Vintage Pulp

August 22 2024

WILLING AND ABLE

Well? Don't just stand there staring. Undo something!

1960’s So Willing is credited to Sheldon Lord and Alan Marshall, but they were pseudonyms used by Lawrence Block and Donald E. Westlake. According to Block, the two wrote this, their second collaboration as Lord and Marshall, by trading chapters through the mail. They would occasionally try to trip each other up with unexpected plot twists, and we can only imagine it must have been a hell of a lot of fun. They tell the tongue-in-cheek tale of a seventeen-year old upstate New York horndog named Vince who’s so successful with girls he decides for variety to hunt up a virgin. He fails a couple of times, ends up running away to New York City with a nineteen-year old married nymphomaniac (their term, not ours), and eventually hooks up with an heiress. Good sleaze novels are diamonds in the rough. You have to dig through a lot of filth to find one. So Willing is better than average because it’s so obviously a lark, but even with Westlake and Block behind the typewriter it’s no gem. We think erotica is the most challenging of all genres for writers. The cover art on this Midwood edition is nice, but uncredited.

Midwood, Sheldon Lord, Lawrence Block, Alan Marshall, Donald E. Westlake, cover art, literature

Vintage Pulp

February 10 2024

DOCTORISH ADVICE

I don't have my degree yet, so for now my recommendation for your sex addiction is to hire a good booking agent.

Above: Swap Psychiatrist, from 1968, with art by Robert Bonfils. The author, John Dexter, was credited with three-hundred and fifty books, according to the comprehensive website Greenleaf Classics Books. His name was used as a pseudonym by many, including Lawrence Block, Vivien Kern, Harry Whittington, and others. We have more than a few Dexter covers in the website, but our favorites are here and here.

Greenleaf Classics, John Dexter, Robert Bonfils, Lawrence Block, Vivien Kern, Harry Whittington, cover art, literature

Vintage Pulp

August 19 2023

MONA OF PLEASURE

Would you go through a nightmare to make a dream come true?

Lawrence Block’s 1961 novel Mona, which has also been published as Grifter’s Game and Sweet Slow Death, is the old classic: a husband, a wife, and a lover talked into murder. The suspension of disbelief test here comes at the outset, when longtime grifter Joe Marlin steals a suitcase that happens to contain a fortune in heroin, then accidentally meets and starts an affair with the eponymous sexpot Mona, who’s married to the suitcase’s owner. Quelle coïncidence. Or not. Marlin has lived by wits and deceit for a long time, and his instincts scream for him to gallop out of town with the horse. Instead he braves organized crime retribution because he’s fallen in love. Dames’ll be your ruin every time. Good stuff from Block, fast and fun, with a crisp twist at the end. The cover art on this Gold Medal edition is uncredited.

Atlantic City, Fawcett Publications, Gold Medal Books, Lawrence Block, cover art, literature

Vintage Pulp

December 31 2018

JUST A GIGOLO

Need a service animal? He's happy to do the job.

Harold W. McCauley is responsible for this simple but effective cover for 1961’s Lover. His image captures the main character Johnny Wells’ aura of unhappiness. Johnny is a young New York City hustler who decides to become an uptown gigolo. Starting with a few hundred dollars of ill-gotten gains, he transforms himself into a cultured, hotel-dwelling manhooker who services upper class women. While great at his job, his sexual misadventures take a toll. These include being spurned by a favorite customer who realizes she prefers women, being the unwilling centerpiece of an orgy, and more. The most curious bit is how Johnny’s main love interest is a 14-year-old girl from around the way. Author Lawrence Block, hiding behind the Andrew Shaw pseudonym, makes no comment about how strange and possibly illegal this relationship is, and after a while you realize he never planned to. Block can write, so in general Lover reads smoothly, which is about the most you can hope for with this genre. Does that mean it’s worth checking out? Well… we wouldn’t go that far.

