Vintage Pulp

January 3 2024

OCEANIC PANIC

It's amazing how fast calm can vanish at sea.

Though James Bama was a major illustrator, we haven’t seen much of him here on Pulp Intl. over the years because he painted many fronts for western novels, and we rarely read those. This is his work on the front of Frederick Lorenz’s 1957 thriller A Rage at Sea, the story of a down and out charter captain named Frank Dixon who’s gone alcoholic after losing his beloved boat in a poker game. He’s given a chance at redemption when he’s offered a job captaining a yacht from Florida through the Caribbean.

The man paying for the boat is a philandering millionaire, and the person who recommended Dixon for the job is a dangerous and sneaky opportunist perfectly willing to admit that somehow this charter is supposed to lead to the millionaire being bled for his money. Any rational captain would refuse the job, but Dixon wants another boat and the pay he’s being offered is a step along that path. It’s also a step into a seagoing snakepit, and the situation goes from uncomfortable to terrible when he gets stuck in a life-or-death battle for survival.

We liked the book, but Lorenz does make a misstep or two. For example, there are seven people on the yacht, and while the engineer is an important secondary character, we never get to know—or for the most part even really meet—the other guests, which is a narrative choice we consider to be a flaw. Brushing off passengers in a closely confined yacht setting isn’t realistic. But we get it—the story Lorenz wanted to tell is one of a man caught between a predator and victim, both of whom are awful people.

On the plus side, the book moves fast, the lines of conflict are propulsive and believable, and the setting and characterizations work. We’ll look for more from Lorenz, who was really Lorenz Heller, and under the pseudonyms Lawrence Heller, Larry Holden, and Laura Hale authored intriguingly titled novels such as Hot, Night Never Ends, and A Party Every Night. Hopefully we’ll get our hands on one of those and report back.

Florida, Lion Books, Frederick Lorenz, Lawrence Heller, Larry Holden, Lorenz Heller, Laura Hale, James Bama, cover art, literature

Vintage Pulp

April 30 2021

THE MALE GAZE

That's right, I'm looking at you. Read this magazine and learn how to be a real man.

It seems to us that the purpose of men’s adventure magazines was to teach ordinary schlubs a little something about how to keep it real, and this issue of Male published in April 1962 fulfills the mandate. Behind the steely-eyed cover art by Harry Schaare, and mixed between interior art by Charles Copeland, Rafael de Soto, James Bama, and Walter Popp, readers learn how to navigate big city vice, survive a nuclear attack, avoid appliance repair scams, pick the perfect car to cruise the open road, and—most importantly—get a raise at their soulsucking office jobs.

Those are all fine offerings, but we particularly like the story, “Let’s Let the Russians Beat Us to the Moon,” which suggests that if the Russians are so eager to get to the moon let them serve as sacrificial lambs—since the place is filled unknown dangers. Journalist and skeptic Ray Lunt reasons, “For all our scientists know, the moon may be 10,000 miles from where we think it is, paved with quicksand 90 feet deep, and full of brain gas instead of air.” Instead of air? Sounds like he was the one inhaling brain gas.

We checked out the story just to find out what brain gas was, and learned basically nothing. He mentions that some scientists—unnamed of course—believe the moon might harbor poisonous gas, but the brain thing never comes up. What a tease. He does, though, run through a long list of other moon horrors fit for a Heinlein novel. He must have been really bummed in 1969 when it turned out to be just a big, dusty rock. We have scans below, and more Male in the website. Feel free to click the keywords.

U.S.S.R., Russia, Belize, Dominican Republic, Male Magazine, Harry Schaare, Charles Copeland, Rafael de Soto, James Bama, Walter Popp, magazine art, literature

Vintage Pulp

January 9 2017

UNCIVIL WAR

War is hell, but being a prisoner of war can be worse.

This January 1959 copy of Stag is an example of the joys of collecting old magazines. We bought it for three dollars, but it’s being auctioned on Ebay right now for $100. Mort Kunstler handles the cover chores, illustrating Edward Newman’s story “The P.O.W.s Who Broke Out of Rat Hell Stockade,” which deals with a group of Union soldiers during the U.S. Civil War who tunneled their way out of Richmond’s Libby Prison. The story is true. The escape was one of the most successful breakouts of the war. The escapees were highly motivated due to the fact that Libby Prison was a hellhole that generated high mortality rates due to abuse, starvation, exposure to severe weather, and terrible overcrowding.

