UNRESOLVED TENSION

Give credit where credit is due—when possible.


Above is an MGM promo handout for the film noir Tension, which starred Audrey Totter and hit cinemas today in 1949. It was painted in ink by the same person who did the poster, one of the greatest artists in cinema poster history—the inimitable uncredited. It’s a great piece by a true master. We’ve shown you a lot of Tension‘s U.S. promo art, and today’s doesn’t even empty the well of what’s out there, but it’s the last time we’ll dip into it. So many vintage films, so little time… 

What's happens next only she knows for sure.


Above: a cool 1928 MGM promo image of top tier U.S. actress Anita Page, who featured in such films as West of Zanzibar and The Broadway Melody. Her career straddled the silent and talkie eras, and she was a star in both. This is a great and sexy shot, a bit eyebrow raising at the time, we’d guess, thanks to that wandering left hand that could be up to anything. You can see more of her here, and we’ll show you more of her soon. 

Everybody, listen up! Grace is having a nap, so I guess the whole production has to grind to a halt until she's done.


Online you see this photo captioned something like, “Grace Kelly has a nap in Africa on the set of the 1953 Metro-Goldwyn-Mayer movie Mogambo.” It’s clear, though, that the shot is staged. See all those footprints around Kelly’s mattress? Grips, best boys, production assistants, and other species of cinematic wildlife have been constantly trekking through there lugging heavy gear. If she were really in need of a catnap we feel she’d be off to the side, somewhere under shelter from the brutal African sun, for example in a tent reserved for her, so we suspect she and the good folks at MGM chose this spot for a quick photo op. But it’s a fun shot. In Africa or out of it, Kelly was hella hot. 

Welch movie suffers from an outbreak of ineptitude.

Above: a couple of Metro-Goldwyn-Mayer promos for Raquel Welch’s 1970 drama Flareup. That’s a strange looking word, we know. The movie actually should be called, “Flare Up” or “Flare-Up.” If you think MGM was confused about how hyphenates work, you should see the movie. Non-stop confusion there. But we do like the Welch graphics that feature on these posters. You can read more here.

Charisse strikes a perfect pose on MGM mailer.


We have something a bit different for you today. We say that every time we have something from Israel, don’t we? Well, in our experience items from there are pretty rare. And like our many Japanese discoveries, they’re inherently interesting because of the different alphabet used. What you see here is a promotional postcard for the 1957 MGM musical film Silk Stockings, which starred Cyd Charisse and Fred Astaire. It’s not a film we’ll talk about, as it falls outside our purview, but we love this item, which we spotted on an auction site. It’s crudely printed, but beautiful just the same, thanks to Charisse, who was one of the special beauties of her era.

According to the vendor, the text says, “See you this week in the Esther cinema hall in the magnificent musical film, Silk Stockings. Yours, Cyd Charisse.” The Esther was a Bauhaus style cinema built in Tel-Aviv’s Dizzengoff Square. It opened in 1931 and was a popular social hub for decades before being closed, then reopened as a fancy hotel. As you know, we’re into old cinemas, and we managed to track down a shot of the Esther, which appears below. Consider it an addition to our collection of vintage cinema photos. We don’t have an Israeli release date for Silk Stockings, but if we had to guess we’d say it played there in 1958 or 1959.
The costume designer made this out of monkey fur? That's interesting. Next time can he use a couple more monkeys?


A wild hairdo, a bit of animal hide, and not much else usually comprises an actress’s costume for the typical lost world flick. Raquel Welch is considered by many to be the pinnacle of visual achievement in that area (though opinions vary), but U.S. actress Edwina Booth beat Raquel to it by more than three decades. She’s clad in monkey fur and a few animal teeth in this striking promo image made for her adventure Trader Horn. We won’t talk about the movie extensively today because we may delve into it later, but let’s just say that as a pre-Code film set in Africa there’s a lot to unpack. In addition, though it made Booth a star it ruined her career because she contracted malaria or schistosomiasis, prompting her to sue MGM Studios for negligence, her illness being—according to her lawsuit—a direct result of being made to run around the jungle half naked. She was probably right. As a reward she was blacklisted in Hollywood. Nevertheless, she looks very beautiful here. Trader Horn came out in early 1931, so this shot would be from sometime in 1930. 

