STRIFE IMPRISONMENT

No appeal, no parole, no mercy, no hope.


Today we continue our journey through ’70s exploitation cinema with Jackson County Jail, churned out of the grindhouse factory known as New World Pictures. Plotwise, Yvette Mimieux plays a Los Angeles advertising exec who leaves her cheating husband and finds herself at loose ends, but manages to score a job from a friend in New York City. She decides to get there by driving cross country, but passes through fictional Jackson County, located somewhere in or around Texas (a geographical fact we learn from a news broadcast that provides a Dallas Cowboys update). She’s railroaded into jail and raped by the cop working the graveyard shift. Afterward, Mimieux manages to brain him with a stool and escapes with the help of hardened criminal Tommy Lee Jones, who early in his acting career (and with that monobrow of his) was already capable of making lines like this sing: “There’s nothing wrong with being a crook. Everybody’s crooked. I never met a straight person in my whole life. Whole goddamn country is a rip-off. And everybody in it.”

Jackson County Jail is sometimes labeled a women-in-prison flick, but it’s a bit different for a generally low rent sub-genre because Mimieux was an established star, thirty-four years old with more than twenty movies behind her. The credibility she lends the film changes little about its basic purpose—titillation mixed with violence and an indictment of hick culture. Simultaneously, though, the filmmakers definitely don’t go to the extremes of other women-in-prison dramas, in which we’ve seen women hung up by their hair. There are some viewers, we suspect, who wouldn’t consider this movie a women-in-prison flick at all. We’re fine leaving it out of the conversation too. The jailbound portion lasts barely twenty minutes of what is perhaps more of an outlaw movie, complete with Jones letting fly with this response to being told the police will kill him: “That don’t matter. I was born dead.” Whether women-in-prison, outlaw, or counterculture, that’s a damned good line. And Jackson County Jail is a pretty good movie. It premiered today in 1976
Little known film gave us first known instance of overacting on a movie poster.

Despite the cinema-style one sheet, Tarantulas: Deadly Cargo was made for U.S. television. Claude Akins and a cast of b-stalwarts—including Dr. Johnny Fever himself, Howard Hesseman—give this one everything they’ve got. Sadly, they are saddled with a preposterous storyline and upstaged by their own promo department, which slapped together a poster that portrays most of the film’s salient plot points (storm, lightning, plane crash, nearby city, spider swarm, and so forth) without taking up 100 minutes of your life. Plus it’s got that giant, horrified head we haven’t seen the likes of since, er, ever. Art fun, movie not so much. Tarantulas: Deadly Cargo premiered in the U.S. today in 1977.

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HISTORY REWIND

The headlines that mattered yesteryear.

1986—Otto Preminger Dies

Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood’s Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer’s disease.

1998—James Earl Ray Dies

The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray’s fight to clear his name believed the U.S. Government had been involved in Dr. King’s killing, but with Ray’s death such questions became moot.

1912—Pravda Is Founded

The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country’s leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.

1983—Hitler's Diaries Found

The German magazine Der Stern claims that Adolf Hitler’s diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess’s flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.

1918—The Red Baron Is Shot Down

German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is “Kaputt.” The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.

1964—Satellite Spreads Radioactivity

An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.

1939—Holiday Records Strange Fruit

American blues and jazz singer Billie Holiday records “Strange Fruit”, which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.

Horwitz Books out of Australia used many celebrities on its covers. This one has Belgian actress Dominique Wilms.
Assorted James Bond hardback dust jackets from British publisher Jonathan Cape with art by Richard Chopping.
Cover art by Norman Saunders for Jay Hart's Tonight, She's Yours, published by Phantom Books in 1965.

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