A contemporary newspaper had this to say: “They are huddled up and jammed into every nook and corner; at the bathing troughs, around the cooking stoves, everywhere there is a wrangling, jostling crowd; at night the floor of every room they occupy in the building is covered, every square inch of it, by uneasy slumberers, lying side by side, and heel to head, as tightly packed as if the prison were a huge, improbable box of nocturnal sardines.” Inside Stag is art from James Bama, Kunstler again, Joe Little, Al Rossi, and Bruce Minney. You also get model/actress Irène Tunc, who was Miss France of 1954 and appeared in about thirty films during a three-decade film career. All this and more below, in twenty-three scans.

Update: we got the following e-mail from James N:

The cover of Stag, January 1959 was painted by James Bama. The credit to Mort Kunstler as printed in the magazine was an editorial error. Bama has confirmed this. For the sake of historical accuracy it would be nice if you changed your Jan. 9, 2017 post to reflect Jim Bama’s true credit.

We’ve talked a lot about how official credits can be wrong, so we’re inclined to believe the cover was mistakenly attributed by editors because we already know they were human and made these types of goofs. But the process of collecting and curating vintage art offers the chance to get things right. So we’re calling this cover a Bama, and thanks to James N. for taking the effort to write us.

France, Richmond, Libby Prison, Stag Magazine, Mort Kunstler, James Bama, Mort Kunstler, Joe Little, Al Rossi, Bruce Minney, Edward Newman, George Remus, Irene Tunc, James Bama, magazine art

Vintage Pulp

May 10 2016

FEAR AND MALAYS

Southeast Asia escape epic features murder, sex and everything between.

This issue of Male magazine published this month in 1958 features James Bama cover art illustrating Richard Farrington’s story “The Incredible ‘Blood and Bamboo’ Escape,” which is the true tale of Dutchman Klaus van Tronk’s flight from a Japanese internment camp in Malaysia during World War II. The story is a book-length special, and one of the more harrowing and interesting details involves one of the prisoners being tied spread-eagled on a bamboo mat elevated six inches above the ground. Beneath the mat were living bamboo shoots. As Farrington tells it (via van Tronk’s account), “The shoots are tough, the tips as sharp as honed steel, and they can push through a plank floor [two inches thick]. They grow rapidly in the Pacific sun, about six inches on a good hot day. It had been a hot day.” When van Tronk’s work detail came back that evening from a long grind of slave labor in the jungle the bound man already had bamboo shoots growing through his chest, and was still alive, screaming.

We did a verification check on this arcane torture and found that no cases confirmed to scholarly standards exist, but that it is well known in Asia, and experiments on substances approximating the density of human flesh have shown that it would work. As little as forty-eight hours would be needed to penetrate an entire body. Fascinating stuff, but what you really want to know in terms of veracity is whether scantily clad women helped the escapees paddle to freedom like in Bama’s cover art, right? Well, this depiction is actually a completely accurate representation of what van Tronk described, or at least what biographer Farrington claims van Tronk described. The women were the daughters of a sympathetic Malay farmer, and indeed they wore virtually nothing, and were considered quite beautiful by the prisoners, save for the minor detail of having red teeth from the local tradition of chewing betel nuts.

The risk taken by these women was extraordinary. Other women who had helped van Tronk and his companions during their months-long odyssey were tortured and raped, and at one point a village was machine-gunned. Why would these Malays take up the foreigners’ cause if the risks were so high? Van Tronk attributes it to a cultural requirement to help strangers in need, but we’d note that people have taken these sorts of risks everywhere, cultural norms or no. Often the suffering of others simply brings out the best in people. A historical check on Klaus van Tronk turned up nothing, though, so maybe the entire true story is a piece of fiction. If so, it’s a very good one. We have some scans below with art by John Kuller, Joe Little, Al Rossi, Mort Kunstler, and Bruce Minney, and more issues of Male magazine at the keywords.

Malaysia, Netherlands, World War II, Male Magazine, Klaus van Tronk, Richard Farrington, James Bama, John Kuller, Joe Little, Al Rossi, Mort Kunstler, Bruce Minney, Carol Morris, Tony Accardo, magazine art, literature

Vintage Pulp

January 14 2016

U.S. MALE

Delivering thrills all year round.

