Vintage Pulp

June 4 2022

HORSE TALE

Don't cry, baby. They don't shoot horses. They take them to magical horsie land where they eat oats and apples forever.

Above: another cover for Horace McCoy’s They Shoot Horses Don’t They?, very different in mood from the 1955 Berkley cover we showed you earlier. This one was painted in 1938 by Tony Varady, who we’ve seen before illustrating a different McCoy book, No Pockets in a Shroud, published in 1948. We loved They Shoot Horses Don’t They? on its own merits, but because it’s a social and political critique it has extra resonance in an era when most people have lost faith in the American dream (don’t shoot horses, and don’t shoot messengers—it’s simply true, that’s all). We talk a bit more about the book here.

Signet Books, They Shoot Horses Don't They?, Horace McCoy, Tony Varady, cover art, literature

Vintage Pulp

January 19 2022

OUT OF HIS MISERY

It's both appropriate *grunt* and ironic *gasp* that ballroom dancing *argh* is going to give me a hernia!

This 1955 Berkley Books cover for Horace McCoy’s They Shoot Horses, Don’t They? is one of the most striking art pieces of the paperback era. It’s uncredited, incredibly. Still, the image succinctly gets to the core of McCoy’s story—exhaustion in a dance contest, but metaphorically, exhaustion in the contest of capitalism. It revolves around a set of young people who enter a dance marathon in an attempt to win a $1,000 prize. The entire story, more or less, takes place during this dance-a-thon, which goes on for weeks. Those who quit early get nothing. Those who suffer long enough may profit a few measly dollars. Only a vanishingly small percentage desperate enough to exhaust themselves to the point of physical disintegration—in this case one couple—have a chance to come away with the prize.

Some reviewers say the book is a metaphor for life rather than capitalism. Well, that too, but what makes it an obvious capitalism critique are the celebrity guests intermittently paraded before the dancers. They show that wealth is real, function as suggestions to the dancers that the obstacle is not the rules for victory, but the will to succeed, though the odds are staggeringly, cruelly against them. Oh yes, it’s a metaphor for capitalism, alright. The American Dream—generally defined as a decent salary, home ownership, sufficient family and leisure time, and retirement—increasingly really is just a dream. This fact makes mid-century capitalism critiques prescient by definition, but They Shoot Horses, Don’t They? is more on target than most. And purely as a piece of fiction it’s a total winner.

Los Angeles, Berkley Books, They Shoot Horses Don't They?, Horace McCoy, cover art, literature

Vintage Pulp

June 19 2021

LOST IN HOLLYWOOD

I always knew my movie career would end one day. But I thought it would at least start first.

Having spent some years in L.A., and having worked in entertainment there, we’re drawn to Hollywood novels. Horace McCoy’s I Should Have Stayed Home tells the story of Ralph Carston, twenty-something hot shit from Georgia, who heads out to Hell A. and learns that stardom is not easily achieved. This is a simple and unlayered tale, and considering what we know firsthand can happen in Hollywood, Ralph doesn’t actually go through anything earth-shattering. Most of his problems stem from the fact that he’s a pompous dumbass. He tries unsuccessfully to make connections, hooks up with a rich cougar who has a sexual fetish, goes to some parties, is warned he can’t be a star with his southern accent, spends a few chapters infuriated by an interracial couple he sees at someone’s house, battles professional envy, has a bit of strife with his roomie Mona, and deals with tragedy concerning his friend Dorothy. By the end he’s grown terminally discouraged and cynical in a town that runs on hope. Dare we say it? He should have stayed home.

Georgia, Los Angeles, Hollywood, Signet Books, Horace McCoy, Ray Pease, cover art, literature

Vintage Pulp

May 24 2021

PLAN AHEAD

And if this goes as well as I hope, you can kiss the day after that goodbye too.

Above, a cover for Kiss Tomorrow Goodbye by Horace McCoy, for Signet Books with art by James Avati. McCoy was one of the more hardboiled writers of his era, often swimming in the same end of the pool as Jim Thompson and James M. Cain. We’ll talk about a couple of his books in detail later. This one was adapted into a film of the same name in 1950 starring James Cagney and Barbara Payton. It’s one we haven’t seen, but we’ll get around to that too.

Signet Books, Kiss Tomorrow Goodbye, Horace McCoy, James Avati, cover art, literature

Vintage Pulp

November 5 2017

OUT OF POCKETS

You're absolutely right! Because corpses don't need money, keys, gum, or any of that stuff. What was I thinking?

