Vintage Pulp

April 16 2025

NEXT TO GO

There's never anyone trying to cut in line when you need them.

Above you see two paperback covers of similar style. The first is for Adam Knight’s 1954 novel I’ll Kill You Next, with art that was used on William R. Cox’s Murder in Vegas in 1960. You can see that here. The second is for Peter Rabe’s Benny Muscles In. The art on the first cover is by Jerry Allison, while the second is unattributed. We enjoy identifying artists and have had some successes over the years. We’re wondering if the unattributed cover is by Allison too. The resemblances are striking, but in this case we can’t say with 100% certainty. It’s just a thought for this fine day. We talked about Benny Muscles In a while back. Check here.

Signet Books, Five Star Books, Peter Rabe, Jerry Allison, Adam Knight, cover art, literature

Vintage Pulp

April 8 2024

WHAT HAPPENS IN VEGAS

Fear and loathing are the least of his problems.

Jerry Allison art strikes a menacing note on the cover of William R. Cox’s 1960 novel Murder in Vegas, in which Cox’s gambler hero Tom Kincaid from 1958’s Hell To Pay, which we recently discussed, returns to the written page to find more trouble. The first murder in the book actually occurs in Los Angeles, but someone is later knocked off in Vegas and as a direct result Kincaid is elevated from silent partner to full owner of a casino called the White Elephant. Simultaneously his girlfriend Jean Harper is in town filming a movie, and the murder and film production seem tied together. Kincaid is as interesting as before, but the fun creation here is down-on-her-luck party girl Carry Cain, who mixes sexiness and vulnerability with a beatnik mentality. She’s an aspiring actress and gambling addict who thinks Kincaid might finally bring her the luck she’s been seeking. Instead she finds herself in the middle of a Vegas-sized mess. Cox has talent, as we’ve noted before. It shines bright in Murder in Vegas.

Los Angeles, Las Vegas, Signet Books, William R. Cox, Jerry Allison, cover art, literature

Vintage Pulp

January 10 2024

LONG TIME NO C-NOTE

I'd have sex for free, but that would be irresponsible from a business perspective.

The 1962 Signet paperback of The Hundred-Dollar Girl has striking cover art by Jerry Allison, whose nice work we’ve seen before here, here, and here. William Campbell Gault’s tale sees L.A. private dick Joe Puma investigating whether a boxing match was fixed, then finding himself in the middle of murder and an organized crime takeover of the fight racket. This is the second Puma we’ve read, and as with the previous book, he gets laid a couple of times, gets ko’d a couple of times, and beats up a couple of guys. All this is fine, but we haven’t yet read the Gault novel that makes us sit up and go, “Ahh!” Certainly though, he’s been good enough to make looking for that special book a pursuit we expect to pay off. We’ll keep looking. In the meantime, if you want an L.A. crime read, you can do worse than The Hundred-Dollar Girl.

Los Angeles, Signet Books, William Campbell Gault, Jerry Allison, cover art, literature, boxing

Vintage Pulp

May 25 2022

HIGH RISK OPERATION

Let me go! I can save her! I just need a good nurse, a set of woodworking tools, and a shoehorn!

We already shared a 1952 Pocket Books cover for Ellery Queen’s The Dutch Shoe Mystery, but this 1959 Pocket Books art by Jerry Allison goes a different direction, so we have a different, equally silly take on it. The Pulp Intl. girlfriends didn’t get the joke last time, we suppose because they aren’t old enough to know the same useless things we do, so we’ll offer the reminder that a traditional Dutch shoe is made of wood and known as a clog. The Dutch Shoe Mystery features no clog that needs removal, just a ruptured gall bladder. Before the doctor can perform the operation, the patient, a millionairess who founded the hospital, is strangled with a piece of wire. Suspects: a few family members and the immediate medical staff. The “Dutch” in the title comes from the name of the hospital: Dutch Memorial. The “shoe” comes from the standard footwear of surgeons: white canvas moccasins which are the sole (oops) clue. Third in the Ellery Queen series, the authors Frederic Dannay and Manfred Bennington Lee (aka Daniel Nathan and Manford Lepofsky) basically update the classic locked room mystery by staging it in a medical facility. Good? Well, they published more than thirty subsequent Queen capers, so take that for what it’s worth.

Pocket Books, Ellery Queen, Frederic Dannay, Manfred Bennington Lee, Daniel Nathan, Manford Lepofsky, Jerry Allison, cover art, literature

Vintage Pulp

December 10 2019

THE END IS NEAR

Her final stop is the intersection of deep trouble and hot water.

