FACE TIME

Movie stars were always willing to give each other a hand.


Once again we’ve been struck, so to speak, by the sheer number of cinema promo images featuring actors and actresses pretending to slap each other. They just keep turning up. The above shot is more about the neck than the face, but it still counts, as Gloria Swanson slaps William Holden in 1950’s Sunset Boulevard. Below we have a bunch more, and you can see our previous collection at this link. Since we already discussed this phenomenon we won’t get into it again, except briefly as follows: pretend slaps, film is not reality, and everyone should try to remember the difference. Many slaps below for your interest and wonder.
Diana Dors smacks Patrick Allen blurry in 1957’s The Long Haul.

Mob boss George Raft menaces Anne Francis in a promo image made for 1954’s Rogue Cop.

Bud Abbott gets aggressive with Lou Costello in 1945’s Here Come the Co-Eds.

Jo Morrow takes one from black hat Jack Hogan in 1959’s The Legend of Tom Dooley.

Chris Robinson and Anita Sands get a couple of things straight about who’s on the yearbook committee in Diary of High School Bride.

Paul Newman and Ann Blyth agree to disagree in 1957’s The Helen Morgan Story.

Verna Lisi shows Umberto Orsini who gives the orders in the 1967 film La ragazza e il generale, aka The Girl and the General.

What the fuck did you just call me? Marki Bey slaps Betty Anne Rees loopy in the 1974 horror flick Sugar Hill.

Claudia Cardinale slaps (or maybe punches—we can’t remember) Brigitte Bardot in the 1971 western Les pétroleuses, known in English for some reason as The Legend of Frenchie King.

Audrey Totter reels under the attentions of Richard Basehart in 1949 Tension. We’re thinking it was probably even more tense after this moment.

Anne Baxter tries to no avail to avoid a slap from heel Steve Cochran in 1954’s Carnival Story.

Though Alan Ladd was a little guy who Gail Russell probably could have roughed up if she wanted, the script called for him to slap her, and he obeyed in the 1946 adventure Calcutta.

Peter Alexander guards his right cheek, therefore Hannelore Auer crosses him up and attacks his left in 1964’s Schwejk’s Flegeljahre, aka Schweik’s Years of Indiscretion.

Elizabeth Ashley gives Roddy McDowall a facial in in 1965’s The Third Day.

Tony Anthony slaps Lucretia Love in 1972’s Piazza pulita, aka Pete, Pearl and the Pole.
 
André Oumansky goes backhand on Lola Albright in 1964’s Joy House.

Frank Ferguson catches one from Barbara Bel Geddes in the 1949 drama Caught.

This looks like a real slap, so you have to credit the actresses for their commitment. It’s from 1961’s Raisin in the Sun and shows Claudia McNeil rearranging the face of Diana Sands.

Gloria Grahame finds herself cornered by Broderick Crawford in 1954’s Human Desire.

Bette Davis, an experienced slapper and slappee, gets a little assistance from an unidentified third party as she goes Old West on Amanda Blake in a 1966 episode of Gunsmoke called “The Jailer.”

There are a few slaps in 1939’s Gone with the Wind, so we had our pick. We went with Vivien Leigh and Leslie Howard.

Virginia Field takes one on the chin from Marshall Thompson in Dial 1119.

Clint Eastwood absorbs a right cross from nun Shirley MacLaine in 1970’s Two Mules for Sister Sara.

The next few rounds are on her.

It’s always fun until someone sprays gunfire around the bar. Above you see a promo image of British actress Virginia Field made for her 1950 film noir Dial 1119. This would be a controversial photo for an actress today, and understandably so, for reasons that regularly make headlines. We shared another promo of Field from Dial 1119 a long while back, which you can see here.

When your number is up it's up.

