24 HOURS OF DAY

Doris Day finds herself hunted around the clock by a demented killer.

In the thriller Julie Doris Day finds out her second husband is a murderer. Who did he murder? Her first husband. No spoiler there. Day learns this within the first fifteen minutes, leaving the plot to revolve around her efforts to escape being permanently silenced for her discovery. By the end of this romp set in and around the wilds of Carmel, Monterrey, and finishing in San Francisco, she’s probably developed a fear of flying, a fear of driving, a fear of piano music, a fear of the dark, and of course a fear of ever having a third husband. It’s psychological warfare at its cruelest, and Day, along with co-stars Louis Jourdan and Barry Sullivan, do a nice job of making it all work. We don’t have a Japanese premiere date to match the nice Japanese poster above, but Julie opened in the U.S. today in 1956.

Japan, San Francisco, Monterrey, Carmel, Julie, Doris Day, Louis Jourdan, Barry Sullivan, poster art, cinema, movie review

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HISTORY REWIND

The headlines that mattered yesteryear.

September 12

1994—White House Hit by Airplane

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