PRIME UNSUSPECTED

For your own good trust nobody.


Above: a poster for the thriller The Unsuspected, a movie you apparently can’t foresee or forget, starring Claude Rains, Joan Caulfield, Audrey Totter, and Constance Bennett, directed by Michael Curtiz of Casablanca fame. We shared two nice Italian posters for this, and talked about it in detail. Check here, if interested. The Unsuspected premiered in the U.S. today in 1947. 

Some guys just can't catch a break.


The Breaking Point is the second of three Hollywood adaptations of Ernest Hemingway’s novel To Have and Have Not, and it’s a very good one. You’re already starting from an advantageous point when you have John Garfield in the starring role. He could act, and this part requires quite a bit from him. This was his next-to-last movie—he would be dead two years later, victim of a congenital heart problem, exacerbated by high stress, reportedly from his blacklisting that was the result efforts by commie hunters.

Casablanca director Michael Curtiz is on board here too, and he does a masterful job bringing the story to life. Curtiz, or Warner Brothers, or both, decided to transplant the novel’s action from Cuba to Newport Beach, but the theme of a man caught in untenable economic circumstances remains. Those who wanted a reasonably faithful adaptation of Hemingway’s story got it in this film. The first version, also called To Have and Have Not, was amazing but had little in common with the source material. The third adaptation, The Gun Runners, was also good but downplayed certain political themes. (There’s also an Iranian version we haven’t seen and which we’ll leave aside for now.)

So, which of the three U.S. versions is best? Is it really a competition? They’re all compulsively watchable, but this effort with Garfield is the grittiest by far, and the most affecting. It’s strange—To Have and Have Not is supposed to be Hemingway’s worst book, but with three good movies made from it, maybe it isn’t that bad after all. Perhaps because it’s a work from one of the most influential authors ever to write in English, the bar was just set too high. Maybe it really is Hemingway at his worst, but personally we think it’s very good. The Breaking Point premiered in the U.S. today in 1950.

The blood may stop but the stain is permanent.

These old movies. The Scarlet Hour is fun in a way modern flicks simply aren’t. Basically, a rich man thinks his young wife is two-timing him. She and her lover, seeking privacy one night, drive to a secluded lookout. Three men arrive and discuss plans to rob a nearby hilltop mansion. The take? $300,000 in insured jewels. The lovers, from their hiding place, hear the plot and decide that if they rob the robbers they can get enough money to run away together. Their consciences are clear about it, because the goods will have been stolen already. But the husband, now deciding to do something about his wife’s nocturnal forays, begins following her around. On robbery night that puts him in exactly the wrong place at the wrong time.

It’s a twisty set-up, handled deftly thanks to Rip Van Ronkel’s, aka Alford Van Ronkel’s clever screenplay. The complications keep coming, which means The Scarlet Hour has surprises in store all the way to the end. And as a bonus it was directed by Michael Curtiz, the man behind Casablanca, and as sure-handed a director as ever worked in Tinseltown. It also has a nice nightclub number by crooner Nat King Cole. As far as we know, there are no good digital transfers of the film available, which means a rental or download may yield a less than pristine television rip (like the one we watched). Noir City will be showing an archival print, which would make this worth the extra effort to see even if the movie weren’t great, which it is. But even if you aren’t anywhere near San Fran tonight, this is one to keep in mind for future viewing.

Spare the rod, spoil the child.

We ran across this West German poster for Solange ein herz schlaegt, aka Mildred Pierce, and realized we had a substantial gap in our film noir résumé. So we watched the movie, and what struck us about it immediately is that it opens with a shooting. Not a lead-in to a shooting, but the shooting itself—fade in, bang bang, guy falls dead. These days most thrillers bludgeon audiences with big openings like that, but back in the day such action beats typically came mid- and late-film. So we were surprised by that. What we weren’t surprised by was that Mildred Pierce is good. It’s based on a James M. Cain novel, is directed by Michael Curtiz, and is headlined by Joan Crawford. These were top talents in writing, directing, and acting, which means the acclaim associated with the movie is deserved.

