Vintage Pulp

October 3 2021

U.S. OF ESSAYS

Excuse me madam, would you like to hear an American's opinions about everything?

John Steinbeck’s Un americano en Nueva York y en Paris was published in 1957 by Ediciones Mariel, which was based in Buenos Aires. First published in 1956 in France as Un Américain à New York et à Paris, this is a collection of articles that Steinbeck wrote for Le Figaro when he was living in Paris. Because they originally appeared in French for a French publication many went unpublished in English for decades. In fact we can’t be sure all the essays are available in English even today, though one would like to assume so. In any case, that’s why this book caught our eye—because it surprised us that the entire collection of essays was available in Argentina, but not the U.S., almost immediately after they appeared in France.

Steinbeck was a serious writer, and thus was considered a serious persona, but the Le Figaro essays gave him a chance to show readers his wit and humor. Some of his observations read so contemporarily they could be from a year ago, particularly his musings over a restaurant owner who received a Michelin star, then spent every waking moment plotting, hoping, suffering to get another. He hopes to have his chance when the Michelin critic schedules another visit. The fact that the chef’s official taster is Steinbeck’s cat Apollo just adds more absurdity to the tale, as the genius who wrote Of Mice and Men veers into the silliness of cats and menus.

The parts of Un americano en Nueva York y en Paris not about France consist of articles concerning New York, culture, and politics. One of those latter entries, from 1954, is about Joseph McCarthy, who was in full witch hunt mode at the time. Much of the literati were loudly opposed to the proto-fascist senator, but Steinbeck took a different tack, writing that democracies occasionally need a challenge from demagogues in order to evolve, because such dark episodes remind people what democratic ideals really are—i.e. everyone gets to participate, not just self-appointed gatekeepers and purity-testers afraid of change or losing power. The tent of democracy always gets bigger, not smaller. It can’t do the latter and qualify as a democracy.

The cover art on this was painted by J.C. Cotignola, whose work appeared on various Argentine and Brazilian publications, but who isn’t well known today. Bang up job though. To us the title of the collection somewhat echoes George Orwell’s acclaimed Down and Out in Paris and London, another book about knocking around in a couple of big cities. The difference is Orwell was so poor he almost starved to death—he literally ate moldy bread out of garbage cans to survive. Steinbeck was the toast of Paris when he was there. Given a choice, we’d skip the mold and go straight to the toast. Preferably with a layer of rillette de porc on top. Even Apollo the cat would approve of that.

Argentina, Buenos Aires, New York City, Paris, Ediciones Mariel, Le Figaro, House Un-American Activities Committee, HUAC, John Steinbeck, J.C. Cotignola, Joseph McCarthy, cover art, literature

Intl. Notebook

May 23 2021

ECLIPSE OF THE MOON

Nobel Prize winning author John Steinbeck wrote an unpublished werewolf novel.

In what qualifies around here as blockbuster news, it turns out literary master John Steinbeck wrote a werewolf novel. Rejected by publishers in 1930, it’s currently under lock and key at the Harry Ransom Center at the University of Texas in Austin. The Steinbeck estate has so far declined to authorize its release. Titled Murder at Full Moon, it’s reportedly a 233-page typescript, and as a bonus contains a couple of illustrations drawn by Steinbeck.

We’d love to read it. We’d enjoy comparing it to Guy Endore’s werewolf novel The Werewolf of Paris, which was published in 1933. But if we had to guess, we’d say the public will have wait a long while for Steinbeck’s moon tale to rise. What is there to gain when his reputation is pure platinum and his books—particularly The Grapes of Wrath and Of Mice and Men, which are required reading for students the length and breadth of the U.S.—still sell? But you never know. The smell of money affects people like the smell of blood affects werewolves. Even when they’re already full they want another bite.

Texas, Austin, University of Texas, John Steinbeck, literature

Vintage Pulp

January 11 2018

ALL IN THE SAME BOAT

Bankhead and Co. try to deal with an ocean of differences.

The best thing about Lifeboat is Tallulah Bankhead. Simple as that. Top billed, tasked with bringing a complex character to life, and working in a film with huge expectations because it was written by literary laureate John Steinbeck and helmed by internationally renowned director Alfred Hitchcock, she delivers the goods. If you haven’t seen it, it’s an adventure and character study about a group of cruise ship passengers who survive a German u-boat attack and find themselves adrift on the Atlantic Ocean. There’s a tinge of war propaganda to it, a touch of we’re-humans-and-the-other-side-aren’t, but when you consider that Germany was a genocidal regime, and news reports had been touching on this fact for two years (though visual evidence wouldn’t appear until after May 1945) Lifeboat is remarkably subtle in that regard.

Anyway, if you ever want to see a star go full nova, check this film out—Bankhead is funny, bitter, sly, ironic, desperate, and more, helped along by reliable old William Bendix, as well as Hume Cronyn, Mary Anderson, and Walter Slezak in a pivotal role. And I guess we don’t have to tell you one of Hitchcock’s most famous stories came from this movie, the one about his camera accidentally getting upskirt shots of a pantyless Bankhead, and the question of whether the problem was one for hair, make-up, or wardrobe.

The poster above is a really nice piece of mid-century promo art and we spent a lot of computer time trying to discover who painted it, but to no avail. That wasn’t a surprise, though. It’s a painted version of the photo-illustration used on the panel length promo you see below, which means it’s basically a copy job that numerous artists could have executed. But it’s still nice compositionally, with its beautiful blue coloration, bright yellow title, and diagonal arrangement of faces. Lifeboat premiered in the U.S. today in 1944.

Germany, Lifeboat, Alfred Hitchcock, Tallulah Bankhead, John Steinbeck, William Bendix, Hume Cronyn, Mary Anderson, Walter Slezak, nazis, poster art, cinema, movie review

Vintage Pulp

September 24 2017

LOFT EXPECTATIONS

There's nothing quite like a roll in the hay.

