Nora Prentiss, which stars Ann Sheridan and Kent Smith, has an innocuous title, but it’s close to the most ingenious film noir ever made. It’s about a mild-mannered doctor who falls for a beautiful nightclub singer and decides he’s willing to leave his wife. Exactly how far he’s willing to go to accomplish this split is one aspect of what makes the film interesting, but the aftermath of his decision, and how it leads to an ending that is simultaneously literal and metaphorical, is what makes it a top entry in the genre. Reviews of the day complained that the film was not believable, but are any of the pickles leading men get into in film noir believable? The fact that the filmmakers, writers, and actors pull off the plot at all is worthy of praise. We can say nothing more about Nora Prentiss, not even a hint, and we strongly suggest you don’t get anywhere near a review before watching it. Just trust us that it’s a film noir worth seeing. It premiered in the U.S. today in 1947.
Everything that can possibly go wrong will.