The above poster, with its sinister art, was made for the Japanese run of a 1970 French movie titled L’aveu, aka The Confession. It was directed by Costa-Gavras, who often delves into political themes, and here Yves Montand stars as a Czech communist party official named Anton who is one day followed, arrested without warrant, and thrown in jail without charge or access to legal counsel.
He thinks it’s a mistake but soon realizes party officials suspect him of treason and plan to extract a confession through whatever means are required. He’s subjected to isolation, sleep deprivation, and rough treatment, all presented here unequivocally as torture. And indeed when the movie was made there was no doubt what it was. But these days, in the U.S., tens of millions of people and many government officials say it isn’t torture—or worse, say it is torture and should be used more.
The film, in the fullness of time, now offers a double lesson—its intended one about a Soviet empire that collapsed, and an unintended one about an American empire making the same mistakes. In L’aveu the state tries to forcibly program Anton; in the U.S. millions have been programmed to accept torture simply because the state has told them to. For us, it was all pretty hard to watch, but it’s a damned good movie. It premiered in Japan today in 1971.
