SLIPPERY WHEN WEHT

Okay! I thought I was *gasp* chasing you. But I get it now! You're *sputter* drowning me, right?

He’s gonna need a closer boat. The globally popular Charles Williams appears in yet another foreign edition, this time from Munich based publisher Heyne-Bücher. Heiss weht der wind von Yukatan, which means, “the wind blows hot from Yucatan,” is a translation of Scorpion Reef, aka Gulf Coast Girl, and came in 1959 with art that is signed but, unfortunately, illegibly. As always when it comes to Williams, this was an excellent novel.

Round and round she goes. Where she stops nobody knows.


We like books set in carnivals. They’ve been among our most interesting reads. So we figured a movie set in a carnival—Carnival Story, with Anne Baxter and Steve Cochran—was a natural. We gave it a look and it’s an above average drama about how Baxter becomes a high diver in a Munich carnival and makes a big splash, but has relationship issues that threaten to derail her career and life. Her main problem is Cochran. He lies, he cheats, and he steals, but she just can’t quit him, even though her diving partner Lyle Bettger is totally devoted to her. Even after she marries Bettger she can’t keep her hands off Cochran. This can only end badly. And by badly we mean violence and death.

Carnival Story is one of those movies with an unspoken sexual subtext. Why would Baxter let Cochran mistreat her again and again? Well, because he gives her something no other man can. Though it couldn’t be shown onscreen we can understand that something to be sexual passion. Bettger, and later George Nader, are both devoted to Baxter, and they’re nice guys besides, but they’re square. Cochran gets Baxter’s loins all feverish. Portraying a woman trapped in this dilemma during Hollywood’s age of censorship takes acting skill, and Baxter, an Academy Award and Golden Globe winner by this point, has plenty of that. Anything she’s in is worth a watch. Carnival Story premiered today in 1954.
America's worst tabloid pops the bubbly and starts the year strong.


Above is a cover of the tabloid National Informer that hit newsstands today in 1972 featuring an unidentified Champagne toasting model. We love how the editors emphasize the word “truthful” in the second banner, beneath the name of the paper. That’s a bold claim from one of the ultimate bottom shelf tabloids of the era, one that traffics in faux news and sensationalism more than actual journalism. But we won’t argue the point. Whenever one’s reputation is less than stellar don’t leave it to chance: tell people what opinion to have of you. National Informer says it’s truthful, fine.

There are a couple of stories of note in this issue. According to Informer, German high wire artist Karl Traber died when he lost his balance during a walk between the towers of two Munich churches and fell two-hundred feet onto a spiked fence. We couldn’t find a single reference to anyone named Karl Traber online, though we did to a Traber family who remain famous today as aerialists. We did a Boolean search within German websites and still found no Karl Traber who suffered this grisly death. It’s no surprise. Cheap tabloids often leave you with more questions than answers. We’ll blame it on sloppy journalism (maybe they got a name wrong?) rather than false reporting. But since we don’t want to spend our Monday searching the internet, we’ll just move on.

Later in the issue Informer‘s resident seer Mark Travis produces a slate of predictions, and one of them qualifies as his wildest ever: I predict the invention of a serum which is injected into the bloodstream to create more pigmentation of the skin and turn a white person black. It will be very popular among the young college students. This serum [snip] will enable white youngsters from affluent homes to really see what life in the ghetto is like. Since the results will wear off in a few weeks if the injections are discontinued, it will be quite an adventure to “go black” for a short period of time. Only a wig will be necessary to complete the disguise. And since another drug which works in reverse—lightens the skin—will enable any Negro who desires to do so to pass for white, it will soon be impossible to tell who is white, who is black, and who is one in the disguise of the other.

We think we know how that would turn out: the caste-destroying serum would be banned in all fifty states, plus overseas U.S. territories, and bring penalties for usage ranging up to execution. We’re only half kidding. Imagining the possible fallout from such a form of recreation makes us want to pitch the idea to some of our Hollywood friends. Can you imagine the television show that could be produced? Travis has made some blah predictions over the years, but we bet this one hit a nerve among Informer‘s readership. Unfortunately, we don’t have the next few issues to check the infuriated responses in reader mail. Maybe it’s better that way. As a side note, this is the thirtieth issue of Informer we’ve shared.
Lindberg is larger than life in three dimensions.

