We don’t see Bob Abbett’s art enough, but here’s his work on the cover of the 1960 thriller Parole by Jack Ehrlich. In the story, the femme fatale is not the ex-con. That would be her husband. We suspect the ethics around a parole office bedding down a parolee’s wife are flexible—at least in the book. See Abbett collected here.
He's not used to giving a person any breathing room.