HOT AND UNBOTHERED

Often she bursts into flames for men. But tonight she's using her powers to light candles and make popcorn—simple pleasures.

As you can probably tell from our recent book focus, over the holidays we went through a number of novels. Connie Nelson’s sleazer Woman Aflame, published by Midwood in 1965, is so rare we can’t even find mention of it online. It’s basically the anatomy of an extramarital affair, as self-sufficient career woman Sally Springer starts bedding down behind her husband’s back with a stranger named Victor. Most of the story deals with him, so a rear cover blurb mentioning a “parade of virile strangers,” is a bit misleading, but about three quarters of the way through she indeed moves on to another man named Tim, then one named—improbably—King. But Victor is never out of her life because he had an ulterior motive all along: he’s a pornographer and has been non-consensually filming himself with Sally. She’s trapped, and blackmailed into continuing. Nelson writes all this with some depth and introspection, though not necessarily great skill. In the end Woman Aflame isn’t bad, but it isn’t recommendable either. Next.

I've been your secretary for a week now. When do I get a chair and a desk?

It’s back to the office—here’s yet another cover from possibly the most fertile sub-genre of sleaze literature. Jackson Harmon’s A Taste of Shame is from 1967 with Paul Rader art. It looks sort of repurposed, but we can’t find any books with the same painting. The cut down framing reduces its impact, which is a bad move when the illustrator is a genius. If you’re unimpressed by Rader, you can click his keywords to enjoy him on full display, but if you’re time-pressed, you can take the short route and see a few brilliant examples here, here, and here.

I appreciate it, honey, but slouching isn't the answer. I'm a little man and that's just the way it is.

Above: uncredited cover art for Paul V. Russo’s Pagan. The book was originally released in 1963, with this edition coming in ’68. We gather it’s about a woman named Pagan who becomes the nightly prize in a high stakes poker game. It’s not what you’d want for your daughter, but then again if you name her Pagan you have only yourself to blame.

It's one thing to know she'll say it. It's another thing entirely to know when she'll say it.

Being in the right place at the right time is an art. The three guys on the cover of Amanda Moore’s 1964 sleaze novel The Yes Girl hope to have mastered it, but we didn’t buy the book to find out. We’ve read a fair number of Midwood paperbacks now and, though we love the covers, as a rule the writing is pretty bad. That said, we have a few Midwoods sitting on our shelves awaiting attention. You’ll see those later.

When it comes to vintage paperbacks patience pays.

We’re always right. We’ve gotten used to it. A couple of years ago we shared Paul Rader cover art for the Russell Trainer sleaze novel His Daughter’s Friend, but lamented that the book was selling for more than two-hundred dollars. Have a look at the art here. It’s worth the detour. We consider it one of Rader’s best covers, but the price made the purchase a non-starter for us. Sleaze fiction is usually poorly written, and in our view no cover makes a book worth two bills. But we hoped we’d see it listed at a reasonable price one day.

It happened. His Daughter’s Friend popped up in a large group of paperbacks for which we paid a little more than a hundred bucks. We’d have already done well paying half rate for a potentially two-hundred dollar paperback, plus more books, but it gets better. In the lot were a few of the more expensive gets in the paperback game—among them Paul Renin’s Midnight Sinner, listed for up to $60.00, and Mary Clare’s rare White Man’s Slave, which we saw sell most recently for $120.00. Jackpot. Of course, the ironic part is we’ll never actually cash in our chips—the books are way too useful to us as conversation pieces.

We delved into His Daughter’s Friend immediately upon reciept. Trainer spins the tale of widowed advertising man Mark Corbin, who gets mixed up with his virginal daughter Judy’s sexually precocious best friend Lithe. We thought the story might be one in which Corbin is tempted but ultimately resists, but no, he gets on seventeen-year-old Lithe at first opportunity, and second, and third, and so forth. She falls in love with him, but he feels considerable guilt and tries to break off the relationship. At that point Lithe turns vengeful and seeks payback, even if it means using Judy as a pawn.

How dark does His Daughter’s Friend get? Pretty dark—Lithe arranges to have Judy raped. Revealing that would normally be giving away too much plotwise, but were you going to pay an exorbitant amount for mediocre fiction? Really? Oh. In that case—spoiler alert! But there’s more to Trainer’s Lolita-lite, so if you see it on sale feel free to splurge. Trainer may not be a great writer, but he tries to make a point without overstepping his bounds—which is to say, when it comes to sleaze he knows his place. We’ll be getting into the rest of these novels over the next year or two.

I'm sorry, but he hasn't come yet this morning. Would you care to call back after he has?

