This Japanese poster for the 1990s period crime drama A Rage in Harlem happened to catch our eye, partly because the art by Joe Batchelor is great, but also because we knew the American promo featured not this painting but a rather banal group photo of the cast. We don’t know why Japan got the better promo, but we can speculate. By this time global audiences were acclimated to photographic promo art, but in Japan the cast—Forest Whitaker, Robin Givens, and several established actors of the period—were unknown to local filmgoers, so the distributors marketed the movie as an art film, a sort of exotic trip to 1950s Harlem. The text on the poster’s reverse seems to confirm that: 1956, Harlem. Jazz clubs, dancehall dresses, and people in suits, with a nightlife unfolding in a Harlem-style destination.

Chester Himes’ novel For Love of Imabelle provided the source material, and it features everything the poster promises. The story deals with a naive and religious young Harlem undertaker played by Whitaker who’s taken in by scam artists, tries to retrieve his money, but runs into an array of complications, some of them comical, most of them lethal. The movie follows the book pretty closely, which means it’s bound to have good moments, but the direction by Bill Duke is a bit ponderous in the early stages, the script’s many interjections of humor lack the zest of Himes’ writing, the soundtrack is often a mismatch of mood, and the entire production suffers from budgetary constraints. It wasn’t shot in New York City, but rather Cincinnati. While architecturally that made sense because Cincinnati has scores of brownstone houses in the style of old Harlem, there’s really no substitute for the Big Apple.

On the plus side, the cast is interesting. Whitaker would later become a respected Hollywood figure, though here he’s a little green, still feeling his way as an actor. Danny Glover, Bajda Djola, and Gregory Hines are entertaining in supporting roles. Givens fits the part of a femme fatale like a glove—which is to say, she’s slinky as hell and startlingly beautiful. And turning back to the setting, while, as we said, Cincinnati is no Harlem, the many brownstone apartment houses did create a workable backdrop, and Duke uses the city in every advantageous manner he can manage. These are enough attractions, we think, to push the movie onto the plus side of the ledger. After its 1991 U.S. run A Rage in Harlem reached Japan in 1992. The rear of the poster gives a premiere date of May 2.