Femmes Fatales Nov 12 2021
RUSHIA WITH LOVE
I like my men stirred, not shaken.


Above you see Japanese actress and singer Rushia Santô, who we last encountered in the film Onna kyôshi: Seito no me no maede, aka Female Teacher: In Front of the Students. As an actress she worked in the misleadingly named genre of roman porno (romantic pornography), which consists of non-explicit but highly sexual dramas and comedies. She made only six movies. That's not many, but with titles like Mischievous Lolita: Attacking the Virgin from Behind (Itazura Lolita: Ushirokara virgin) and Sexy doll: Abe Sada sansei, we'd wager her imprint on Japanese cinema was indelible. This shot is from around 1982.

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Sex Files Nov 3 2021
IT IS WADD IT IS
National Informer guest columnist bares his soul and more.


This issue of National Informer was published today in 1974. In these later editions the editors seem to have discovered the value of a little dick, which is to say they began featuring male frontal nudes. The Pulp Intl. girlfriends used to wonder why we had so few nude men on the site. They actually thought it was up to us. We were like, “Baby, vintage actors didn't do nude promo shots.” Well, except for Fred Williamson, but he's Fred Williamson. Burt Reynolds did it for Cosmopolitan, but we don't have that shot because we don't collect Cosmo. So the best you get is these randos in low rent tabloids.

The models, whoever they were, got to experience what women had been experiencing for a long time, which was the shock of realizing their secret nudes had hit daylight on a drugstore newsstand without their knowledge—or financial remuneration. And as with the women, the photos were used in articles that had nothing to do with them. In this case the accompanying feature is about a porn actor who wants to move into legit cinema. It's a silly article filled with nothingness written by J.W.—presumably Johnny Wadd, aka John Holmes. At least that's what readers were supposed to think.

Do we buy it? Not really. For one, it reads like the same house hacks who wrote all Informer's articles (we love the part where he defines the term “persona non grata”), but second, why would a guy who's flashed his gooch to millions need to hide his identity? But it's very specific in terms of the hints the author drops, so maybe it really is him. But with or without Holmes, there's quality schlong on the anonymous model. The Pulp Intl. girlfriends say he could use a circumcision, but whatever, they can't say we never tried to give them some eye candy. More Informer coming later.
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Modern Pulp Nov 2 2021
SEX KITTEN
The black panther returns.


We're back into French sexploitation today with this poster for Baby Cat, which starred Israel born actress Shulamith Lasri, aka Julie Margo. The title, which is what the movie played under in France, is probably meant to be an allusion to the English word “pussy.” If so, the French filmmakers missed their target, since cats of any age can be called pussycats. But we couldn't make an allusion in French under pain of torture, so we'll give them a pass. We watched this only because Margo had aroused our curiosity with her outing in 1976's Emanuelle nera n° 2. She starred in that as Shulamith Lasri, her real name. Most websites haven't made the connection that Lasri and Margo are the same person. IMDB, for instance, has separate profiles for each, and Wikipedia's entry on Emanuelle nera n° 2 (Black Emanuelle 2) expressly states that it was the only film in which Lasri appeared. Well, now the truth is out.

In Baby Cat Lasri/Margo plays a jaded Paris model with two boyfriends—one a hustler, and the other a one percenter. The rich boyfriend won't commit, and we can't imagine why he would, since he's a fashion magazine publisher and hangs out with beautiful women for a living. But this annoys Margo, so she teams up with the hustler to stage a fake kidnapping and try to pry loose a ransom. Unfortunately, her one percenter catches wind of the plot and sticks her in a basement to consider the error of her ways. This accomplished, he flies off for a photo shoot to the French/Dutch island of Saint Martin with a bevy of skinny models (among them Corinne Corson, Eloïse Beaune, and Sylvie Schmidt) who mostly wander around topless in the tropical heat. Having spent some time on Saint Martin, we can tell you that the toplessness brings a touch of reality to the proceedings. We don't see Margo much during this middle stretch of the film, but she'll get loose from that Paris basement soon enough.

Margo isn't classically pretty, but she has a flawless body any woman would sell her soul and everyone else's to have. In Emanuelle nera n° 2 she was referred to as a panther, and amusingly, here four years later a completely different set of filmmakers beat the identical drum with lines like, “Hey, she moves just like a cat. A black panther.” We get it—Margo is exotic as far as European filmmakers are concerned, but any questions about her feline qualities are moot for us, because she can't act. Like, at all. She took a four-year break after Emanuelle nera n° 2, coming back to make three more films, of which Baby Cat is the last. It was probably good she stopped. Hell, it was good this movie stopped. Watching Margo work that body of hers was enjoyable, and the Saint Martin exteriors brought back lovely memories for us, but for you, beloved pulpsters, Baby Cat is a movie you can probably bypass. It premiered in France today in 1983.
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Vintage Pulp Oct 29 2021
WARDEN OF THE STATE
Whether you call her Ilsa, Greta, or Wanda, she's a Thorne in everyone's sides.