You’d think we’d eventually run out of themes in mid-century paperbacks, but the possibilities are seemingly endless. We can add illicit love in the hayloft to the many other time honored subjects exploited by paperback publishers. We’ve already shared several covers along these lines, such as this one, this one, and this one, but today we have an entire set for your enjoyment. Personally, we’ve never had sex in a hayloft—in fact, we’ve never even had the opportunity—but we imagine that once you get past the smelly manure and the scratchy hay and the jittery animals it’s pretty fun. Or maybe not. There are also numerous books, incidentally, that feature characters trysting by outdoor haystacks, but for today we want to stay inside the barn. Thanks to all the original uploaders of these covers.

Vintage Pulp

August 28 2011

AMERICAN COUSIN

Our favorite magazine Adam had a relative on the other side of the world.

We’ve now posted eighteen issues of the great Australian men’s magazine Adam. But there was an American Adam too, unaffiliated with the Aussie mag (as far as we know) that published identical content during the same period. There were three major differences, though—the American Adam did not have painted pulp-style covers like Aussie Adam, it had access to more widely known actors and authors, and it showcased nude photography years earlier. For example, the above American Adam, from August 1966, has rising star Raquel Welch, famous glamour babe June Wilkinson, fiction from John Steinbeck and Harlan Ellison, and an extensive and revealing feature on burlesque. It also has a centerfold of Vicky Kennedy, aka Margaret Nolan, who appeared in Goldfinger, among numerous other films, and was one of the more popular nude models of the 1960s. We have thirty scans of all this below.

Adam USA, Goldfinger, Raquel Welch, Harlan Ellison, John Steinbeck, June Wilkinson, Vicky Kennedy, Margaret Nolan, burlesque, nudie mags, nudity, magazine art

Intl. Notebook

April 19 2010

DUST IN THE WIND

Nothing lasts forever but the Earth and sky.

The other day we posted a note in our history rewind about the giant dust storms that raged across the U.S. during the Great Depression. Those storms—and the dust bowl in general—were a central feature of the pulp age, and after we saw the photos of the eruption of Eyjafjallajokull in Iceland we were reminded yet again, so we thought we’d revisit the subject today. Above and below you see assorted images of the types of Depression-era dust storms that featured prominently in the works of everyone from John Steinbeck to William Wister Haines, and remain an indelible part of American history. They also remind us that our hold over the environment is tenuous at best and, in the end, we’re but guests on a planet that will long outlast us.

Iceland, The Great Depression, Eyjafjallajokull, John Steinbeck, William Wister Haines

Vintage Pulp

April 10 2009

MR. GOODWRENCH

He’s always hanging around.

William Wister Haines wrote six screenplays, saw several books adapted to film, and was considered by some to be a literary talent on the level of John Steinbeck. But you’d never know any of that from looking at the William George cover art for his Depression-era novel Slim, with its shirtless hunk of burnin’ love casually doing a little pole smoking. The novel was mainly a drama about the dangerous working conditions for electrical linemen, but Bantam opted to sex it up a bit for the 1957 re-issue with a cover that looks like a Marlboro ad. We hope Slim remembered his sunblock.

Bantam Books, William Wister Haines, John Steinbeck, William George, cover art, literature

Vintage Pulp

November 20 2008

CALIFORNIA DREAMING

That's where we're going to live? Where are the palm trees? Where's the beach? Where are the lifeguards in skintight swim trucks?

John Steinbeck gets pulp cover treatment thanks to Corgi Books and artist John Richards, as his 1933 novel To a God Unknown is transformed circa 1958 into something that looks like rural sleaze. This is a fantastic piece from Richards, and it isn’t totally off base, as there actually is some lust and adultery in the story. But Steinbeck always had deeper concerns, including class struggle, the relationship between humans and the tilled land, and the effects of hardship. In this tale about a journey to California and the misadventures and tragedy that result, he also focuses on superstition. But you’ve probably read him before. East of Eden and The Grapes of Wrath remain our favorites.

Corgi Books, John Steinbeck, John Richards, cover art, literature

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HISTORY REWIND

The headlines that mattered yesteryear.

July 10

1940—The Battle of Britain Begins

The German Air Force, aka the Luftwaffe, attacks shipping convoys off the coast of England, touching off what Prime Minister Winston Churchill describes as The Battle of Britain.

July 9

1948—Paige Takes Mound in the Majors

Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.

July 8

1965—Biggs Escapes the Big House

Ronald Biggs, a member of the gang that carried out the Great Train Robbery in 1963, escapes from Wandsworth Prison by scaling a 30-foot wall with three other prisoners, using a ladder thrown in from the outside. Biggs remained at large, mostly living in Brazil, for more than forty-five years before returning to the UK—and arrest—in 2001.

July 7

1949—Dragnet Premiers

NBC radio broadcasts the cop drama Dragnet for the first time. It was created by, produced by, and starred Jack Webb as Joe Friday. The show would later go on to become a successful television program, also starring Webb.

July 7

1973—Lake Dies Destitute

Veronica Lake, beautiful blonde icon of 1940s Hollywood and one of film noir’s most beloved fatales, dies in Burlington, Vermont of hepatitis and renal failure due to long term alcoholism. After Hollywood, she had drifted between cheap hotels in Brooklyn and New York City and was arrested several times for public drunkenness and disorderly conduct. A New York Post article briefly revived interest in her, but at the time of her death she was broke and forgotten.

DON’T RIDE THE WHITE HORSE

Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.

BARN GIRLS

Two Spanish language digest novels from Argentine publishers Malinca Debora and Malinca Nueva Pandora.

Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.

LOVES OF A BLONDE