When you cross the line trouble is sure to follow.


This bright poster for Dödsdalen was made for the Swedish run of the U.S. drama Border Incident, an interesting vintage film about illegal immigration—a hot button issue everywhere these days. Ricardo Montalbán stars as a Mexican investigator named Pablo Rodriquez who goes undercover as a migrant worker and crosses the border illegally to try and get to the bottom of why and by whom migrants are being exploited and sometimes murdered. He gets support from U.S. immigration cop George Murphy, who’s equally eager to apprehend the evildoers.

We were curious what sort of treatment migrants would get in the screenplay, and it was generally compassionate. The years we lived in Guatemala we became acquainted with some locals and learned quickly that the vast majority of those who left for the States didn’t want to go. Well, we didn’t learn it—we already knew it because it’s a no-brainer. Leave their families, wives, children, culture, social networks, and all sense of security? Of course they don’t want to do it. But for the most part it’s go north or go hungry. If that kind of dilemma isn’t worthy of a person’s compassion, we don’t know what is.

Montalbán brings authenticity and passion to his performance. You may remember we thought he should have starred in Touch of Evil instead of Charlton Heston. His character comes under suspicion immediately—his hands are too soft to belong to a migrant. Murphy, working undercover from the other end, also gets into hot water, but survives a beating and torture to get next to the crooks. They’re from the U.S., which of course is plausible. No industry as profitable as human trafficking is controlled from only one side of a border. Americans make money on it and always have. These particular Americans will kill to keep the profits coming in, which means Montalbán and Murphy have their hands full.

Border Incident scores well in mood, tension, and seriousness, and is well photographed in noir style, and in fact qualifies as a film noir, though one that’s rarely cited. It was helmed by Anthony Mann—the noir veteran behind T-Men, Railroaded!, and Raw Deal, and his expereience and style help make the movie more than the sum of its production budget. When you add it all up, what you have here is a flick that’s worth seeing, not least because Montalbán is a natural star. He’s great in this. Border Incident premiered in the U.S. in late 1949 and opened in Sweden as Dödsdalen—”valley of death”—today in 1950.

Okay, happy thoughts, Jean! Give us a smile! Puppies and balloons! Use those face muscles. Please? Pretty please?

Jean Harlow actually smiled plenty, and was photographed that way numerous times. But for intensity she couldn’t be topped, as this smoldering Metro-Goldwyn-Mayer promo image from 1930 shows. It was made when she was filming The Secret Six. Want to see Harlow smile? There’s a good photo in this post.

Gladiatorial combat is all fun and games until the gladiators decide you're the one who needs killing.


We’ve featured master fantasy artist Frank Frazetta a few times, so it seems only fair that we feature the yang to his yin, Peruvian born legend Boris Vallejo. Here you see his art on a promo poster for Naked Warriors, which is better known as The Arena, released this month in 1974 starring another legend, Pam Grier, along with occasional co-star, the lovely Margaret Markov. We’ve talked about the movie twice, shared its Italian and U.S. promo art, and shared rare promo images of Grier once or twice, or maybe even three or four times, as well as a beautiful centerfold of Markov. All of that imagery is worth a look.

Vallejo’s art is a nice fit for a tale of enslaved gladiators pitted against each other eventually defying their sadistic masters to fight for freedom. He painted when Corcorde Pictures acquired the rights to the film from MGM/UA for a VHS release in 1988. Concorde/New World was formed and run by schlockmeister Roger Corman, and that explains the black wedges at the top and bottom of the promo. When you do thingson the cheap as a matter of course like Corman did, tilting the art in an inelegant way to make the two figures fit a door panel format seems logical. We can imagine him: “Just lean the fucker left. Who cares about the blank spots?” And indeed, who does, really?

In addition to a great piece of art, as a bonus we’ve also uploaded some Arena production photos we found scattered around the internet over the years. Most of them were shot by Italian lensman Angelo Frontoni, whose work we’ve admired often. As it is a lusty sort of movie, some of the shots are a bit lusty too. We had these sitting about and didn’t have a real good excuse to share them until today, so from the good old days of ’70s sexploitation behold: Grier, Markov, Lucretia Love, Maria Pia Conte, Rosalba Neri, and others in barely-there gladiatorial gear—and sometimes less. We can’t say the film is perfect, but it’s definitely worth a watch.

