Pulp International

vintage and modern pulp fiction; noir, schlock and exploitation films; scandals, swindles and news

HONOR KILLING

Love her and leave her coming after you for revenge.

We didn’t know La ragazza con la pistola, aka The Girl with a Pistol, was a comedy. Based on this beautiful poster painted by Giorgio Olivetti we never considered the possibility that it was anything other than a crime thriller. But mere seconds into our screening we realized it was a sort of screwball adventure. Sometimes you get fooled. Basically, Monica Vitti plays a Sicilian woman who is devirginized and abandoned by Carlo Giuffrè, is therefore labeled “dishonored” by her family and everyone in her village, and thus feels compelled to chase Giuffrè all the way to Edinburgh to kill him. Giuffrè manages to evade her, forcing her to follow him to Sheffield, Bath, and beyond (as she’s tormented by a Sicilian chorus of wailing villagers during interstitial segments). So what you get here is a sort of wacky fish-out-of-water comedy.

The movie is also a satire of traditional Italian social values. Though Vitti’s character was a virgin, because she gave in to Giuffrè he automatically considers her a whore—that old paradox. Other explorations of outdated gender roles occur, including the idea of aggression versus resistance in romance. And it’s eyebrow raising how men in this era—or at least in this movie—don’t consider women to have possession of their own bodies. Vitti is pawed, harassed, and kidnapped—for comedic purposes, but still. The idea of using violence to retain honor pops up more than once too. All in all, La ragazza con la pistola is fascinating cultural exploration, legitimately funny in parts, headlined by one of Europe’s great vintage stars. It’s worth a look—even though it isn’t a crime thriller. It premiered in Italy today in 1968.
Italy, England, Scotland, Sicily, Edinburgh, Sheffield, La ragazza con la pistola, The Girl with a Pistol, Monica Vitti, Stanley Baker, Corin Redgrave, Anthony Booth, Giorgio Olivetti, poster art, cinema movie review

EVERY ROSE HAS ITS THORN

Sometimes it even has a small calibre firearm.

We have two brilliant items above—a pair of Italian promo posters for When Danger Lives, starring Robert Mitchum and Faith Domergue. The first was painted by Averardo Ciriello, and the second is the work of Giorgio Olivetti. Both artists are geniuses. In Italy the movie was called Una rosa bianca per Giulia. That would translate as “a white rose for Julia,” which was the working title of the movie while it was under production. The Ciriello poster is similar to the U.S. promo, but executed with more detail. Not to be outdone, Olivetti is less intricate but depicts a more desperate struggle, electing to paint Domergue unarmed—unless she’s holding a gun to Mitch’s head, in which case it would be a very short struggle. However, while Mitchum is getting the better of her on both posters, in the movie she tries to smother him with a pillow, so their relationship is—in a weird way—equal. You can read more about it here. After premiering in the U.S. in 1950, Where Danger Lives opened in Italy today in 1951.

Italy, RKO Radio Films, Una rosa bianca per Giulia, Where Danger Lives, Robert Mitchum, Faith Domergue, Averardo Ciriello, Giorgio Olivetti, poster art, cinema, film noir

BASSIFONDI PROFUNDI

Dick Powell faces a clear and present danger.

Italian artist Giorgio Olivetti painted this poster for Nei bassifondi di Los Angeles, which was made in the U.S. and better known as Cry Danger. It starred the always excellent Dick Powell, with Rhonda Fleming in support. Its Italian title means, rather uninspiringly, “in the the slums of Los Angeles,” but the poster has inspiration to spare. It eclipses the U.S. promo completely. You can see that here, as well as read about the film. Nei bassifondi di Los Angeles premiered in Italy today in 1953.

Italy, Nei bassifondi di Los Angeles, Cry Danger, Giorgio Olivetti, Dick Powell, Rhonda Fleming, poster art, cinema, film noir

THE LADY IN RED

That's no lady—that's Brigitte Bardot.

Above: an iconic poster painted by Giorgio Olivetti for the 1957 Brigitte Bardot comedy Una parigina, originally released as La Parisienne. The Bardot figure here was the first femme fatale graphic ever used as the symbol of Pulp Intl., which some of you may remember. Olivetti painted two promos for the film. The second one, just below, is less famous, but still beautiful. We talked about this movie over the summer, and in short it’s Bardot running around Paris creating Monroesque chaos among the male population, though with a winkingly more adult subtext than in your average Monroe romp. In other words, there’s a hint here and there that Bardot actually gets laid. We don’t think that ever happened in Marilyn’s comedies. If you’re curious about the movie, or interested in seeing the nice U.S. poster—which also features Bardot in her famous red dress—have a look here.

Italy, France, La Parisienne, Una parigina, Brigitte Bardot, Giorgio Olivetti, poster art, cinema

SUGAR CRASH

With the sweet often comes bitter.

