ALIBI BABY

Two tough guys plus one Gloria Grahame add up to minus one tough guy.


This rare promo for the film noir Naked Alibi shows Gloria Grahame caught between mortal enemies Sterling Hayden and Gene Barry. The movie premiered in the U.S. today in 1954. We talked about it last year. Shorter version: b movie tries hard but could b better. 

The most important element of our airtight alibi is the naked part, so let's get started on that first.


There’s nothing quite like settling in for a b-movie, but being pleasantly surprised because it’s a-quality. And then there’s Naked Alibi, a not wholly successful crime procedural starring Sterling Hayden as a two-fisted cop who sometimes bends the rules, Gene Barry as the man he wants to put behind bars, and Gloria Grahame as a woman caught between the two. The movie features the oft-used film noir gimmick of a trip to Mexico—or at least close by, to a fictional town with the imaginative name Border City. In crime cinema, these trips into or adjacent to Mexico are supposed to represent descents into lawlessness, because everybody knows life is cheap on the border. Co-star Don Haggerty to Hayden: “Watch yourself, Joe. He spots you down there he can rub you and make it look real good.”

Hayden doesn’t get rubbed down there or anywhere, sadly. But the trip is worth it anyway because he runs into local chanteuse Marianna, played by Gloria Grahame. Her musical repertoire consists of an unenthusiastically lip synched number with overly precious lyrics, but of course the feminine song and dance routine is even more of a film noir staple than a trip to Mexico. Sometimes these musical bits are good, but in this case Grahame obviously can’t sing, and her dance moves are flat hilarious. Plus, her acting will never be mistaken for virtuosic. What she has, though, is a palpable vulnerability that makes her an excellent hard luck femme fatale, in this case one who’s grown tired of her abusive boyfriend and is casting a wandering eye toward Hayden as a possible replacement.

Despite mostly passable performances, Naked Alibi is pure b-noir that shows a lack of top tier talent in all other areas. It was directed by television veteran Jerry Hopper and written by Lawrence Roman, successful enough guys who nonetheless were never household names. The entire film hinges on a conceit that was threadbare even during the 1950s—that a criminal won’t simply ditch a gun he used to murder someone, but will instead hide it somewhere he can eventually lead the police to. That’s a spoiler, but what the hell. We suspect there’s a reason this film lapsed into the public domain. Even its trailer is cheesy. What it does have, though, is unusually nice promo material, so we’ve uploaded a bunch of production photos below, plus a few publicity shots, and three more posters. They’re all great, even if the movie isn’t. Naked Alibi premiered in the U.S. today in 1954.
They don’t show mercy. They don’t negotiate. They don’t listen. They don’t care.

Kampf der Welten is, we’re sure you can guess from the art, the West German title for War of the Worlds. This cinematic adaptation of H.G. Wells’ famous 1897 serial starred Gene Barry and Ann Robinson, and if you haven’t seen it we suggest it’s worth the time, though it’s quite different from the novel. Actually, we recommend the novel too. It’s grimmer than the film, and has a distinct, rationalist point-of-view that was whitewashed for cinema audiences. Actually, not whitewashed—more like inverted to portray the clergy heroically, where in the novel it is characterized by cowardice. Spielberg and Cruise left that out, too, in their 2005 interation, but in other respects their movie is very close to the book. In addition to the German promo, we also have the three English language posters below. War of the Worlds premiered in the U.S. during the summer of 1953, and reached West Germany today in 1954.

The red brigade to the rescue.

American actress Rhonda Fleming, who was a rarity due to actually being born and raised in the city of Hollywood, became known as “The Queen of Technicolor” because of her flaming red hair. It isn’t evident in this promo shot from the mid 1940s, but it might be evident in film titles such as The Redhead and the Cowboy, in which she starred with Glenn Ford, and Those Redheads from Seattle, which paired her with Gene Barry. Fleming is still around, and we’ll have more on her a little later. 

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HISTORY REWIND

The headlines that mattered yesteryear.

1953—The Rosenbergs Are Executed

Julius and Ethel Rosenberg, who were convicted for conspiracy to commit espionage related to passing information about the atomic bomb to the Soviet spies, are executed at Sing Sing prison, in New York.

1928—Earhart Crosses Atlantic Ocean

American aviator Amelia Earhart becomes the first woman to fly in an aircraft across the Atlantic Ocean, riding as a passenger in a plane piloted by Wilmer Stutz and maintained by Lou Gordon. Earhart would four years later go on to complete a trans-Atlantic flight as a pilot, leaving from Newfoundland and landing in Ireland, accomplishing the feat solo without a co-pilot or mechanic.

1939—Eugen Weidmann Is Guillotined

In France, Eugen Weidmann is guillotined in the city of Versailles outside Saint-Pierre Prison for the crime of murder. He is the last person to be publicly beheaded in France, however executions by guillotine continue away from the public until September 10, 1977, when Hamida Djandoubi becomes the last person to receive the grisly punishment.

1972—Watergate Burglars Caught

In Washington, D.C., five White House operatives are arrested for burglarizing the offices of the Democratic National Committee in the Watergate Hotel. The botched burglary was an attempt by members of the Republican Party to illegally wiretap the opposition. The resulting scandal ultimately leads to the resignation of President Richard Nixon, and also results in the indictment and conviction of several administration officials.

1961—Rudolph Nureyev Defects from Soviet Union

Russian ballet dancer Rudolf Nureyev defects at Le Bourget airport in Paris. The western press reported that it was his love for Chilean heiress Clara Saint that triggered the event, but in reality Nuryev had been touring Europe with the Kirov Ballet and defected in order to avoid punishment for his continual refusal to abide by rules imposed upon the tour by Moscow.

George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.
Swapping literature was a major subset of midcentury publishing. Ten years ago we shared a good-sized collection of swapping paperbacks from assorted authors.
Cover art by Italian illustrator Giovanni Benvenuti for the James Bond novel Vivi e lascia morire, better known as Live and Let Die.
Uncredited cover art in comic book style for Harry Whittington's You'll Die Next!

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