Detectives and their partners are considered to be a common motif in mid-century fiction, but actually you don’t run into pairings as often as you’d expect, and when you do, one character usually dominates the narrative. End of the Line, by Bert and Dolores Hitchens, features two detectives in a story that’s almost equally divided. Maybe that’s what happens when spouses collaborate. The two detectives work for a railroad company and are tasked with investigating a cold case—the Lobo Tunnel crash of five years earlier, in which a train was derailed by a deliberately placed obstruction. The mystery is fine, but the fun part is reading how the two sleuths—one a mama’s boy and the other a heavy drinker—try to work together. The Pocket Books paperback you see here has beautiful cover art by Jerry Allison that suggests the story is about a girl in trouble. That’s true too, but it’s the dicks that make this one swing. Pretty cool stuff, copyright 1959.

Pocket Books, Bert Hitchens, Dolores Hitchens, Jerry Allison, cover art, literature

Vintage Pulp

December 1 2018

TARGET ACQUIRED

L.A. stands for Lew Archer in John MacDonald's tinseltown thriller.

We love this cover art by Harvey Kidder for John MacDonald’s, aka Ross MacDonald’s first Lew Archer novel The Moving Target. The way the figures are placed at such a remove from the viewer and the text is stretched across the underside of the pier is strikingly different. The book was originally published in 1949 with this Pocket Books paperback coming in 1950, and it stars MacDonald’s franchise detective trying to locate a philandering millionaire who’s gone missing. The man’s wife is more concerned about the possibility of her spouse being on a bender and sharing the family money than she is about foul play, but Archer soon decides that the situation is a kidnapping.

We’d been meaning to read MacDonald for a while. We’d heard that his prose has a Dashiell Hammett vibe and that certainly turned out to be true. Set in and around Los Angeles, it weaves summer heat, wacky mysticism, outsize ambition, and broken dreams together into a tale with great Southern California flavor. And Archer is appropriately road worn: “I believed that evil was a quality some people were born with, like a harelip. But it isn’t that simple. Everybody has it in him, and whether it comes out in his actions depends on a number of things. Environment, opportunity, economic pressure, a piece of bad luck, a wrong friend.”

In this world that he’s accepted as more complex than he’d like it to be, he navigates using a solid personal code and a very hard skull—both severely tested multiple times. We gather the story is considered unremarkable compared to later Archer novels, but for us it was entirely satisfactory. It satisfied Hollywood too, which made it into a star vehicle for Paul Newman called Harper. Why the name of the detective was changed we can’t even begin to guess, but we saw the movie a couple of years ago and it was enjoyable. Below you see a 1959 Pocket Books edition of The Moving Target with Jerry Allison art. More from MacDonald later.

John MacDonald, Ross MacDonald, John Ross MacDonald, Kenneth Millar, Harvey Kidder, Jerry Allison, cover art, literature

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HISTORY REWIND

The headlines that mattered yesteryear.

November 6

1935—Parker Brothers Buys Monopoly

The board game company Parker Brothers acquires the forerunner patents for Monopoly from Elizabeth Magie, who had designed the game (originally called The Landlord’s Game) to demonstrate the economic ill effects of land monopolism and the use of land value tax as a remedy for them. Parker Brothers quickly turns Monopoly into the biggest selling board game in America.

November 6

1991—Gene Tierney Passes Away

American actress Gene Tierney, one of the great beauties in Hollywood history and star of the seminal film noir Laura, dies in Houston, Texas of emphysema. Tierney had begun smoking while young as a way to help lower her high voice, and was hooked on cigarettes the rest of her life.

November 5

1937—Hitler Reveals His Plans for Lebensraum

Adolf Hitler holds a secret meeting with Nazi officials and states his intention to acquire “lebensraum,” or living space for Germany. An old German concept that dated from 1901, Hitler had written of it in Mein Kampf, and now possessed the power to implement it. Basically the idea, as Hitler saw it, was for the Nazis to kill, deport, or enslave the Polish, Russian and other Slavic populations to the east, whom they considered inferior, and to repopulate those lands with a Germanic upper class.

November 5

1991—Fred MacMurray Dies

American actor Fred MacMurray dies of pneumonia related to leukemia. While most remember him as a television actor, earlier in his career he starred in 1944’s Double Indemnity, one of the greatest films noir ever made.

November 4

1955—Cy Young Dies

American baseball player Cy Young, who had amassed 511 wins pitching for five different teams from 1890 to 1911, dies at the age of 88. Today Major League Baseball’s yearly award given to the best pitcher of each season is named after Young.

November 4

1970—Feral Child Found in Los Angeles

A thirteen year-old child who had been kept locked in a room for her entire life is found in the Los Angeles house of her parents. The child, named Genie, could only speak twenty words and was not able even to walk normally because she had spent her life strapped to a potty chair during the day and bound in a sleeping bag at night. Genie ended up in a series of foster homes and was given language training but after years of effort by various benefactors never reached a point where she could interact normally in society.