Vintage Pulp

December 18 2023

SLAVES TO LOVE

You never know what you'll find if you go far enough up the Amazon.

Written, produced, and directed by Curt Siodmak, who was behind numerous monster features, including Bride of the Gorilla and Curucu, the tropical adventure Love Slaves of the Amazon, which premiered today in 1957, is a full color production about the search for a lost realm of warrior women and their priceless treasures. In order for the expedition to take place, semi-crazy Eduardo Ciannelli must convince staid Don Taylor that the Amazons exist. He reveals a golden statue as proof, which he’d obtained on a previous foray into the jungle, and after some back and forth, sufficient funds for the journey are obtained. Unfortunately, rumors of gold and diamonds have piqued the interest of local ruffians, who plan to hijack the expedition.

Are there actually Amazons? You bet. French actress Anna Maria Nabuco is their queen. Are there love slaves? Yup, one poor exhausted one, anyway, and Taylor looks ripe as a replacement as far as Nabuco is concerned. And is there treasure? There’s that too. The movie’s plusses include a pitched battle between the expedition and the hijackers while both their boats are mired in river mud, and various exteriors actually shot in Manaus, Brazil and the nearby rain forest. Additionally, the poster art by Reynold Brown is tops. On the minus side, we felt that intermittent veerings into comedy were pointless and unfunny. But on the whole, Love Slaves of the Amazons was better than we expected. Does that mean it was good? Define “good.”

Brazil, Manaus, Love Slaves of the Amazons, Don Taylor, Gianna Segale, Eduardo Ciannelli, Anna Marie Nabuco, Curt Siodmak, Reynold Brown, poster art, cinema, movie review

Vintage Pulp

July 16 2023

WHY, IT’S ELEMENTARY

Look, I've found something! I bet this advances the plot!

Here’s another nice panel length poster for the 1937 mystery comedy Super-Sleuth. The term “door panel,” which is a commonly used designation, is a bit deceptive. These are nowhere near the size of a door. The dimensions are twenty by sixty, or sometimes fourteen by thirty-six—in any case around three times taller than wide. The dimensions of this one aren’t actually quite there. It’s closer to two-point-five-to one. Close enough, as far as we’re concerned. Anyway, we’ve been unearthing a lot of this style of promo lately, and we like them because the arrangement of visual elements and text are pleasing to our amateur eyes.

In the movie, an egotistical actor played by Jack Oakie, whose signature character is a sleuth, criticizes the LAPD and ends up in a press feud with them. He’s been critical because he and other Hollywood stars have been receiving threatening letters from “the Poison Pen,” but the cops have no idea who’s sending them. Oakie gets his chance to prove whether he can be a real life sleuth when there’s a shooting on his movie set. While Super-Sleuth is billed as slapstick mystery, the mystery part is not delivered. There’s only ever one true suspect. We suppose it’s difficult to write in red herrings and twists when a film is 75 minutes long. Still, having the sinister and secretive weirdo be the murderer is a little too elementary.

Though many of the characters, including Oakie, are buffoons, there’s also, it must be noted, a ridiculous black stereotype played by Willie Best, who sometimes acted under the moniker Sleep ‘n’ Eat. He’s often reviled for his portrayals now, but in a 1934 interview he said, “What’s an actor going to do? Either you do it or get out.” It’s the dilemma of all actors—do your level best with what you’re given or end up on the do-not-hire list. Super-Sleuth doesn’t give its actors a lot to work with, but Oakie, Best, the beautiful Ann Sothern and the rest put their all into it and the result is a passable slapstick (non) mystery with a handful of genuine laughs. It premiered in the U.S. today in 1937.

Super-Sleuth, Jack Oakie, Ann Sothern, Eduardo Ciannelli, Alan Bruce, Joan Woodbury, Willie Best, poster art, cinema, movie review

Vintage Pulp

September 1 2017

SEALED WITH A HISS

Curiosity mutated the cat.

The Creeper, which premiered in the U.S. today in 1948, has a sinister, attention-getting poster, which you see above, but the film is long on atmosphere and short on frights. It concerns a doctor trying to develop bioluminescence in human organs so they’re self lighting and will make surgery easier. You read that correctly. He wants to make organs glow just in case you need to be cut open one day. But instead he ends up, through his experiments on cats, creating a beast that slinks around mauling people to death. We never see an entire killer kitty—that wasn’t in the budget it seems—but we do see ~~cheap stuffed animal paws~~ fearsome razor sharp claws. Ultimately The Creeper is a mood movie—which is to say, if you’re in the right mood it may work for you. A six-pack could help get you there. Something even more psychoactive could get you there faster. But even then we can’t guarantee you’ll enjoy it.

The Creeper, Eduardo Ciannelli, June Vincent, poster art, cinema, horror, movie review

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HISTORY REWIND

The headlines that mattered yesteryear.

October 6

1966—LSD Declared Illegal in U.S.

LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.

October 5

1945—Hollywood Black Friday

A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.

October 4

1957—Sputnik Circles Earth

The Soviet Union launches the satellite Sputnik I, which becomes the first artificial object to orbit the Earth. It orbits for two months and provides valuable information about the density of the upper atmosphere. It also panics the United States into a space race that eventually culminates in the U.S. moon landing.

October 4

1970—Janis Joplin Overdoses

American blues singer Janis Joplin is found dead on the floor of her motel room in Los Angeles. The cause of death is determined to be an overdose of heroin, possibly combined with the effects of alcohol.

October 3

1908—Pravda Founded

The newspaper Pravda is founded by Leon Trotsky, Adolph Joffe, Matvey Skobelev and other Russian exiles living in Vienna. The name means “truth” and the paper serves as an official organ of the Central Committee of the Communist Party between 1912 and 1991.

October 3

1957—Ferlinghetti Wins Obscenity Case

An obscenity trial brought against Lawrence Ferlinghetti, owner of the counterculture City Lights Bookstore in San Francisco, reaches its conclusion when Judge Clayton Horn rules that Allen Ginsberg’s poetry collection Howl is not obscene.

October 3

1995—Simpson Acquitted

After a long trial watched by millions of people worldwide, former football star O.J. Simpson is acquitted of the murders of ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Simpson subsequently loses a civil suit and is ordered to pay millions in damages.