New York City, Las Vegas, Greenleaf Classics, Andrew Shaw, Lawrence Block, Harold W. McCauley, cover art, literature, lgbt

Vintage Pulp

February 5 2017

LIKE MURDER THIS IS

Actually, the flap on my bikini does slim the hips. It also hides pistols. Now get your hands up, idiot.

William Ard’s Like Ice She Was stars his detective creation Lou Largo in a missing persons case. He’s looking for a former prostitute who robbed a Montreal casino owner and fled to Miami. He finds her, but the situation escalates to murder and an attempted frame-up. This character was supposed to tentpole a series, and it did, but this was the second and last Largo written by Ard, as he died after writing it. The books thereafter were ghost written by Lawrence Block, and later John Jakes. Like Ice She Was is copyright 1960, and the Monarch Books cover guide has the art as uncredited, which is a shame.

Montreal, Miami, Monarch Books, William Ard, Lawrence Block, John Jakes, cover art, literature

Vintage Pulp

October 7 2015

SINNERMAN

Um, you and your wife should talk, so I'll just slip out. Wait—let me rephrase that.

“They found gutter love with gutter tramps!” We’re guessing you get two gutterballs, then it’s someone else’s turn. Greenleaf Classics provides more fun coverness, this time from its Midnight Reader imprint, Slum Sinners, by Andrew Shaw, who was really Lawrence Block, at least in this case. Some sites say Donald E. Westlake wrote this, but authoritative sources (Block) say Westlake wasn’t Shaw until after 1963. This one is from ’62, so it’s Block. Wanna know what it’s about? Check the rear cover, below. No artist info, but it’s probably Tony Calvano.

Greenleaf Classics, Andrew Shaw, Lawrence Block, Donald E. Westlake, cover art, literature

Vintage Pulp

February 17 2014

OUTBREAK OF WEASELS

Where the wild things are.

Above is the cover of New Texture’s 2012 book Weasels Ripped My Flesh!, which co-editor Robert Deis sent to us back in December. It took a while, but we finally finished reading it, and as expected, it’s a supremely satisfying compendium. All the tales were drawn from men’s adventure magazines of the 1950s, ’60s, and ’70s, and authors include Robert Silverberg, Lawrence Block, Jayne Dolinger, Walter Kaylin, and Mike Kamens, who wrote the improbable but now classic crazed weasels story after which this collection is named.

We were particularly gratified by Harlan Ellison’s presence in the form of his 1956 yarn “Death Climb,” in which an alpine guide is caught mid-ascent in a deadly dilemma—both halves of the wealthy but unhappily married couple he’s guiding up Mt. Keppler have secretly offered him money to push the other off the top. That story exemplifies what can be so fun about this type of fiction—the way it often begins with no set-up or preamble, in this case launching at high speed with the line, “It was either climb Mt. Keppler—or die.” Likewise the story ends sans denouement—the climax is quick and brutal.

Ellison has always been renowned for banging out stories quickly. This one feels quicker than usual—the femme fatale’s hair color even changes from blonde to auburn. But the fun factor more than compensates for that little slip. In addition to fiction you get (ostensibly) true stories such as “I Went to a Lesbian Party” by Joanne Beardon, “Eat Her… Bones and All,” as told to Bruce Jay Friedman, an interview with Godfather author Mario Puzo, and many other treats.

Along with He-Men, Bag Men & Nymphos, which is also from New Texture, Weasels Ripped My Flesh! gives us two of the best men’s magazine fiction anthologies on the market. New Texture also has other enticing items in its catalog, such as Chris D.’s Gun and Sword, an encyclopedia of Japanese gangster and pinku films. You can find out more at the New Texture blog or at the website Menspulpmags.com.

New Texture, Weasels Ripped My Flesh!, Mario Puzo, Bruce Jay Friedman, Harlan Ellison, Robert Silverberg, Lawrence Block, Jayne Dolinger, Walter Kaylin, literature

Vintage Pulp

May 12 2010

RINSE & RINSIBILITY

There's nothing like a long soak in the tub.

