I'm happy for you both—but you're putting excruciating pressure on my urinary catheter.
vintage and modern pulp fiction; noir, schlock and exploitation films; scandals, swindles and news
The artist who painted this cover for Curt Aldrich’s 1966 sleazer Anytime Girl didn’t receive credit, which is not surprising, because it’s a simplified copy of a Bob Abbett cover for the 1959 William Campbell Gault novel Sweet Wild Wench. But on the other hand, the cover for Sweet Wild Wench is a simplified copy of a frame from the 1958 Brigitte Bardot film En cas de malheur, aka Love Is My Profession. You’ll see what we mean if you look here. We still like this cover, though. Greenleaf Classics and its various imprints—Evening, Candid, Midnight, Ember, Nightstand, et al—had a way of reducing cover concepts to their primal essence. Back then the results were considered tastelessly funny. Probably not so much today, but that’s one reason we share these—for the cultural contrast between then and now. If you think society has progressed since then, here’s a bit of evidence why that’s true. And if you think everyone has simply turned into humorless drones, ditto. Want to see our greatest hits of Greenleaf Classics? Top ten: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. Debate and discuss. We’ll be back tomorrow to help dispose of the bodies.
This post was long overdue. Most pulp oriented websites do a collection of covers that have the word wanton in the title, so we’re following suit. Basically because we couldn’t think of anything else to do today. Numerous examples below. Enjoy.
Above, Sucked into Sin, written by Curt Aldrich and published by Greenleaf Classics in 1968 for their Companion Books set. Typical sleaze here, with a story revolving around a woman whose husband leaves for Germany on a business trip for three weeks, prompting the horny neighbors to use the time to corrupt her. It doesn’t take much, and within days wifey’s letting the whole neighborhood get on it. But what will she tell her husband? The cover artist for this is Ed Smith.
We were going to go with “cream for my seeping bacne” for the subhead on this one, but that struck us as too colloquial, so we went with hemorrhoid cream instead. We’re all class around here. Anyway, Curt Aldrich, who we last discussed way back in 2009, was a house pseudonym inhabited by several writers, so we hear. The only one of those to have been positively identified is Richard Curtis. The Lust Lotion, which appeared in 1967, is a tame effort for Aldrich. He would go on to write incest books like Spread Big Sister and Her Father’s Fixation, as well as bestiality novels like Daughter Loves Horses, Horse-Happy Schoolgirl, and the unforgettable Schoolgirls Hot for Dogs, so Lust Lotion is family fare in comparison. The art is from Robert Bonfils.
Despite the racy look of it, 1,2,3… Swap! is one of author Curt Aldrich’s tamer efforts. Writing from the mid-60s and into the 80s, he specialized in swapping fiction, giving us many memorable books, including Cock ‘o the Swap, Swap Epidemic, and Swap ’69. Not one to limit himself, Aldrich also went fully hardcore with rather shocking titles like Daughter Loves Horses, Spread Big Sister, and Horny Holy Roller Family.
It could be Aldrich showed such range because he was actually a pseudonym used by various authors, including Richard Curtis, who later became a literary agent. Many of these books featured low-rent cover illustrations that were little more than sketches, but this psychedelic effort by an unknown artist (looks like it could be Robert Bonfils, but absent confirmation, we’ll go with unknown) is first rate. We’ll be posting more Adrich books in the future.
Update: turns out the art is by Darrel Millsap, who illustrated scores of covers for Greenleaf Classics. It only took four years to clear that up, but better late than never.
The U.S.S.R. launches the spacecraft Venera 1, equipped with scientific instruments to measure solar wind, micrometeorites, and cosmic radiation, towards planet Venus. The craft is the first modern planetary probe. Among its many achievements, it confirms the presence of solar wind in deep space, but overheats due to the failure of a sensor before its Venus mission is completed.
In Oslo, Norway, a pair of art thieves steal one of the world’s best-known paintings, Edvard Munch’s “The Scream,” from a gallery in the Norwegian capital. The two men take less than a minute to climb a ladder, smash through a window of the National Art Museum, and remove the painting from the wall with wire cutters. After a ransom demand the museum refuses to pay, police manage to locate the panting in May, and the two thieves, as well as two accomplices, are arrested.
BBC Television produces the first ever science fiction television program, an adaptation of a section of Czech writer Karel Capek’s dark play R.U.R., aka, Rossum’s Universal Robots. The robots in the play are not robots in the modern sense of machines, but rather are biological entities that can be mistaken for humans. Nevertheless, R.U.R. featured the first known usage of the term “robot”.
Captured American spy pilot Gary Powers, who had been shot down over the Soviet Union in May 1960 while flying a U-2 high-altitude jet, is exchanged for captured Soviet spy Rudolf Abel, who had been arrested in New York City in 1957.
Actress Joanne Woodward receives the first star on the Hollywood Walk of Fame, the Los Angeles sidewalk at Hollywood Boulevard and Vine Street that serves as an outdoor entertainment museum. Woodward was one of 1,558 honorees chosen by the Hollywood Chamber of Commerce in 1958, when the proposal to build the sidewalk was approved. Today the sidewalk contains nearly 2,800 stars.
Satchel Paige becomes the first player from America’s Negro Baseball League to be voted into the Major League Baseball Hall of Fame in Cooperstown, New York. Paige, who was a pitcher, played for numerous Negro League teams, had brief stints in Cuba, Mexico, Puerto Rico, and the Major Leagues, before finally retiring in his mid-fifties.