GUTSY DECISION

Asada reveals her true self to the world, and the world does it right back.

Nothing says Christmas like bondage and sadism. Fourth in a series of films, Tenshi no harawata: Akai inga is known in English as Angel Guts: Red Porno. It isn’t a porno film, though—it’s a roman porno film, where “roman” is short for “romantic.” Basically, the name is just a marketing gimmick dreamt up by the honchos at Nikkatsu Studios, which pioneered these softcore erotic films. They’re racy, yes. And often fetishistic in ways that boggle the mind. But pornographic? Not unless your own imagination supplies the “graphic” part.

In this effort, the beautiful Nami Asada works in a department store and at the suggestion of a friend poses nude for a magazine called Red Porno. She’ll lose her job because of it, but in Nikkatsu’s fevered imagination Asada’s decision is the stepping off point to more serious problems. Her bondage themed pictorial is wildly popular, and generates interest from a man who lives nearby, spies on her, and possibly harasses her with pervert calls. At the same time there’s an exploration concerning whether the formerly conservative Asada has unleashed her true, kinky self.

While this is the main thrust of the story, the question of lonely men being susceptible to flights of egotistical fancy and sexual obsession is actually more interesting, especially because in this case it leads to mistaken identity and violence. But in dealing with this issue the film is rougher than most roman pornos, which we never consider to be a good thing. Do we forgive this one because it tries to make a serious point about male sexual desire often being aggressive in some way, shape, or form? No, not really. But you’ll have to decide on your own. Angel Guts: Red Porno premiered today in 1981.

Now everybody is on the run.

This poster was made for the Nikkatsu Studios roman porno flick Aiju: Yaru!, known in English as Love Beast! Attack. The art isn’t particualrly notable, but we figure Jun Izumi with a gun makes it a bit pulp, even if the movie’s premire date of today in 1981 means it’s a year outside our usual envelope here. Not that we don’t talk about newer movies, but it’s rare. In any case, we had this femme fatale style poster, and we stumbled across the movie, so we dove in.

Izumi, who we last saw in Kanjirundesu, aka I Am Aroused and I Can Feel It, plays a woman who travels back to her childhood home of Yokohama seeking her sister Rui Nonomura, and later the truth behind their mother’s alleged suicide. Mom had been the mistress of a cop who once investigated the yakuza, but has since become a criminal. What Izumi discovers brings into question she and her sister’s upbringing, and spurs her to seek revenge for current and past wrongs.

Aiju: Yaru! is the third in a four film Aiju series, all of which star Izumi, but we won’t seek out the others, as this one was questionable, in our view. Within its seventy minute running time are a profuse number of softcore sex scenes (fine), and two rapes (not). Regarding the latter, anything that occurs in human existence can be reasonably used in a movie plot, but responsibly, please. Aiju: Yaru! feels like a showcase for Nonomura’s exploitation in future Nikkatsu output. She may have felt the same—this was her only film credit.

We watch all genres of cinema that we feel are pulp adjacent, including film noir, Italian giallo, American blaxploitation, French new wave, horror, sci-fi, women-in-prison, Mexican lucha libre, Japanese pinky violence (usually pretty good), and roman porno. The last of these, we feel, is a problematic sector, but we check them out because of the occasional edgy diamonds in the rough, the ones with subverted male expectations and empowered women. This one fell short.

Sometimes you can't even give it away.


This poster was made for the Japanese roman porno flick Kanjirundesu, known in English as I Am Aroused and I Can Feel It, and it stars the lovely Jun Izumi, making her film debut. She plays a beautiful young virgin who’s fearful of sex. Her friend Panko is already sexually active, but Jun—who’s learning how to be a seamstress or tailor at a local vocational school, a fact that causes us to assume she’s at least eighteen—is strictly hands off. We can sympathize. We were hands off at eighteen too, though most assuredly not by choice.

When Jun catches her brother Chin masturbating to her, she decides to facilitate the relief of his tensions by asking the always eager Panko to have sex with him. From there the movie evolves into a sort of softcore coming-of-age comedy, with the usual crossed signals and sexual failures. The whole thing has a juvenile feel to it, and no wonder—it’s based on Daihachi Izumi’s youth sleaze novel Jun-chan. If you’re looking for the film’s western analog, think Fast Times at Ridgemont High or Sex Drive. We mean in terms of mood, not plot. Kanjirundesu has more nudity, lesbian undertones, and far more premature ejaculation.

Does Jun finally find someone to be the first entry on her ledger? Well, it wouldn’t be a softcore movie if she didn’t. A little face-sitting—someone else’s face, not hers—gets her started down the road to pleasure. That may sound weird, but actually the best thing about this movie is that it’s from Nikkatsu Studios but doesn’t get too crazy. There’s some peeing, though. Whaddaya gonna do? If you’ve read our other write-ups of Nikkatsu’s output you know how far beyond the pale those folks could venture, so a little urine is acceptable. Kanjirundesu is dumb but worth a watch. It premiered in Japan today in 1976.

Femme Fatale Image

ABOUT

SEARCH PULP INTERNATIONAL

PULP INTL.
HISTORY REWIND

The headlines that mattered yesteryear.

1950—The Great Brinks Robbery Occurs

In the U.S., eleven thieves steal more than $2 million from an armored car company’s offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as “the crime of the century.” Despite this, all the members of the gang are later arrested.

1977—Gary Gilmore Is Executed

Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore’s story is later turned into a 1979 novel entitled The Executioner’s Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.

1942—Carole Lombard Dies in Plane Crash

American actress Carole Lombard, who was the highest paid star in Hollywood during the late 1930s, dies in the crash of TWA Flight 3, on which she was flying from Las Vegas to Los Angeles after headlining a war bond rally in support of America’s military efforts. She was thirty-three years old.

1919—Luxemburg and Liebknecht Are Killed

Rosa Luxemburg and Karl Liebknecht, two of the most prominent socialists in Germany, are tortured and murdered by the Freikorps. Freikorps was a term applied to various paramilitary organizations that sprang up around Germany as soldiers returned in defeat from World War I. Members of these groups would later become prominent members of the SS.

1967—Summer of Love Begins

The Human Be-In takes place in San Francisco’s Golden Gate Park with between 20,000 to 30,000 people in attendance, their purpose being to promote their ideals of personal empowerment, cultural and political decentralization, communal living, ecological preservation, and higher consciousness. The event is considered the beginning of the famed counterculture Summer of Love.

Giovanni Benvenuti was one of Italy's most prolific paperback cover artists. His unique style is on display in multiple collections within our website.
Italian artist Sandro Symeoni showcases his unique painterly skills on a cover for Peter Cheyney's He Walked in Her Sleep.
French artist Jef de Wulf was both prolific and unique. He painted this cover for René Roques' 1958 novel Secrets.

VINTAGE ADVERTISING

Things you'd love to buy but can't anymore

Vintage Ad Image

Around the web