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Above: a cover for Lovers Are Losers by Howard Hunt, for Fawcett Publications/Gold Medal Books in 1953, with art by Barye Phillips. Don’t know Hunt? We have a quick overview. If he’s unknown to you, it’s worth a look.
You could be forgiven for thinking the front of Robert Dietrich’s, aka E. Howard Hunt’s, 1961 novel Steve Bentley’s Calypso Caper was painted by Robert McGinnis, but it’s actually the work of Tom Miller. So sayeth the rear cover, otherwise we’d have guessed McGinnis and had little doubt.
What’s truly doubtless, though, is that Hunt rescued the Steve Bentley adventures from an ignoble death by toning down the invective. In this episode, the seventh Hunt wrote and the third we’ve read, Bentley is sent down to the steamy island of St. Thomas to help with a tricky tax case and arrives in time to see his client jailed on suspicion of murder. What’s an accountant to do at that point? He launches his own investigation.
It’s all very unlikely, but it works this time around, and Hunt manages to do well with island flavor (though he’s not particularly kind to island inhabitants). There’s plenty of action, drinking, sexual intrigue, and repartee. This is well above average work from Mr. Watergate. So, after a success, a failure, and today’s success, what next? We’ll leave on a high note. E. Howard, we barely knew ye.
This will come as a shock to those who don’t already know, but Robert Dietrich was a pseudonym used by E. Howard Hunt, before his stint as Richard M. Nixon’s hotel breaching black bag operative. 1957’s Murder on the Rocks is the first entry in his nine-part franchise about a Washington, D.C. based accountant, lawyer, and ex-military tough guy named Steve Bentley. Here he’s entangled in the search for a priceless emerald called the Madagascar Green, which he somehow needs to locate and exchange with the fake in order to save the owner the embrassement of knowing he was ever robbed. Quite a task.
Hunt makes the title character Bentley a cunning, smart-mouthed upsetter of applecarts and damager of delicate sensibilities. He seems to particularly dislike dishonesty and insiderism. You can’t be more dishonest or inside than breaking the law for the president the way Hunt did, so it goes to show that fictional characters are not always analogous to their authors. But Hunt certainly wasn’t the first or last writer to morph into a destructive political tool. The past is prologue, and all that. In any case, though Murder on the Rocks loses some momentum toward the end, for the most part it’s not unlike the Madagascar Green—colorful, multi-faceted, and hard-edged. We have a feeling the Bentley series is good.
Above is a Barye Phillips cover for Howard Hunt’s 1950 novel The Violent Ones, about World War II vet Paul Cameron, summoned by his buddy Phil Thorne back to Paris, where they spent part of the war. Thorne needs help with an unspecified jam, but he’s killed not long after Cameron arrives, who then vows revenge against any and all. There’s nothing subtle here. He turns bull-in-china-shop, knocks heads, gets knocked, uncovers commies, and manhandles various women—who fall for him anyway. The murder has to do with the smuggling of gold to Hanoi. Cameron mocks the head smuggler at one point, “So now you’re sending gold to your cousins in Indo-China so the Little Brown Man can come into his own?” Hunt couldn’t imagine Vietnam escaping the western orbit, but it happened anyway. That’s irony. He’s an intriguing author and a uniquely interesting man, which means he may appear here again.
The first assembly of the League of Nations, the multi-governmental organization formed as a result of the Treaty of Versailles, is held in Geneva, Switzerland. The League begins to fall apart less than fifteen years later when Germany withdraws. By the onset of World War II it is clear that the League has failed completely.
Four members of the Herbert Clutter Family are murdered at their farm outside Holcomb, Kansas by Richard “Dick” Hickock and Perry Smith. The events would be used by author Truman Capote for his 1966 non-fiction novel In Cold Blood, which is considered a pioneering work of true crime writing. The book is later adapted into a film starring Robert Blake.
Walt Disney’s animated film Fantasia, which features eight animated segments set to classical music, is first seen by the public in New York City at the Broadway Theatre. Though appreciated by critics, the movie fails to make a profit due to World War II cutting off European revenues. However it remains popular and is re-released several times, including in 1963 when, with the approval of Walt Disney himself, certain racially insulting scenes were removed. Today Fantasia is considered one of Disney’s greatest achievements and an essential experience for movie lovers.
British explorer Robert Falcon Scott and his men are found frozen to death on the Ross Ice Shelf in Antarctica, where they had been pinned down and immobilized by bad weather, hunger and fatigue. Scott’s expedition, known as the Terra Nova expedition, had attempted to be the first to reach the South Pole only to be devastated upon finding that Norwegian explorer Roald Amundsen had beaten them there by five weeks. Scott wrote in his diary: “The worst has happened. All the day dreams must go. Great God! This is an awful place.”
Hugh Gray takes the first known photos of the Loch Ness Monster while walking back from church along the shore of the Loch near the town of Foyers. Only one photo came out, but of all the images of the monster, this one is considered by believers to be the most authentic.
Investigative journalist Seymour Hersh breaks the story of the My Lai massacre, which had occurred in Vietnam more than a year-and-a-half earlier but been covered up by military officials. That day, U.S. soldiers killed between 350 and 500 unarmed civilians, including women, the elderly, and infants. The event devastated America’s image internationally and galvanized the U.S. anti-war movement. For Hersh’s efforts he received a Pulitzer Prize.
