SHOCK TO THE SYSTEM

There's always a Price for bad behavior.


These two wonderful posters were made for the melodrama Shock, which starred Vincent Price, Lynn Bari, Anabel Shaw, and Frank Latimore, and premiered today in 1946. With promo art like this we couldn’t resist the film. While staying in a San Francisco hotel Shaw looks out her window and sees a man and woman arguing in a nearby room. The man strikes the woman over the head with a heavy silver candlestick, and seeing this causes Shaw to fall into a catatonic state—a state of shock. A doctor is sought and luckily there’s one in the hotel—the same man who a bit earlier crowned his wife. The doctor figures out pretty quickly that his murder made Shaw go into shock, so he commits her to a sanitarium under his care. Diabolical.

Vincent Price plays the doctor and the role is perfect for him. He’s a master of the sinister, and here he’s positively terrifying. He decides that he needs to keep Shaw from talking, and, helped by his mistress Lynn Bari, who’s a nurse in the sanitarium, he uses psychotherapy to try and wipe out Shaw’s memory. That doesn’t work, so he reverses course and tries to drive her insane. Later he reverses course again and decides to kill her via insulin shock. All this non-Hippocratic behavior from Price generated angry reactions from physician and psychiatrist groups around the U.S., but that’s just hilarious—physicians have always been integral to atrocities, from the Tuskegee experiments to the Gitmo torture programs.

If the movie has any issue, it’s that Shaw’s frailty and hysteria feel anachronistic. The script sets up her mental condition by having her pre-shocked—she was told her soldier husband had been killed in the war, so she was already in a fragile state. Even so, we aren’t sure many World War II-era women would have become catatonic after seeing someone hit over the head. We said “hit over the head” as opposed to murdered because Shaw had no reason to assume she’d seen a murder, rather than a severe beatdown. But okay, murder they wrote, so we’ll accept the filmmakers’ premise that candlestick + head = automatic death, and that Bari is in no mental condition to see such a thing. In which case we have to pronounce Shock an adequate little drama, worth it anyway for the oily Price, but decent in general.
You ever realize you’re so untrustworthy you shouldn’t even trust yourself? I do. It’s weird.

Mysterious spiritualist can see everyone's future but his own.

For a moment Austrian born, Turkish descended actor Turhan Bey was a star, a status he achieved through a long, careful slog through numerous supporting film roles beginning in 1941. The Amazing Mr. X, aka The Spiritualist, is a movie that’s his. He receives a rare top billing, and in playing a suave, mysterious seer of the future who hails from unknown shores, acts a part seemingly written for him.

Bey uses his psychic powers to warn rich widow Lynn Bari against remarrying. He’s a phony, of course, but his performance is enough to hook Bari, who indeed begins to have second thoughts about tying the knot. When Bey claims he can contact her dead husband she jumps at the opportunity. A few cheap special effects convince her she’s really contacted the netherworld. And of course we soon learn that Bey and his partner are doing all this to fleece Bari of her fortune.

If Bey were a real medium he’d know complications will arise. What kind? Serious and unexpected ones that snare him in a plot not of his own devising. Despite the twists, The Amazing Mr. X is murky and lacking in subtlety, and parts of it come across as comedy, so it’s no surprise it wasn’t the breakthrough hit Bey desired. Today it’s a public domain movie available as a low quality television rip, and seems to be nearly forgotten.

It premiered in the U.S. today in 1948, and soon afterward Bey’s career began slipping off the rails. He made only three movies in the next five years, then found himself back in Austria working as a photographer. His Hollywood moment had passed, though he’d return during the 1990s and score some television roles. But even if The Amazing Mr. X isn’t great, in watching the cool and exotic Bey we understood why Hollywood wanted to make him a star.

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HISTORY REWIND

The headlines that mattered yesteryear.

1933—Blaine Act Passes

The Blaine Act, a congressional bill sponsored by Wisconsin senator John J. Blaine, is passed by the U.S. Senate and officially repeals the 18th Amendment to the United States Constitution, aka the Volstead Act, aka Prohibition. The repeal is formally adopted as the 21st Amendment to the Constitution on December 5, 1933.

1947—Voice of America Begins Broadcasting into U.S.S.R.

The state radio channel known as Voice of America and controlled by the U.S. State Department, begins broadcasting into the Soviet Union in Russian with the intent of countering Soviet radio programming directed against American leaders and policies. The Soviet Union responds by initiating electronic jamming of VOA broadcasts.

1937—Carothers Patents Nylon

Wallace H. Carothers, an American chemist, inventor and the leader of organic chemistry at DuPont Corporation, receives a patent for a silk substitute fabric called nylon. Carothers was a depressive who for years carried a cyanide capsule on a watch chain in case he wanted to commit suicide, but his genius helped produce other polymers such as neoprene and polyester. He eventually did take cyanide—not in pill form, but dissolved in lemon juice—resulting in his death in late 1937.

1933—Franklin Roosevelt Survives Assassination Attempt

In Miami, Florida, Giuseppe Zangara attempts to shoot President-elect Franklin D. Roosevelt, but is restrained by a crowd and, in the course of firing five wild shots, hits five people, including Chicago, Illinois Mayor Anton J. Cermak, who dies of his wounds three weeks later. Zangara is quickly tried and sentenced to eighty years in jail for attempted murder, but is later convicted of murder when Cermak dies. Zangara is sentenced to death and executed in Florida’s electric chair.

1929—Seven Men Shot Dead in Chicago

Seven people, six of them gangster rivals of Al Capone’s South Side gang, are machine gunned to death in Chicago, Illinois, in an event that would become known as the St. Valentine’s Day Massacre. Because two of the shooters were dressed as police officers, it was initially thought that police might have been responsible, but an investigation soon proved the killings were gang related. The slaughter exceeded anything yet seen in the United States at that time.

Uncredited cover art for Day Keene’s 1952 novel Wake Up to Murder.
Another uncredited artist produces another beautiful digest cover. This time it's for Norman Bligh's Waterfront Hotel, from Quarter Books.
Above is more artwork from the prolific Alain Gourdon, better known as Aslan, for the 1955 Paul S. Nouvel novel Macadam Sérénade.
Uncredited art for Merle Miller's 1949 political drama The Sure Thing.

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