La dolce vita, aka The Sweet Life, is one of those movies everyone claims to have seen, but surprisingly few have actually sat through. Fellini’s ironically titled 1960 masterpiece hit American shores for the first time today in 1961. There’s nothing we can tell you about it that hasn’t been said, as reviews both professional and amateur abound on the interwebs. But the two posters above, both painted by Giorgio Olivetti, may be new to you. You can see more examples of Olivetti’s work here. In the meantime watch the movie. Seriously.

Italy, Cineriz, La dolce vita, Federico Fellini, Marcello Mastroianni, Anita Ekberg, Giorgio Olivetti, poster art, cinema

CASINO CULTURE

It’s possible to have too many Bonds.

1967’s Casino Royale wasn’t a global Christmas movie in the sense that today’s films are, however it did premiere Christmas week in ten European countries, as well as today in Japan. The movie wasn’t good. Basic idea: Sean Connery is an imposter, so the real James Bond in the form of David Niven is coaxed out of retirement, and he comes up with a plan to confuse his arch enemies SMERSH by renaming all British agents—male and female—James Bond. Time’s review of Casino Royale was headlined “Keystone Cop Out,” and The New York Times’ Bosley Crowther was just as scathing, noting that “since it’s based more on slapstick than wit, with Bond cliché piled upon cliché, it tends to crumble and sprawl.”

But one thing about holiday blockbusters—past and present—is that they’re expensively promoted. The many posters produced to sell Casino Royale were top notch. A U.S. poster painted by the legendary Robert McGinnis remains one of his most iconic pieces, but we also like these Italian quattro foglio promos painted by the extensively and expensively collected Giorgio Olivetti. We saw a set of these asking $8,500 at an auction site. By contrast, below are several U.S. promos, not paintings but photo-illustrations, on which the film’s secondary players get starring roles. They aren’t nearly as collectible as the movie’s paintings, but they’re pretty, so we’re sharing them as well.
Italy, Japan, Casino Royale, Robert McGinnis, Giorgio Olivetti, James Bond, David Niven, Woody Allen, Barbara Bouchet, Joanna Pettet, Ursula Andress, Peter Sellers, Jacqueline Bisset, Daliah Lavi, Bosley Crowther, poster art, cinema
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HISTORY REWIND

The headlines that mattered yesteryear.

1960—Nevil Shute Dies

English novelist Nevil Shute, who wrote the books A Town Like Alice and The Pied Piper, dies in Melbourne, Australia at age sixty-one. Seven of his novels were adapted to film, but his most famous was the cautionary post-nuclear war classic On the Beach.

1967—First Cryonics Patient Frozen

Dr. James Bedford, a University of California psychology professor, becomes the first person to be cryonically preserved with intent of future resuscitation. Bedford had kidney cancer that had metastasized to his lungs and was untreatable. His body was maintained for years by his family before being moved to Alcor Life Extension Foundation in Arizona.

1957—Jack Gilbert Graham Is Executed

Jack Gilbert Graham is executed in Colorado, U.S.A., for killing 44 people by planting a dynamite bomb in a suitcase that was subsequently loaded aboard United Airlines Flight 629. The flight took off from Denver and exploded in mid-air. Graham was executed by means of poison gas in the Colorado State Penitentiary, in Cañon City.

1920—League of Nations Convenes

The League of Nations holds its first meeting, at which it ratifies the Treaty of Versailles, thereby officially ending World War I. At its greatest extent, from 28 September 1934 to 23 February 1935, the League had 58 members. Its final meeting was held in April 1946 in Geneva.

1957—Macmillan Becomes Prime Minister

Harold Macmillan accepts the Queen of England’s invitation to become Prime Minister following the sudden resignation of Sir Anthony Eden. Eden had resigned due to ill health in the wake of the Suez Crisis. Macmillan is remembered for helping negotiate the Nuclear Test Ban Treaty after the Cuban Missile Crisis. He served as PM until 1963.

1923—Autogyro Makes First Flight

Spanish civil engineer and pilot Juan de la Cierva’s autogyro, which was a precursor to the helicopter, makes its first successful flight. De la Cierva’s autogyro made him world famous, and he used his invention to support fascist general Francisco Franco when the Spanish Civil War broke out in July 1936. De la Cierva was dead by December of that same year, perishing, ironically, in a plane crash in Croydon, England.

  • FEATUREd PULP

WALKING AFTER MIDNIGHT

Italian artist Sandro Symeoni showcases his unique painterly skills on a cover for Peter Cheyney's He Walked in Her Sleep.

OPEN SECRETS

French artist Jef de Wulf was both prolific and unique. He painted this cover for René Roques' 1958 novel Secrets.

THE WORST DAY OF CHRISTMAS

Christmas themed crime novels are rare, in our experience. Do Not Murder Before Christmas by Jack Iams is an exception, and a good one. The cover art is by Robert Stanley.

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