Stan Borack painted the cover of this issue of Male from January 1958, and the interior art comes from Samson Pollen, Bob Schultz, John Leone, James Bama, Bob Stanley, John Kuller, and Tom Ryan. Not a slouch in the bunch. The magazine contains a preview of Shane author Jack Schaefer’s novel Company of Cowards, the Civil War tale of a group of Union officers who have all been busted down to the rank of private, but who are formed into a special unit and given a chance to earn back their honor. That chance takes them into Comanche country where they face an assortment of deadly challenges.

Also in this issue you get famed model Diane Webber/Marguerite Empey—who we’ve been seeing a lot of recently—doing a nice photo feature and complaining that since being elected Queen of the Nudists by a national sunbathing association all anyone wants to talk about is her naked lifestyle. But we think that’s just the editors trying to come up with an angle for the text. Webber was an official advocate of nudist lifestyle and even promoted her special brand of spiritual nudism in television interviews, so we doubt she was fed up with it at this point. The photos were shot by Russ Meyer, and we’re pretty sure they’ve never been on the internet before, which is always a fun moment for us. Please enjoy. Twenty scans below.

Shane, Male Magazine, Jack Schaefer, Stan Borack, Samson Pollen, Bob Schultz, John Leone, James Bama, Tom Ryan, Bob Stanley, John Kuller, Diane Webber, Marguerite Empey, Russ Meyer, magazine art, literature, nudism

Vintage Pulp

December 18 2015

WESTERN FRONT

It's ironic they call this place the O.K. Corral, because things have not gone well since I came in here.

Above, Stag magazine published December 1957, with an uncredited cover and interior art from James Bama, Emile C. Shurmacher, Jay Smith, Charles Copeland, Jim Bentley, Lou Marchetti, and Mel Crair. We checked the auction sites this morning and saw this issue going for twenty dollars minimum, so we’re feeling pretty smart because we got ours for four bucks. Probably the most interesting story is Bill Wharton’s “Brother Chalmers,” about a pompous white missionary in Papua New Guinea who has very little in the way of morals. But it has a happy ending—he gets his brains bashed out.

Papua New Guinea, Stag Magazine, James Bama, Emile C. Shurmacher, Jay Smith, Charles Copeland, Jim Bentley, Lou Marchetti, Mel Crair, magazine art, literature

Vintage Pulp

July 11 2014

STAG NATION

War is hell. Unless you get paid to paint it.

Today we have a bunch of scans from a July 1960 issue of the American men’s magazine Stag. The cover is by Mort Kunstler, and features the type of large scale war tableau that was pretty much his trademark. Inside you get art from the usual suspects Samson Pollen and James Bama, and photos of actress Vikki Duggan, aka Vikki Dougan, who made a splash in the 1950s by wearing backless dresses that plunged to ass-crack height (or below, sometimes). The idea was to compete with Monroe, Mansfield and the like using her back, because she didn’t have large breasts. Stag offers a couple of images, though not her most scandalous examples. You can see one of those by clicking here. You can also have a look at more of Mort Kunstler’s art by clicking here, as well as by visiting the comprehensive pulp magazine site menspulpmags.com. Twenty scans below for your enjoyment.

Stag Magazine, Mort Kunstler, Samson Pollen, James Bama, Vikki Duggan, Vikki Dougan, magazine art

Vintage Pulp

January 13 2014

SUPERMEN & SUPERWOMEN

… 282-Page Global Escapism … 15 Stories … Flawless Fun …

One of the many treats we managed to procure over the holidays was the book above, entitled He-Men, Bag Men & Nymphos, which is a collection of writings by mid-century men’s magazine author Walter Kaylin, a regular contributor to Men, True Action, Man’s World, and a host of other publications. The collection was put together by Robert Deis, along with Wyatt Doyle of the publishing company New Texture, and the titles of the stories are men’s magazine gold that tell you everything you need to know about what’s inside. Example: “The Nymph Who Leads an African Death Army.”

Deis had already been inspired enough by the old monthlies to launch the website menspulpmags.com, but teaming up with Doyle to publish the work of one of the form’s most fondly remembered writers bespeaks true devotion to the idea of literary preservation. Deis was actually kind enough to send us both this book and the 2012 book Weasels Ripped My Flesh!, but we’ll get to Weasels later.