Dial 1119 is a simple film noir with a similar set-up as 1948’s Key Largo—i.e. a criminal holds a barful of people hostage. This particular bar, called the Oasis, is in the fictional metropolis Terminal City. While the movie is simple it isn’t one-note. We meet each of the characters earlier in the day, before they’ve gone to the Oasis to be terrorized, and they’re an interesting mix—a newspaperman, a barfly, a cheating wife, an expectant father, and more. The man who holds them is a full-blown psychopath, a conscienceless killer, and the main plot question is whether he’ll make Terminal City literal for the entire group by simply exterminating them all. Sure looks like it most of the time. This is a tidy flick, satisfying like a snack rather than a meal, well worth consuming. As a side note, you may find it interesting that the Oasis has the world’s first wall mounted flatscreen television. It isn’t real—the filmmakers bring it to life with projection efx. But we love that they even thought of it. Dial 1119 premiered in the U.S. today in 1950.

Say hello to my little agent.

This film noir style Universal Pictures promo image shows Paris born Andrea King, whose given name was Georgette André Barry, but who lived only briefly in France before her mother brought her to the U.S. We just saw her in Mr. Peabody and the Mermaid, but we really remember her best for her role in a great but obscure film noir called Ride the Pink Horse. She also appeared in Shadow of a WomanDial 1119Southside 1-1000, and—we love this last one—Blackenstein. The above shot showing her in take charge mode was made for the 1950 film I Was a Shoplifter.

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HISTORY REWIND

The headlines that mattered yesteryear.

1920—League of Nations Holds First Session

The first assembly of the League of Nations, the multi-governmental organization formed as a result of the Treaty of Versailles, is held in Geneva, Switzerland. The League begins to fall apart less than fifteen years later when Germany withdraws. By the onset of World War II it is clear that the League has failed completely.

1959—Clutter Murders Take Place

Four members of the Herbert Clutter Family are murdered at their farm outside Holcomb, Kansas by Richard “Dick” Hickock and Perry Smith. The events would be used by author Truman Capote for his 1966 non-fiction novel In Cold Blood, which is considered a pioneering work of true crime writing. The book is later adapted into a film starring Robert Blake.

1940—Fantasia Premieres

Walt Disney’s animated film Fantasia, which features eight animated segments set to classical music, is first seen by the public in New York City at the Broadway Theatre. Though appreciated by critics, the movie fails to make a profit due to World War II cutting off European revenues. However it remains popular and is re-released several times, including in 1963 when, with the approval of Walt Disney himself, certain racially insulting scenes were removed. Today Fantasia is considered one of Disney’s greatest achievements and an essential experience for movie lovers.

1912—Missing Explorer Robert Scott Found

British explorer Robert Falcon Scott and his men are found frozen to death on the Ross Ice Shelf in Antarctica, where they had been pinned down and immobilized by bad weather, hunger and fatigue. Scott’s expedition, known as the Terra Nova expedition, had attempted to be the first to reach the South Pole only to be devastated upon finding that Norwegian explorer Roald Amundsen had beaten them there by five weeks. Scott wrote in his diary: “The worst has happened. All the day dreams must go. Great God! This is an awful place.”

1933—Nessie Spotted for First Time

Hugh Gray takes the first known photos of the Loch Ness Monster while walking back from church along the shore of the Loch near the town of Foyers. Only one photo came out, but of all the images of the monster, this one is considered by believers to be the most authentic.

1969—My Lai Massacre Revealed

Investigative journalist Seymour Hersh breaks the story of the My Lai massacre, which had occurred in Vietnam more than a year-and-a-half earlier but been covered up by military officials. That day, U.S. soldiers killed between 350 and 500 unarmed civilians, including women, the elderly, and infants. The event devastated America’s image internationally and galvanized the U.S. anti-war movement. For Hersh’s efforts he received a Pulitzer Prize.

Robert McGinnis cover art for Basil Heatter’s 1963 novel Virgin Cay.
We've come across cover art by Jean des Vignes exactly once over the years. It was on this Dell edition of Cave Girl by Edgar Rice Burroughs.
Untitled cover art from Rotterdam based publisher De Vrije Pers for Spelen op het strand by Johnnie Roberts.
Italian artist Carlo Jacono worked in both comics and paperbacks. He painted this cover for Adam Knight's La ragazza che scappa.

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