HOWLOWEEN NIGHT

Always make sure to brush after wolfing down your treats.


Above: Elisabeth Brooks in character as Marsha from the 1981 horror film The Howling, which remains one of the better werewolf movies ever made, thanks to its unique vision and practical effects. For werewolves, every day is sort of like Halloween, so we think they’d prefer maybe July 4th or Christmas as holidays or festivals go. Sort of makes sense, right? The same way Santa probably prefers spring break. Anyway, this shot is a slight variation on one we shared several years ago. You can see that, and read a bit about The Howling, at this link

It isn't the wind making that howling noise.

Above you see two colorful Japanese posters for The Howling, Joe Dante’s 1981 werewolf thriller starring Dee Stone, Patrick Macnee, and Invasion of the Body Snatchers hero Kevin McCarthy. As werewolf movies go, The Howling was a bit of a gamechanger simply because the principle werewolf was more terrifying than any that had been put on screen to that point. It looks more than anything like a ten-foot tall Wile E. Coyote, with a long crooked snout, and devilish ears that stick out from its head like horns. Covered with wiry hair and perched upon long canine legs like a walking dog, the brute physicality of this beast is cringe inducing. On the other hand, the ancillary werewolves might make you laugh. The filmmakers obviously wanted to genderize the creatures, which led to the idea of making the female wolves somehow cute. Instead they end up looking like Ewoks. The giallo-styled soundtrack might also be jarring for modern audiences. We love it, even though it’s right in your face like doggie breath.

But the film is definitely worth watching these thirty-six years later. The plot involves a television reporter whose investigation into serial killings in New York City result in her—seemingly in random fashion—spending time in a rural retreat to recover from emotional trauma. There she realizes a coven of werewolves rules the woods. Dante went for a slow build-up to the big reveal, and when that first encounter came it forever recalibrated the werewolf genre. Today some of the balloon effects may look quaint, but objectively they’re more visceral than anything computer graphics have managed thus far. Other effects, including a brief animation, aren’t as convincing, but no movie is perfect. The Howling is a landmark, and our only regret is we were never able to see it in a cinema (though that may change if ever our local horror festival screens it). The film premiered in the U.S. in March 1981, and first howled across Japan today the same year.

In retrospect, maybe this solo hiking trip wasn’t the best idea. Oh well, I’ll be fine. But next year: Burning Man.
 
Hmm. So she disappeared down there in that bizarre nimbus of light? I think it’s about time for my donut break.
 
Okay, okay! Let me just find the leash and we’ll go. Geez—sometimes I can’t tell who’s the owner and who’s the pet.
 

Arooooooo! Bacon! Bacon! Bacon! Baaaaacooooon!
 

So, you loaded this with the silver bullets, right? Right? Baby, did you hear me?

Well, the thing is, werewolfing helps me relax. Fronting my speedmetal band is really stressful.

I think the night went bad after the third Jäger shot. Could be worse, though. Garth got a tribal tattoo on his calf.


Man, these beasts are seriously horr— Whoa. Single white werewolf at twelve o’clock. Bitch got some fucked up teeth but I can work with that. 

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HISTORY REWIND

The headlines that mattered yesteryear.

1940—The Battle of Britain Begins

The German Air Force, aka the Luftwaffe, attacks shipping convoys off the coast of England, touching off what Prime Minister Winston Churchill describes as The Battle of Britain.

1948—Paige Takes Mound in the Majors

Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.

1965—Biggs Escapes the Big House

Ronald Biggs, a member of the gang that carried out the Great Train Robbery in 1963, escapes from Wandsworth Prison by scaling a 30-foot wall with three other prisoners, using a ladder thrown in from the outside. Biggs remained at large, mostly living in Brazil, for more than forty-five years before returning to the UK—and arrest—in 2001.

1949—Dragnet Premiers

NBC radio broadcasts the cop drama Dragnet for the first time. It was created by, produced by, and starred Jack Webb as Joe Friday. The show would later go on to become a successful television program, also starring Webb.

1973—Lake Dies Destitute

Veronica Lake, beautiful blonde icon of 1940s Hollywood and one of film noir’s most beloved fatales, dies in Burlington, Vermont of hepatitis and renal failure due to long term alcoholism. After Hollywood, she had drifted between cheap hotels in Brooklyn and New York City and was arrested several times for public drunkenness and disorderly conduct. A New York Post article briefly revived interest in her, but at the time of her death she was broke and forgotten.

Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.
Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.
Uncredited cover art for Orrie Hitt's 1954 novel Tawny. Hitt was a master of sleazy literature and published more than one hundred fifty novels.
George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.

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