LE MYSTERY

McQueen behind the scenes.

At first we thought this was a promo poster for Steve McQueen’s 1971 racing thriller Le Mans, which in Japan was called The 24 Hours of Le Mans, the distributors Towa Co. having opted for an English title, perhaps to make the film sound more exotic. But there’s a smaller Japanese title at bottom—栄光のル・マン—which means “Glory of Le Mans.” It was while staring at this bit that we saw John Sturges and Lee Katzin credited as directors. But Sturges had nothing to do with Le Mans—Lee Katzin directed it alone.

It finally dawned on us that this poster is for a documentary about the making of Le Mans, using footage from the movie and, we’re guessing, the two Sturges films that starred McQueen—The Great Escape and The Magnificent Seven. So this poster represents a bit of a mystery. It promotes a documentary that was seemingly released only in Japan. Note that it isn’t for the 2015 doc Steve McQueen: The Man and Le Mans. That worthy effort was directed by Gabriel Clark and John McKenna.

No this is a different film. And we’re pretty sure it’s from the period just after Le Mans played in cinemas, for no other reason than the poster has a retro aesthetic, both in layout and font, that you don’t find in Japanese promos after about 1980. But we searched everywhere and found no reference anywhere to a Le Mans doc from that time. Or in fact any Le Mans documentary by Sturges and Katzin. So we throw it to the readership. Got any ideas? Let us know.

Alternate theory: Sturges ended up on this totally by accident. It’s a typo, and the poster is in fact for the feature film Le Mans.

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HISTORY REWIND

The headlines that mattered yesteryear.

1937—Carothers Patents Nylon

Wallace H. Carothers, an American chemist, inventor and the leader of organic chemistry at DuPont Corporation, receives a patent for a silk substitute fabric called nylon. Carothers was a depressive who for years carried a cyanide capsule on a watch chain in case he wanted to commit suicide, but his genius helped produce other polymers such as neoprene and polyester. He eventually did take cyanide—not in pill form, but dissolved in lemon juice—resulting in his death in late 1937.

1933—Franklin Roosevelt Survives Assassination Attempt

In Miami, Florida, Giuseppe Zangara attempts to shoot President-elect Franklin D. Roosevelt, but is restrained by a crowd and, in the course of firing five wild shots, hits five people, including Chicago, Illinois Mayor Anton J. Cermak, who dies of his wounds three weeks later. Zangara is quickly tried and sentenced to eighty years in jail for attempted murder, but is later convicted of murder when Cermak dies. Zangara is sentenced to death and executed in Florida’s electric chair.

1929—Seven Men Shot Dead in Chicago

Seven people, six of them gangster rivals of Al Capone’s South Side gang, are machine gunned to death in Chicago, Illinois, in an event that would become known as the St. Valentine’s Day Massacre. Because two of the shooters were dressed as police officers, it was initially thought that police might have been responsible, but an investigation soon proved the killings were gang related. The slaughter exceeded anything yet seen in the United States at that time.

1935—Jury Finds Hauptmann Guilty

A jury in Flemington, New Jersey finds Bruno Hauptmann guilty of the 1932 kidnapping and murder of the Lindbergh baby, the son of Charles Lindbergh. Hauptmann is sentenced to death and executed in 1936. For decades, his widow Anna fights to have his named cleared, claiming that Hauptmann did not commit the crime, and was instead a victim of prosecutorial misconduct, but her claims are ultimately dismissed in 1984 after the U.S. Supreme Court refuses to address the case.

Uncredited cover art for Day Keene’s 1952 novel Wake Up to Murder.
Another uncredited artist produces another beautiful digest cover. This time it's for Norman Bligh's Waterfront Hotel, from Quarter Books.
Above is more artwork from the prolific Alain Gourdon, better known as Aslan, for the 1955 Paul S. Nouvel novel Macadam Sérénade.
Uncredited art for Merle Miller's 1949 political drama The Sure Thing.

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