Have you ever seen a 3D sexploitation movie? Rittai Poruno-Sukoppu: Sentensei Roshutsukyou, which was originally released as Liebe in drei Dimensionen and known in English as Love in 3-D, is a typical piece of West German goofball sexploitation—except it comes right at you! Ingrid Steeger is top billed but the film’s Japanese distributors—no fools they—put Christina Lindberg on the promo poster.

There isn’t much of a plot to this. It’s basically just sex vignettes wrapped around Steeger apartment sitting and dealing with her bad boyfriend. 3D movies always overuse their gimmickry and this effort is no exception. Items thrust at the camera include Dorit Henke’s panties, Ulrike Butz’s bush, several animatronic monsters in a house of horrors, and of course Lindberg’s boobs.

Lindberg was globally famous for her breasts (see what we just did there?), which means her nudity was expected and duly delivered, but watching her tour Munich rocking a red mini-skirt and fluffy pink jacket may impress you even more. Lederhosen must have gotten cramped all over Bavaria when she shot those scenes. Liebe in drei Dimensionen premiered in West Germany in January 1973 and reached Japan today in 1974.

Hollywood shines bright in West Germany.

Above are the covers of some promotional brochures made by Illustrierte Film-Bühne for movies released in West Germany during the 1950s and 1960s. The examples here, some of which have killer designs, feature Elizabeth Taylor, Marisa Mell, Cary Grant, Virna Lisi, Sophia Loren, Doris Day, Tony Curtis, et.al. IFB was founded in 1946 in Munich by Paul Franke, and over the years produced thousands of these pamphlets. We’ll share more later.

Eva Braun gets the cover of Police Gazette, but it’s really another Hitler issue in disguise.

Ahh, the National Police Gazette. What a quirky publication. We’ve talked before about how America’s longest running magazine unrelentingly used Adolf Hitler to move issues. Well, in this one from fifty years ago this month, they’re at it again, claiming to have found the secret diaries of Hitler’s mistress Eva Braun. The first sentence of the story goes like this: Of all the fanatically loyal people who attended Adolf Hitler and are still with him in his present hideout, none have known him so intimately as the young, voluptuous blonde from Munich, Eva Braun. You caught that, right? And are still with him in his present hideout? They must mean that bunker in Antarctica.

If nothing else, you have to admire the editors’ perseverance. They started on the whole Hitler-survived-the-war theme pretty much the moment the armistice was signed, and as late as 1968 were still banging the same drum. But here’s the oddity surrounding this. Of all the Hitler Gazettes we’ve found—twenty-five at last count—none are from before 1945. Not that some don’t exist. But we haven’t seen any. It’s like Hitler was totally off the Gazette’s radar the entire time he was alive. Curious, no? A few scans below, including one of showgirl and actress Gloria Pall, who we may get back to later.

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HISTORY REWIND

The headlines that mattered yesteryear.

1941—Japanese Attack Pearl Harbor

The Imperial Japanese Navy sends aircraft to attack the U.S. Pacific Fleet and its defending air forces at Pearl Harbor, Hawaii. While the U.S. lost battleships and other vessels, its aircraft carriers were not at Pearl Harbor and survived intact, robbing the Japanese of the total destruction of the Pacific Fleet they had hoped to achieve.

1989—Anti-Feminist Gunman Kills 14

In Montreal, Canada, at the École Polytechnique, a gunman shoots twenty-eight young women with a semi-automatic rifle, killing fourteen. The gunman claimed to be fighting feminism, which he believed had ruined his life. After the killings he turns the gun on himself and commits suicide.

1933—Prohibition Ends in United States

Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.

1945—Flight 19 Vanishes without a Trace

During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.

1918—Wilson Goes to Europe

U.S. President Woodrow Wilson sails to Europe for the World War I peace talks in Versailles, France, becoming the first U.S. president to travel to Europe while in office.

1921—Arbuckle Manslaughter Trial Ends

In the U.S., a manslaughter trial against actor/director Roscoe ‘Fatty’ Arbuckle ends with the jury deadlocked as to whether he had killed aspiring actress Virginia Rappe during rape and sodomy. Arbuckle was finally cleared of all wrongdoing after two more trials, but the scandal ruined his career and personal life.

Cover art by the great Sandro Symeoni for Peter Cheyney's mystery He Walked in her Sleep, from Ace Books in 1949.
The mysterious artist who signed his or her work as F. Harf produced this beautiful cover in 1956 for the French publisher S.E.P.I.A.
Aslan art was borrowed for many covers by Dutch publisher Uitgeverij A.B.C. for its Collection Vamp. The piece used on Mike Splane's Nachtkatje is a good example.

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