CONFESSIONS OF A DANGEROUS MIND

Your Honor, to the charge of murdering my terrible husband I plead guilty by reason of temporary sanity.

They usually deserve it, right? Well, maybe not, but we like to joke about it. While pulp and crime magazine covers trafficked heavily in women in danger (just check here, here, and here, for samples), mid-century paperback art, which was post-pulp or not, depending on your personal definition, flipped that script occasionally. We’ve put together a few collections of women killing men and been amused by them. So when we saw this cover of a woman in the dock, and the bailiff seemingly giving her a what-the-fuck look, we had to go with a subhead along these lines. She’ll be hanged, but at least she spoke the truth. This is 1963, with art by Hans Helweg.

God-amighty! Is that a kitty cat under there? *gnaw* Can I stroke it?

Above: a somewhat bizarre cover for Erskine Caldwell’s Tobacco Road, an oft reprinted book, seen here in its Great Pan edition from 1959. It’s a Depression era Southern Gothic family drama about the cycle of poverty, undereducation, and misfortune ensnaring a sharecropping family, and is one of the most famous U.S. novels ever published. It appeared originally in 1932, was banned and burned by reactionaries, feted by literati, and proven through the passage of time to be a significant work. The art here is by Danish virtuoso Hans Helweg. It’s derived from a scene early in the book:

Ellie May was edging closer and closer to Lov. She was moving across the yard by raising her weight on her hands and feet and sliding herself over the hard white sand. She was smiling at Lov, and trying to make him take more notice of her. She could not wait any longer for him to come to her, so she was going to him. Her harelip was spread open across her upper teeth, making her mouth appear as though she had no upper lip at all. Men usually would have nothing to do with Ellie May; but she was eighteen now, and she was beginning to discover that it should be possible for her to get a man in spite of her appearance.

So now you know why Helweg probably chose the angle he did for Ellie May—not for what’s under her dress, but because of her countenance. Even Great Pan Books, based in England and possibly subject to less censorship than U.S. imprints, would have balked at an accurate depiction of Ellie May’s face as Caldwell describes it. Helweg’s solution made for an unusual but superior cover. This is only the second time we’ve featured him on the website, but hopefully not the last.

Waugh elevates missing person procedurals to a new level.

Reading mid-century crime and adventure novels has been a great journey for us. We can imagine those who’ve already read them smiling (or smirking) as we discuss the books as revelations. “These pulp guys. *eye roll* ’Bout seventy years late with their stunning insights.” But that’s the way it goes—you have to start sometime. Over the years we’ve gone from novice to slightly-less-novice in this realm.

We say all that because, though Hillary Waugh is a well-known novelist, up to this week we’d read only one of his books—1960’s The Girl Who Cried Wolf. It’s a personality-driven, occasionally cute tale, about a tough P.I. and the collegiate client who has a massive crush on him. The book is pretty much a total success. There was no logical reason for us think that single effort defined Waugh’s style, but experience has shown that a good novel tends to sit in the sweet spot of an author, and they hit those notes again and again.

Imagine our surprise, then, when we read the 1954 paperback Last Seen Wearing and discovered that it’s a stark police procedural allegedly inspired by the true 1946 disappearance of 18-year-old Bennington College student Paula Jean Welden. What Waugh produced—and had originally published in 1952—is basically impossible to put down. If you like police procedurals, read this one. Waugh wows. Also wow is the cover art on the 1960 Great Pan edition. It’s by Danish artist Hans Helweg.

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HISTORY REWIND

The headlines that mattered yesteryear.

1933—Blaine Act Passes

The Blaine Act, a congressional bill sponsored by Wisconsin senator John J. Blaine, is passed by the U.S. Senate and officially repeals the 18th Amendment to the United States Constitution, aka the Volstead Act, aka Prohibition. The repeal is formally adopted as the 21st Amendment to the Constitution on December 5, 1933.

1947—Voice of America Begins Broadcasting into U.S.S.R.

The state radio channel known as Voice of America and controlled by the U.S. State Department, begins broadcasting into the Soviet Union in Russian with the intent of countering Soviet radio programming directed against American leaders and policies. The Soviet Union responds by initiating electronic jamming of VOA broadcasts.

1937—Carothers Patents Nylon

Wallace H. Carothers, an American chemist, inventor and the leader of organic chemistry at DuPont Corporation, receives a patent for a silk substitute fabric called nylon. Carothers was a depressive who for years carried a cyanide capsule on a watch chain in case he wanted to commit suicide, but his genius helped produce other polymers such as neoprene and polyester. He eventually did take cyanide—not in pill form, but dissolved in lemon juice—resulting in his death in late 1937.

1933—Franklin Roosevelt Survives Assassination Attempt

In Miami, Florida, Giuseppe Zangara attempts to shoot President-elect Franklin D. Roosevelt, but is restrained by a crowd and, in the course of firing five wild shots, hits five people, including Chicago, Illinois Mayor Anton J. Cermak, who dies of his wounds three weeks later. Zangara is quickly tried and sentenced to eighty years in jail for attempted murder, but is later convicted of murder when Cermak dies. Zangara is sentenced to death and executed in Florida’s electric chair.

1929—Seven Men Shot Dead in Chicago

Seven people, six of them gangster rivals of Al Capone’s South Side gang, are machine gunned to death in Chicago, Illinois, in an event that would become known as the St. Valentine’s Day Massacre. Because two of the shooters were dressed as police officers, it was initially thought that police might have been responsible, but an investigation soon proved the killings were gang related. The slaughter exceeded anything yet seen in the United States at that time.

Uncredited cover art for Day Keene’s 1952 novel Wake Up to Murder.
Another uncredited artist produces another beautiful digest cover. This time it's for Norman Bligh's Waterfront Hotel, from Quarter Books.
Above is more artwork from the prolific Alain Gourdon, better known as Aslan, for the 1955 Paul S. Nouvel novel Macadam Sérénade.
Uncredited art for Merle Miller's 1949 political drama The Sure Thing.

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