NICK OF TIME

Always read the fine print before making a deal.

You would think that a movie like Alias Nick Beal would come along much later in the film noir cycle, after other ideas had been exhausted, but it premiered today in 1949, before many of the best noirs had been made. If we determine that it’s indeed a film noir—we think it qualifies—then it might be called a noir that jumped the shark. In a genre thematically defined by the fact that the choices protagonists make go wrong, the premise here is diabolical: an honest district attorney played by Joseph Foster comments casually that he would give his soul to nail an elusive waterfront criminal, and faster than you can say fire and brimstone, a mysterious figure played by Ray Milland summons Foster to a shadowy bar and leads him to the evidence needed for an indictment and conviction.

It’s the first of many unbidden Milland appearances, as he keeps popping up accompanied by musical stings, and we audience members are: “He’s the Devil, you fool!” The Devil wants something related to the prosecutorial fame now propelling Foster toward the governor’s mansion. Slashed programs for children? Loosened regulations? Undeserved agency appointments? The Devil angle is revealed in the first ten minutes, so we’ve not spoiled anything—plenty of plot follows thanks to the source story by Mindret Lord and screenplay by Jonathan Latimer. Were they writing an allegory about lobbying? They might as well have been. Alias Nick Beal, starring Foster, Milland, and the priceless Audrey Totter, is a weird must-watch—part mystery, part horror, part film noir. Did it jump the noir shark? Yes, in a good way.

Ambition proves to be fatal in Billy Wilder's classic drama.

This poster was made for the classic drama Sunset Boulevard, a true trailblazer of a film, the story of how a desperately broke writer becomes the kept man of a faded screen star—the immortal silent film queen Norma Desmond. The role of Desmond is played by Gloria Swanson, who at first seems eccentrically lost in her own glorious past, but eventually reveals herself as deranged and dangerous. It’s a difficult, bizarro role, highly stylized, requiring utter conviction and complete faith in script and direction. While the movie is considered a film noir, it’s also a mix of melodrama, black comedy, Hollywood satire, and suspense. With all these ingredients the entire production could have fallen in like a house of cards, and probably would have four times out of five, but director Billy Wilder, along with Swanson, William Holden, and Erich von Stroheim, give everything they have. Swanson’s acting is operatically over-the-top, deliberately so, even cringefully so, but she crafts an all-time screen role. No matter how bonkers she gets, you never stop pitying her, and that’s the key. Sunset Boulevard, a film that walks the highest wire of believability without losing its balance, is a mandatory watch. It premiered today in 1950.

In noir you can run but you can’t hide.

You can’t explore film noir without getting acquainted with director Robert Siodmak. We mentioned him before when we showed you the Swedish promo art for his great film The Killers, and today we have the U.S. poster for his also brilliant Cry of the City. The story involves two friends who both grew up in good families, but ended up on opposite sides of the law—one as a cop, the other as a criminal.

Victor Mature plays the cop, and we have to say, we wish he hadn’t gone on to do all those sword and sandal epics, because we kept picturing him covered with bronzer, splitting Philistines’ heads with the jawbone of an ass. But his performance here is good, a perfect counterbalance to the intense Richard Conte’s ailing crook, who opens the film wounded in a hospital bed.

Conte eventually escapes to track down the real perpetrator of a jewel heist the police have pinned on him. After a few twists and turns, he finds the real thief, but in noir, you can’t buy off fate even with a last act of selflessness. Conte is still a bad man, and he’s still gotta pay the piper. Cry of the City premiered in the U.S today in 1948. 

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HISTORY REWIND

The headlines that mattered yesteryear.

1916—Richard Harding Davis Dies

American journalist, playwright, and author Richard Harding Davis dies of a heart attack at home in Philadelphia. Not widely known now, Davis was one of the most important and influential war correspondents ever, establishing his reputation by reporting on the Spanish-American War, the Second Boer War, and World War I, as well as his general travels to exotic lands.

1919—Zapata Is Killed

In Mexico, revolutionary leader Emiliano Zapata is shot dead by government forces in the state of Morelos, after a carefully planned ambush. Following the killing, Zapata’s revolutionary movement and his Liberation Army of the South slowly fall apart, but his political influence lasts in Mexico to the present day.

1925—Great Gatsby Is Published

F. Scott Fitzgerald’s novel The Great Gatsby is published in New York City by Charles Scribner’s Sons. Though Gatsby is Fitzgerald’s best known book today, it was not a success upon publication, and at the time of his death in 1940, Fitzgerald was mostly forgotten as a writer and considered himself to be a failure.

1968—Martin Luther King Buried

American clergyman and civil rights leader Martin Luther King, Jr., is buried five days after being shot dead on a Memphis, Tennessee motel balcony. April 7th had been declared a national day of mourning by President Lyndon B. Johnson, and King’s funeral on the 9th is attended by thousands of supporters, and Vice President Hubert Humphrey.

1953—Jomo Kenyatta Convicted

In Kenya, Jomo Kenyatta is sentenced to seven years in prison by the nation’s British rulers for being a member of the Mau Mau Society, an anti-colonial movement. Kenyatta would a decade later become independent Kenya’s first prime minister, and still later its first president.

1974—Hank Aaron Becomes Home Run King

Major League Baseball player Hank Aaron hits his 715th career home run, surpassing Babe Ruth’s 39-year-old record. The record-breaking homer is hit off Al Downing of the Los Angeles Dodgers, and with that swing Aaron puts an exclamation mark on a twenty-four year journey that had begun with the Indianapolis Clowns of the Negro League, and would end with his selection to Major League Baseball’s Hall of Fame.

Edições de Ouro and Editora Tecnoprint published U.S. crime novels for the Brazilian market, with excellent reworked cover art to appeal to local sensibilities. We have a small collection worth seeing.
Walter Popp cover art for Richard Powell's 1954 crime novel Say It with Bullets.
There have been some serious injuries on pulp covers. This one is probably the most severe—at least in our imagination. It was painted for Stanley Morton's 1952 novel Yankee Trader.

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