While Mildred Pierce is a mystery thriller it’s also a family drama revolving around a twice-married woman’s dysfunctional relationship with her gold-digging elder daughter, whose desperation to escape her working class roots leads her to make some very bad decisions. Her mother, trying to make her daughter happy, makes even worse decisions. The movie isn’t perfect—for one, the daughter’s feverish obsession with money seems extreme considering family financial circumstances continuously improve; and as in many movies of the period, the only black character is used as cringingly unkind comic relief. But those blemishes aside, this one is enjoyable, even if the central mystery isn’t really much of a mystery. Solange ein herz schlaegt, aka Mildred Pierce opened in West Germany today in 1950.

Passage to Marseille has plenty of message but not enough movie.

We’ve seen nearly every Humphrey Bogart movie but had been warned away from Passage to Marseille. We finally watched it last night and the haters were right—it’s substantially below standard. You have Casablanca director Michael Curtiz at the helm and Casablanca alumni Bogart, Claude Rains, Peter Lorre, and Sydney Greenstreet in front of the camera, along with the lovely Michèle Morgan in the female lead, but all their combined efforts cannot elevate this clumsily written propaganda piece. Curtiz is not to blame—his direction is functional and James Wong Howe photographs everything beautifully. Likewise, Bogart manages his role adequately, Lorre and his emotive brow are put to ample use, and Rains dons an eyepatch and permafrown to bring some gravity to matters.

But Passage to Marseille is just a badly written film. Where Casablanca used patriotic sentiments adroitly (who can forget the way the singing of the French national anthem “La Marseillaise” both roused the audience and advanced the plot?), Passage to Marseille flounders under the weight of cheap nationalism and sticky sentiment. It enjoys a decent rating on many review websites but we daresay that’s mainly due to Bogart bias (wherein even his bad flicks like Chain Lightning and Battle Circus have good ratings). We love the guy too, but no actor in history has batted 1.000, and this movie was a clean whiff. As propaganda it doubtless got the job done, but as a film we suggest consigning it to a dusty, unreachable shelf. Passage to Marseille premiered in Sweden as På väg mot Marseille today in 1944. 

Femme Fatale Image

ABOUT

SEARCH PULP INTERNATIONAL

PULP INTL.
HISTORY REWIND

The headlines that mattered yesteryear.

1966—LSD Declared Illegal in U.S.

LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.

1945—Hollywood Black Friday

A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.

1957—Sputnik Circles Earth

The Soviet Union launches the satellite Sputnik I, which becomes the first artificial object to orbit the Earth. It orbits for two months and provides valuable information about the density of the upper atmosphere. It also panics the United States into a space race that eventually culminates in the U.S. moon landing.

1970—Janis Joplin Overdoses

American blues singer Janis Joplin is found dead on the floor of her motel room in Los Angeles. The cause of death is determined to be an overdose of heroin, possibly combined with the effects of alcohol.

1908—Pravda Founded

The newspaper Pravda is founded by Leon Trotsky, Adolph Joffe, Matvey Skobelev and other Russian exiles living in Vienna. The name means “truth” and the paper serves as an official organ of the Central Committee of the Communist Party between 1912 and 1991.

1957—Ferlinghetti Wins Obscenity Case

An obscenity trial brought against Lawrence Ferlinghetti, owner of the counterculture City Lights Bookstore in San Francisco, reaches its conclusion when Judge Clayton Horn rules that Allen Ginsberg’s poetry collection Howl is not obscene.

1995—Simpson Acquitted

After a long trial watched by millions of people worldwide, former football star O.J. Simpson is acquitted of the murders of ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Simpson subsequently loses a civil suit and is ordered to pay millions in damages.

Classic science fiction from James Grazier with uncredited cover art.
Hammond Innes volcano tale features Italian intrigue and Mitchell Hooks cover art.

VINTAGE ADVERTISING

Things you'd love to buy but can't anymore

Vintage Ad Image

Around the web