He-Men is an incredibly entertaining collection consisting of both Wyatt’s globe-trotting fiction and his highly descriptive reporting. Sample title: “The Yank Who Survived the 3,000 Mile Death Trek from Stalingrad.” You get fifteen pieces total, all of them prime examples of the fast and furious men’s magazine style, each prefaced by covers and spreads from the issues in which they originally appeared, a nice touch that brings in art from the likes of Harry Schaare, James Bama and Mort Künstler.

While collecting vintage magazines offers the reward of discovering some good fiction, along with the highs inevitably come some serious lows. But with He-Men, Bag Men & Nymphos Deis and Doyle have done the heavy lifting for everyone and pieced together a consistently engrossing slate of tales. Best title: “…108 Hour Mid-Ocean Ordeal … 500 Dead … 300 Still Afloat…” Highly recommended, and for more info check here.

New Texture, He-Men Bag Men & Nymphos, Weasels Ripped My Flesh!, Walter Kaylin, Robert Deis, Wyatt Doyle, Mort Kunstler, Harry Schaare, James Bama, magazine art, literature

Vintage Pulp

December 3 2009

LEAN ON ME

It’s a wall world after all.

Above are three covers by realist illustrator James Bama, featuring figures leaning against walls. Bama also loves the crossed leg pose you see on two of these pieces and used it on his famous cover for Midnight Cowboy. Bama was born and raised in Manhattan, and you can see his keen eye for urban detail in these pieces, but interestingly, he moved to Wyoming and became a leading painter of western-themed art. In fact, he was inducted into the Illustrator’s Hall of Fame because of his western art. But we prefer the citified Bama. The realism and immediacy of his early paintings is unmatchable. These are three of the best examples.

New York City, Manhattan, Wyoming, Illustrator’s Hall of Fame, William E. Henning, Robert Lipsyte, Hal Ellson, Barbara Wersba, James Bama, cover art, cover collection, literature

Vintage Pulp

February 25 2009

COWBOY BLUES

In search of a midnight kiss.

Midnight Cowboy was a very good book before it was a very good movie. It was written by James Leo Herlihy in 1966, and immediately hailed as a classic. Herlihy sort of faded from the writing scene over time, and died at age sixty-six after taking an overdose of sleeping pills, but Midnight Cowboy — shown here with art by the incomparable James Bama—stands as a major achievement in U.S. literature.

Midnight Cowboy, James Leo Herlihy, James Bama, suicide, cover art, literature

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HISTORY REWIND

The headlines that mattered yesteryear.

October 5

1945—Hollywood Black Friday

A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.

October 4

1957—Sputnik Circles Earth

The Soviet Union launches the satellite Sputnik I, which becomes the first artificial object to orbit the Earth. It orbits for two months and provides valuable information about the density of the upper atmosphere. It also panics the United States into a space race that eventually culminates in the U.S. moon landing.

October 4

1970—Janis Joplin Overdoses

American blues singer Janis Joplin is found dead on the floor of her motel room in Los Angeles. The cause of death is determined to be an overdose of heroin, possibly combined with the effects of alcohol.

October 3

1908—Pravda Founded

The newspaper Pravda is founded by Leon Trotsky, Adolph Joffe, Matvey Skobelev and other Russian exiles living in Vienna. The name means “truth” and the paper serves as an official organ of the Central Committee of the Communist Party between 1912 and 1991.

October 3

1957—Ferlinghetti Wins Obscenity Case

An obscenity trial brought against Lawrence Ferlinghetti, owner of the counterculture City Lights Bookstore in San Francisco, reaches its conclusion when Judge Clayton Horn rules that Allen Ginsberg’s poetry collection Howl is not obscene.

October 3

1995—Simpson Acquitted

After a long trial watched by millions of people worldwide, former football star O.J. Simpson is acquitted of the murders of ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Simpson subsequently loses a civil suit and is ordered to pay millions in damages.

October 2

1919—Wilson Suffers Stroke

U.S. President Woodrow Wilson suffers a massive stroke, leaving him partially paralyzed. He is confined to bed for weeks, but eventually resumes his duties, though his participation is little more than perfunctory. Wilson remains disabled throughout the remainder of his term in office, and the rest of his life.