Not long ago we took a look at the 1977 post-apocalyptic sci-fi flick Damnation Alley, ended up checking out the source novella’s cover art, and were reminded about illustrator Chris Foss. That was a good thing. Foss is a British artist who burst onto the sci-fi scene in the 1970s with conceptual paintings of a different style than had been seen before. His partly airbrushed, curvilinear creations were hardware oriented yet organic, bulbous yet seemed imbued with great power, and were often asymmetrical yet seemed realistic in terms of how future engineering might appear. We think, looking at his art now, his usage of numbering and logos was one trick that helped anchor it in something resembling reality. The occasional high visibility color schemes, like you find on industrial equipment, didn’t hurt either. We’ve loved his work since we first saw it, so we thought we’d put together a small collection focused on his specialty—vehicles, both terrestrial and celestial. Foss has a website here.
The best way to move through space and time.