First of all, when we see a title like No Pockets in a Shroud and see an angry guy with a crushed piece of paper it seems to us that he’s just decided to go back to the drawing board with something, possibly shroud design. Which is how we came up with our silly subhead. But the book isn’t about shrouds at all. What happens is a newspaperman’s rigid personal ethics compel him to expose corruption in the big city, including bribery in professional baseball, a crooked abortion ring, and a racist group that bears a strong resemblance to the KKK. This truth-telling will cost him of course, but exactly how much is the question.

The book was written by Horace McCoy, who is often called an underrated writer, but once multiple sources use that term, maybe you aren’t underrated anymore. He wrote numerous tales for the classic pulp magazine Black Mask, as well as for Detective-Dragnet Magazine, Man Stories, et al, before branching out to author classic novels like Kiss Tomorrow Goodbye and They Shoot Horses, Don’t They? Generally, No Pockets in a Shroud is considered substandard for McCoy, but it has an interesting point of view. The rather intense cover art is signed “T.V.,” which we take to mean Tony Varady. And the title, incidentally, is just another way of saying: You can’t can’t take it with you.

Black Mask, Detective-Dragnet Magazine, Man Stories, Horace McCoy, Tony Varady, cover art, literature

Vintage Pulp

July 9 2016

BEGGING FOR IT

Getting what you want is all in how you ask.

It seems as if no genre of literature features more characters in complete submission to others than mid-century sleaze. And how do these hapless supplicants express their desperation? They break out the kneepads. Above and below are assorted paperback covers of characters making pleas, seeking sympathy, and professing undying devotion. Though some of these folks are likely making the desired impression on their betters, most are being ignored, denied, or generally dumptrucked. You know, psychologists and serial daters say a clean break is best for all involved, so next time you need to go Lili St. Cyr on someone try this line: “I’ve decided I hate your face now.” That should get the job done. Art is by Harry Barton, Barye Philips, Paul Rader, et al.

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HISTORY REWIND

The headlines that mattered yesteryear.

December 11

1962—Canada Has Last Execution

The last executions in Canada occur when Arthur Lucas and Ronald Turpin, both of whom are Americans who had been extradited north after committing separate murders in Canada, are hanged at Don Jail in Toronto. When Turpin is told that he and Lucas will probably be the last people hanged in Canada, he replies, â€œSome consolation.â€

December 11

1964—Guevara Speaks at U.N.

Ernesto “Che” Guevara, representing the nation of Cuba, speaks at the 19th General Assembly of the United Nations in New York City. His speech calls for wholesale changes in policies between rich nations and poor ones, as well as five demands of the United States, none of which are met.

December 11

2008—Legendary Pin-Up Bettie Page Dies

After suffering a heart attack several days before, erotic model Bettie Page, who in the 1950s became known as the Queen of Pin-ups, dies when she is removed from life support machinery. Thanks to the unique style she displayed in thousands of photos and film loops, Page is considered one of the most influential beauties who ever lived.

December 10

1935—Downtown Athletic Club Awards First Trophy

The Downtown Athletic Club in New York City awards its first trophy for athletic achievement to University of Chicago halfback Jay Berwanger. The prize is later renamed the Heisman Trophy, and becomes the most prestigious award in college athletics.

December 10

1968—Japan's Biggest Heist Occurs

300 million yen is stolen from four employees of the Nihon Shintaku Ginko bank in Tokyo when a man dressed as a police officer blocks traffic due to a bomb threat, makes them exit their bank car while he checks it for a bomb, then drives away in it. Under Japanese statute of limitations laws, the thief could come forward today with no repercussions, but nobody has ever taken credit for the crime.

December 9

1965—UFO Reported by Thousands of Witnesses

A large, brilliant fireball is seen by thousands in at least six U.S. states and Ontario, Canada as it streaks across the sky, reportedly dropping hot metal debris, starting grass fires, and causing sonic booms. It is generally assumed and reported by the press to be a meteor, however some witnesses claim to have approached the fallen object and seen an alien craft.

December 8

1980—John Lennon Killed

Ex-Beatle John Lennon is shot four times in the back and killed by Mark David Chapman in front of The Dakota apartment building in New York City. Chapman had been stalking Lennon since October, and earlier that evening Lennon had autographed a copy of his album Double Fantasy for him.

HELLO YELLOW

Italian artist Benedetto Caroselli illustrated this set of predominantly yellow covers for Editrice Romana Periodici's crime series I Narratori Americani del Brivido.

JUST TO BE FAIR