Don Holliday was yet another 1960s sleaze author who existed only as a pseudonym. This one was inhabited by Hal Dresner, Lawrence Block, John Jakes, Victor Banis and other sometime sexploitation writers. We don’t know which one wrote The Sin Conspirators for Greenleaf Classics’ sleaze imprint Leisure Books, but with a cover this brutal, it’s probably good he distanced himself. Unless the man is only demonstrating how in high school the other kids used to give him swirlies, it isn’t going to be just a bad hair day for his companion, but a bad air day. We’re working up a more comprehensive post on these Greenleaf paperbacks, so keep an eye out.

Greenleaf Classics, Don Holliday, Hal Dresner, Lawrence Block, John Jakes, Victor Banis, cover art, literature

Vintage Pulp

June 9 2009

ONCE AROUND THE BLOCK

Another master crime novelist writes sex books to make ends meet.

Today for your enjoyment we have another example of a heavyweight author earning extra nickels under the guise of a pseudonym, giving readers boners and creating wildly unrealistic sexual expectations. This time it’s crime thriller icon Lawrence Block, who’s won four Shamus Awards, three Edgars, seen his novels 8 Million Ways To Die, The Campus Tramp and Deadly Honeymoon made into films of varying quality, and who wrote the screenplay for the recent critically acclaimed film My Blueberry Nights.

But it was as Sheldon Lord that he really let his hair down, penning salacious books like Stud, as well as the lesbian themed tales below. He also flaunted his utter immunity to writer’s block by publishing fiction under the names Jill Emerson, Chip Harrison, Paul Kavanaugh, and Andrew Shaw. It’s an astonishing output. Maybe when Block wrote Stud he was thinking about himself.

Mystery Writers of America, Shamus Award, Edgar Award, 8 Million Ways to Die, My Blueberry Nights, Lawrence Block, Jill Emerson, Chip Harrison, Paul Kavanaugh, Andrew Shaw, lgbt, cover art, literature

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HISTORY REWIND

The headlines that mattered yesteryear.

January 15

1919—Luxemburg and Liebknecht Are Killed

Rosa Luxemburg and Karl Liebknecht, two of the most prominent socialists in Germany, are tortured and murdered by the Freikorps. Freikorps was a term applied to various paramilitary organizations that sprang up around Germany as soldiers returned in defeat from World War I. Members of these groups would later become prominent members of the SS.

January 14

1967—Summer of Love Begins

The Human Be-In takes place in San Francisco’s Golden Gate Park with between 20,000 to 30,000 people in attendance, their purpose being to promote their ideals of personal empowerment, cultural and political decentralization, communal living, ecological preservation, and higher consciousness. The event is considered the beginning of the famed counterculture Summer of Love.

January 13

1968—Cash Performs at Folsom Prison

Johnny Cash performs live at Folsom State Prison in Folson, California, where he records a live album that includes a version of his 1955 hit “Folsom Prison Blues.” Cash had always been interested in performing at a prison, but was unable to until personnel changes at his record company brought in people who were amenable to the idea. The Folsom album was Cash’s biggest commercial success for years, reaching number 1 on the country music charts.

January 13

2004—Harold Shipman Found Hanged

British serial killer Harold Shipman is found dead in his prison cell, after hanging himself with a bedsheet. Shipman, a former doctor who preyed on his patients, was one of the most prolific serial killers in history, with two-hundred and eighteen murders positively attributed to him, and another two-hundred of which he is suspected.

January 12

1960—Nevil Shute Dies

English novelist Nevil Shute, who wrote the books A Town Like Alice and The Pied Piper, dies in Melbourne, Australia at age sixty-one. Seven of his novels were adapted to film, but his most famous was the cautionary post-nuclear war classic On the Beach.

January 12

1967—First Cryonics Patient Frozen

Dr. James Bedford, a University of California psychology professor, becomes the first person to be cryonically preserved with intent of future resuscitation. Bedford had kidney cancer that had metastasized to his lungs and was untreatable. His body was maintained for years by his family before being moved to Alcor Life Extension Foundation in Arizona.