of output usually makes for rushed and mediocre final results, which was worry enough, along with a thirty dollar price tag, for us to pass on this book. Then we found an electronic copy going for virtually nothing, took the leap, and found ourselves reading the tale of Jody Moran, virginal and headed toward marriage, and her mother Marian, far from virginal and headed toward divorce.

The heart attack death of their father/husband followed by financial need brought on by a business scam sends mother and daughter into the San Francisco nightclub scene, with mom eventually taking a job as the topless waitress of the title, and daughter becoming a topless “a-go-go dancer” in the same club. Along the way they deal with many opportunistic men, including one nightclub owner who manages to bed down both women, pitting them as rivals. Does decadent San Francisco ruin the pair? We won’t say. They’re sufficiently taken advantage of to satisfy prurient readers. Paul goes lyrical rather than graphic with his sex scenes, which is fine we guess. He’s a competent storyteller. In the end, though, we wouldn’t say Topless Waitress is anything more than a typical mid-century sleaze novel built on various sexual (and a few sexist) tropes.

The cover art, on the other hand, is far from typical. It features one of Bilbrew’s more striking scenes, with his trademark pneumatic women and almost comic book-style execution. He had a singular vision—clearly, considering one woman has a beehive and the other a bucket hat—and was, significantly, one of the only black paperback illustrators during the mid-century period. Since we’ve seen books with his art go for a hundred dollars, pricewise thirty is actually okay, even enticing, if we were inclined to resell one day. But somehow we never get around to reselling, so we think the cheap e-book route was a good decision. You can see more Bilbrew by clicking here.

Better late than never is our motto around here.


We’re finally getting back to paperback artist Gene Bilbrew, whose odd style, with its scantily clad women and their muscular butts has become collectible in recent years. We didn’t get it at first, but like a lot of art, once you’re exposed to it regularly you begin to appreciate its unique qualities. There’s clear intent in Bilbrew’s work, a deliberate attempt to approach illustration from a different angle, and we’ve grown to understand that his cartoonish, chaotic, often humorous, and often bondage themed aesthetic is purposeful. In fact, his imagery has become so intertwined with the bdsm scene that in 2019 the National Leather Association International established an award named after Bilbrew for creators of animated erotic art. While it’s not exactly a Pulitzer Prize, the point is that Bilbrew’s bizarre visions keep gaining wider acceptance. So for that reason we’ve put together another group of his paperback fronts. You can see more of them here, here, and here, and you can see a few rare oddities here, here, and here.

You know, I don't see any reason why I can't appoint both of you secretary of human services.

In case you’re wondering, human services is an actual function of the U.S. government. The department is called Health and Human Services, and there’s no healthier human service than sex. You can guess the plot of 1967’s Lust Candidate without too much trouble. An honest politician squares off for a governorship against a slick media star, while all sorts of craziness goes on behind the scenes with wives, mistresses, and a hot young stepdaughter.

We love the art. It’s often attributed to John Duillo, but Doug at the now defunct blog Whatgetsmehot suspected Elaine Duillo was behind this one, and back in 2010 sent an image of the cover to her. The answer she gave was revealing. Apparently, she painted the blonde on the right because the people at Chevron Books didn’t didn’t like the figure the first artist had produced. “They asked me to paint the blonde again. Then they stripped it in and paid me well to do this for them.”

To our eyes it looks like one artist wielded the brush here, but we presume Elaine Duillo knows her own work. We also presume she knows whether she replaced her husband’s work, so it looks like those John Duillo attributions could be wrong. We’ll put this in the two-thirds-unknown bin for now. That’s a new bin, but there you go.

He cooked up a different formula for paperback art.

Gene Bilbrew is one of those illustrators whose art seems at first glance below the usual standard, but he had a strong style, and the more you look at it the more you see it as the purposeful product of a unique talent. Like the work of leftfield illustrator Eric Stanton, Bilbrew’s paintings eschew realism of any sort and instead strive to catch the eye, achieving the ultimate goal of commercial art. Check out the assortment below.

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HISTORY REWIND

The headlines that mattered yesteryear.

1941—DiMaggio Hit Streak Reaches 56

New York Yankees outfielder Joe DiMaggio gets a hit in his fifty-sixth consecutive game. The streak would end the next game, against the Cleveland Indians, but the mark DiMaggio set still stands, and in fact has never been seriously threatened. It is generally thought to be one of the few truly unbreakable baseball records.

1939—Adams Completes Around-the-World Air Journey

American Clara Adams becomes the first woman passenger to complete an around the world air journey. Her voyage began and ended in New York City, with stops in Lisbon, Marseilles, Leipzig, Athens, Basra, Jodhpur, Rangoon, Bangkok, Hong Kong, Wake Island, Honolulu, and San Francisco.

1955—Nobel Prize Winners Unite Against Nukes

Eighteen Nobel laureates sign the Mainau Declaration against nuclear weapons, which reads in part: We think it is a delusion if governments believe that they can avoid war for a long time through the fear of [nuclear] weapons. Fear and tension have often engendered wars. Similarly it seems to us a delusion to believe that small conflicts could in the future always be decided by traditional weapons. In extreme danger no nation will deny itself the use of any weapon that scientific technology can produce.

1921—Sacco & Vanzetti Convicted

Nicola Sacco and Bartolomeo Vanzetti are convicted in Dedham, Massachusetts of killing their shoe company’s paymaster. Even at the time there are serious questions about their guilt, and whether they are being railroaded because of their Italian ethnicity and anarchist political beliefs.

1933—Eugenics Becomes Official German Policy

Adolf Hitler signs the Law for the Prevention of Hereditarily Diseased Offspring, and Germany begins sterilizing those they believe carry hereditary illnesses, and those they consider impure. By the end of WWII more than 400,000 are sterilized, including criminals, alcoholics, the mentally ill, Jews, and people of mixed German-African heritage.

1955—Ruth Ellis Executed

Former model Ruth Ellis is hanged at Holloway Prison in London for the murder of her lover, British race car driver David Blakely. She is the last woman executed in the United Kingdom.

1966—Richard Speck Rampage

Richard Speck breaks into a Chicago townhouse where he systematically rapes and kills eight student nurses. The only survivor hides under a bed the entire night.

Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.
Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.
Uncredited cover art for Orrie Hitt's 1954 novel Tawny. Hitt was a master of sleazy literature and published more than one hundred fifty novels.
George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.

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