Welch proves indispensable to yet another ’60s caper flick.


Above you see a promo poster for 大泥棒, or “Great Thief,” made for the 1968 Raquel Welch/Robert Wagner caper flick The Biggest Bundle of Them All. The U.S. poster was painted by master illustrator Robert McGinnis, but we decided to show you the Japanese art instead because it’s rare. There are two more Japanese promos below that are also rare. We’ll get to the McGinnis version later. In the film, Wagner and his henchmen kidnap an elderly Italian gangster played by Vittorio De Sica and hold him for ransom. Problem is he has no money. At first they don’t believe him, but when it finally becomes clear he’s broke, Wagner and Co. try to cut bait. But De Sica is terrified all Italy will find out he couldn’t pay his own ransom. His reputation would be ruined. So he convinces his kidnappers to join him in a swindle that will maintain his reputation, make him rich again, and earn the kidnappers more money than they ever imagined. De Sica becomes the boss of his own abductors.

For a crime-comedy, it’s an ingenious premise, which makes it a shame it wasn’t original. Another movie with an almost identical plot called The Happening was in production at Columbia, and when the studio got wind of The Biggest Bundle of Them All it threatened to sue. Metro-Goldwyn-Mayer agreed to give Columbia a cut of Bundle’s profits and a legal bloodbath was avoided, but in the same way De Sica’s big caper doesn’t exactly play out perfectly, Bundle‘s profits didn’t blow the roof off MGM headquarters as planned. And no wonder. It wasn’t just the script that wasn’t original—the film falls into the same category as continental crime capers like Charade, To Catch a Thief, and Topkapi, and those make for crowded and treacherous cinematic waters. Bundle isn’t sophisticated enough, or exciting enough, or infused with enough sexual chemistry to compete with better films of its ilk.

Speaking of sexual chemistry, Welch is naturally the big attraction of any movie she’s in, and we’ve seen enough of her work now to understand that she was more of a persona than an actress during this mid- to late-’60s period. In film after film she basically played herself. Here she smiles and quips and poses, and it’s all very Welchian in that groovy way her fans had come to expect—bikinis, lingerie, go-go dancing and all. The movie would be worth far less without her. There are also supporting appearances by Edward G. Robinson and Femi Benussi, while future blaxploitation icon Godfrey Cambridge is one of the kidnappers, so there’s plenty for stargazers to enjoy here, but we can’t call the movie a success. If you have nothing to do some evening, it might give you a few smiles, but not a bundle of them. After premiering in the U.S. in 1968, The Biggest Bundle of Them All opened in Japan today in 1968.
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HISTORY REWIND

The headlines that mattered yesteryear.

1966—LSD Declared Illegal in U.S.

LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.

1945—Hollywood Black Friday

A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.

1957—Sputnik Circles Earth

The Soviet Union launches the satellite Sputnik I, which becomes the first artificial object to orbit the Earth. It orbits for two months and provides valuable information about the density of the upper atmosphere. It also panics the United States into a space race that eventually culminates in the U.S. moon landing.

1970—Janis Joplin Overdoses

American blues singer Janis Joplin is found dead on the floor of her motel room in Los Angeles. The cause of death is determined to be an overdose of heroin, possibly combined with the effects of alcohol.

1908—Pravda Founded

The newspaper Pravda is founded by Leon Trotsky, Adolph Joffe, Matvey Skobelev and other Russian exiles living in Vienna. The name means “truth” and the paper serves as an official organ of the Central Committee of the Communist Party between 1912 and 1991.

1957—Ferlinghetti Wins Obscenity Case

An obscenity trial brought against Lawrence Ferlinghetti, owner of the counterculture City Lights Bookstore in San Francisco, reaches its conclusion when Judge Clayton Horn rules that Allen Ginsberg’s poetry collection Howl is not obscene.

1995—Simpson Acquitted

After a long trial watched by millions of people worldwide, former football star O.J. Simpson is acquitted of the murders of ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Simpson subsequently loses a civil suit and is ordered to pay millions in damages.

Classic science fiction from James Grazier with uncredited cover art.
Hammond Innes volcano tale features Italian intrigue and Mitchell Hooks cover art.

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