Oh, the inanity! “Eve knew she would be taking more than dictation.” It seems like an obvious direction to go for a cover tagline, but nobody ever said the editorial staff at Midwood Books were always clever. And no wonder. They put together thousands of paperbacks—literally—in eleven short years. The well tends to run dry. Resort Secretary by Arnold English came in 1962 with art by Jack Faragasso, which he signed “Giac.”

She's grown in the last few years. And unfortunately *gulp* I've grown in the last few seconds.

This cover for the 1965 sleaze novel Overnight Guest features art from Victor Olson depicting an actual scene from the story, except in the text the woman in question is face up and topless. It’s a good illustration, notable for the fact that it wasn’t painted by Paul Rader, who you’d be forgiven for thinking painted every cover for Midwood Books. As for Ludwell Hughes’ story, it’s the tale of a middle-aged man who becomes obsessed with two girls aged seventeen and nineteen, and pursues them relentlessly despite dire and multiplying consequences. This tale isn’t one where main character Richard Pell’s behavior is thought to be acceptable for the period. Pell knows himself to be a predator, and Hughes writes in zero excuses for his behavior. That’s pretty progressive for the era. Unfortunately, the book also takes a wrenching turn into evil lesbian tropes—not unusual in a Midwood paperback. Even so, Overnight Guest was a surprise in terms of theme and quality.

Shame? That's for small minds. I feel perfectly lovely about everything I do.

Above: more from Paul Rader, who, if we were ranking paperback artists (which we don’t), would certainly be in the top five (we just did). This effort for Bart Matty’s Next Stop, Shame is signed with a single R, and is high quality, as always. It came in 1966.

Rainy with a chance of murderous ex-lovers.

This awesome Paul Rader cover for Russell Trainer’s 1963 novel No Way Back made us think we were dealing with another natural disaster story—and you know we love those—but the art deceived us. The book is actually a sleaze tale—maybe the nipples should have clued us in—with only the last fifteen pages set during a storm. It’s about a man who returns from the Vietnam War to find that his wife has gotten involved in an affair with a woman who’s also taken his spot in his real estate business. While it’s filled with titillation, it’s relentlessly anti-gay, with Trainer calling homosexuality depraved, perverted, wicked, and other slanders. It would be interesting to know, considering how hot his love scenes are, whether the moralizing came from his mind or those of Midwood editors. The climax where Trainer’s lesbian turns homicidal is unlikely, at best. Readers might have believed it in 1963, but they wouldn’t now. As we’ve said many times, book and poster art have gotten worse since the mid-century, but culture has gotten better.

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HISTORY REWIND

The headlines that mattered yesteryear.

1942—Carole Lombard Dies in Plane Crash

American actress Carole Lombard, who was the highest paid star in Hollywood during the late 1930s, dies in the crash of TWA Flight 3, on which she was flying from Las Vegas to Los Angeles after headlining a war bond rally in support of America’s military efforts. She was thirty-three years old.

1919—Luxemburg and Liebknecht Are Killed

Rosa Luxemburg and Karl Liebknecht, two of the most prominent socialists in Germany, are tortured and murdered by the Freikorps. Freikorps was a term applied to various paramilitary organizations that sprang up around Germany as soldiers returned in defeat from World War I. Members of these groups would later become prominent members of the SS.

1967—Summer of Love Begins

The Human Be-In takes place in San Francisco’s Golden Gate Park with between 20,000 to 30,000 people in attendance, their purpose being to promote their ideals of personal empowerment, cultural and political decentralization, communal living, ecological preservation, and higher consciousness. The event is considered the beginning of the famed counterculture Summer of Love.

1968—Cash Performs at Folsom Prison

Johnny Cash performs live at Folsom State Prison in California, where he records a live album that includes a version of his 1955 hit “Folsom Prison Blues.” Cash had always been interested in performing at a prison, but was unable to until personnel changes at his record company brought in people who were amenable to the idea. The Folsom album was Cash’s biggest commercial success for years, reaching number 1 on the country music charts.

2004—Harold Shipman Found Hanged

British serial killer Harold Shipman is found dead in his prison cell, after hanging himself with a bedsheet. Shipman, a former doctor who preyed on his patients, was one of the most prolific serial killers in history, with two-hundred and eighteen murders positively attributed to him, and another two-hundred of which he is suspected.

Giovanni Benvenuti was one of Italy's most prolific paperback cover artists. His unique style is on display in multiple collections within our website.
Italian artist Sandro Symeoni showcases his unique painterly skills on a cover for Peter Cheyney's He Walked in Her Sleep.
French artist Jef de Wulf was both prolific and unique. He painted this cover for René Roques' 1958 novel Secrets.

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