Well, it’s that time again. We’ve done numerous write-ups on the Noir City Film Festival in San Francisco, and we’re going to look at some of its offerings yet again as the festival gets underway tonight. All this really is for us is a way to focus our efforts and adhere to a film watching schedule. It also makes us screen someone else’s picks rather than ours, which means we end up watching films we never would have otherwise.
Why this particular fest, as opposed to one of the many others, for example in Chicago or Seattle? This was the first one we ran across promo art for, so it’s really just tradition at this point. We will add though, that living in the Bay convinced us that San Fran is the most noir city in the world, more than L.A., more than New York City, more than Chicago or London.
Of course, scores of film noirs were shot in L.A., and one of us lived there too, for four years, but San Fran feels like film noir. The recurrent fog alone makes it that way. Add in the hilly geography, the cable cars, the surrounding water, the iconic locations, and that lingering Barbary Coast notion that anything can happen at any moment, and you have a modern day film noir theme park. It was better before all the suits and beards moved in, but what can you do? Anyway, for the next week we’ll be looking some of the movies playing at Noir City, and we’re starting right now. See below.
cars, and rogue fogs, is the also the best possible host city. This year the art produced for the festival in its thirteenth year references worn pulp paperbacks, which we can appreciate, and we also love the festival line-up. 
