ART APPRECIATION

Five old masters disappear without a trace.

There’s so much priceless art in Paris it’s a virtual smorgasbord for art lovers—and it’s all you can eat for art thieves, as well. Last night a group of sophisticated robbers proved that when they broke into the Paris Museum of Modern Art, helped themselves to a Picasso, a Matisse, and a Légere, had a side of Braque and topped the heap off with a Modigliani and some bleu cheese dressing before disappearing without a trace. The stolen art was initially said to be worth a whopping €500m, or about 600 million dollars, which would have made the heist the largest in history. Later, museum authorities revised their figure to 150 million dollars, which is quite a write-down. We can hear the conversation: “Oh, we thought they stole the other Braque. That one’s priceless. The one they actually took is the one we use for darts.”

Of course, the fascinating bit about these art thefts is that they are strictly pre-order—which is to say, they are financed by wealthy individuals who have the capacity to pay for the pieces, store them indefinitely, or perhaps even display them in their homes with no fear of exposure to 
authorities. The black market for stolen art is robust, to say the least, and for thieves the jobs are irresistible because it’s physically impossible to steal 500 (or 150) million in actual cash. At least not without the starting offensive line of the Philadelphia Eagles to help you carry it. Even if the sale value for stolen art is a fraction of its estimated value, it’s still probably impossible to physically steal, say, 60 million dollars—or even 10 million.
 
Enticed by such rewards, and outfitted by rich backers who can finance purchases of the latest in security-thwarting gear, it’s very possible no protective technology can prevent these kinds of thefts. French police made a statement earlier today in which they revealed that they have a security recording of one thief entering the museum through a window, but otherwise they seem to be sans indices—i.e. clueless.

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HISTORY REWIND

The headlines that mattered yesteryear.

1953—The Rosenbergs Are Executed

Julius and Ethel Rosenberg, who were convicted for conspiracy to commit espionage related to passing information about the atomic bomb to the Soviet spies, are executed at Sing Sing prison, in New York.

1928—Earhart Crosses Atlantic Ocean

American aviator Amelia Earhart becomes the first woman to fly in an aircraft across the Atlantic Ocean, riding as a passenger in a plane piloted by Wilmer Stutz and maintained by Lou Gordon. Earhart would four years later go on to complete a trans-Atlantic flight as a pilot, leaving from Newfoundland and landing in Ireland, accomplishing the feat solo without a co-pilot or mechanic.

1939—Eugen Weidmann Is Guillotined

In France, Eugen Weidmann is guillotined in the city of Versailles outside Saint-Pierre Prison for the crime of murder. He is the last person to be publicly beheaded in France, however executions by guillotine continue away from the public until September 10, 1977, when Hamida Djandoubi becomes the last person to receive the grisly punishment.

1972—Watergate Burglars Caught

In Washington, D.C., five White House operatives are arrested for burglarizing the offices of the Democratic National Committee in the Watergate Hotel. The botched burglary was an attempt by members of the Republican Party to illegally wiretap the opposition. The resulting scandal ultimately leads to the resignation of President Richard Nixon, and also results in the indictment and conviction of several administration officials.

1961—Rudolph Nureyev Defects from Soviet Union

Russian ballet dancer Rudolf Nureyev defects at Le Bourget airport in Paris. The western press reported that it was his love for Chilean heiress Clara Saint that triggered the event, but in reality Nuryev had been touring Europe with the Kirov Ballet and defected in order to avoid punishment for his continual refusal to abide by rules imposed upon the tour by Moscow.

George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.
Swapping literature was a major subset of midcentury publishing. Ten years ago we shared a good-sized collection of swapping paperbacks from assorted authors.
Cover art by Italian illustrator Giovanni Benvenuti for the James Bond novel Vivi e lascia morire, better known as Live and Let Die.
Uncredited cover art in comic book style for Harry Whittington's You'll Die Next!

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