Above is a Japanese poster for Ilsa, the Wicked Warden. We've already shown you Japanese posters for what we assumed was the complete Ilsa trilogy of torturesploitation flicks starring Dyanne Thorne, but when we saw this one we got a little confused. This was originally released in West Germany in January 1977—before the third official Ilsa film. It was not originally titled Ilsa the Wicked Warden, but Greta - Haus ohne Männer, as well as Wanda, the Wicked Warden. But still, since it came out before Ilsa 3, we thought maybe it was part of the group. So is it an Ilsa movie or not? Only one way to find out.

*cut to ninety minutes later*

Well, it's an Ilsa movie in spirit, but since Thorne plays a character named Greta, it isn't canonical. An enterprising video distributor renamed it to sucker aficionados of the first two Ilsa flicks. We doubt those fans felt tricked—Greta is identical to the other efforts, but without the nazi backstory. It was made under the steady, sleazy hand of veteran smut director Jesús Franco, and plotwise Tania Busselier goes undercover into Thorne's brutal Las Palomas mental institution/supermax prison in order to expose its corruption, but in risking her body and mind gets far more than she bargained for. And by more we mean whippings, various sexual invasions, and, probably, a sense of dismay about the direction of her film career.

The movie is really just an episodic collection of torture set pieces interspersed with sex scenes, and it's absolutely awful. There's no way to get around that fact. It's ridiculously written and atrociously acted, which we sometimes don't mind if a film has a certain spark, but this one is like a broken down horse with ticks and saddlesores. It'll get you somewhere but it won't be a pleasant ride. Thorne shows everything she's got, but while her fuzzy nooks and crannies may be a draw for some, we cannot recommend a movie this bad, even for people who think they're clever enough to make fun of it. Greta - Haus ohne Männer, aka Ilsa the Wicked Warden, aka Wanda, the Wicked Warden premiered in Japan today in 1977. If you're curious, here are our entries on the actual Ilsa canon—one, two, three.
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Vintage Pulp Oct 28 2021
NO CASH, NO CREDIT, NO FORGIVENESS
There's hell to pay and the only currency she takes is cold hard ass.


Above is a rare bo-eikibari style promo for Sukeban burûsu: Mesubachi no gyakushû, known in English as as Girl Boss Blues: Queen Bee Strikes Again, or sometimes Girl Boss Blues: Queen Bee's Counterattack. It premiered in Japan today in 1971. You can see the standard promo at the top of this group post, and you can see the tateken promo here. Basically, Reiko Ike, Miki Sugimoto, Yayoi Watanabe, et al are members of a gang of hot young thieves who extort hapless middle-aged squares by luring them, drugging them, and robbing them. The movie has a little of everything—and lot of Ike, one of the towering figures of Japanese b-movies.

We find it interesting that Sugimoto didn't make it onto the poster (nor the other promos made for the film) while Yayoi Watanabe (prone and restrained) did. Rest assured, Miki is in the film. She gets as much screen time as anyone except Ike, especially in the first forty-five minutes. Mysterious are the minds of pinku poster designers. This isn't the first time they've thrown us a curve by leaving someone important off a promo. Anyway, this movie is well worth a watch for fans of pinky violence. We already showed you a promo image of Reiko Ike yesterday, but what the heck—let's bring her back, below. And Sugimoto too. We can't have one without the other.
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Intl. Notebook | Sex Files Oct 27 2021
INSIDER BODY
It's not how you start. It's how you finish.


We've talked before about the mid-century tabloid interest in transexuals, and how several trans burlesque performers achieved widespread fame. Those old tabloid covers serve to contradict people who claim that trans issues are a product of the new millennium, or that “it didn't happen in their day.” They just didn't notice. As the links in the above post show, transexual entertainers regularly made headlines in tabloids that sold millions of issues per month. To the list you can now add Gayle Sherman, who you see on this cover of The National Insider published today in 1963. This wasn't the height of her fame. A year later Novel Books would publish I Want To Be a Woman!, touted as the autobiography of a female impersonator. And still, she was just getting started.

Sherman started life as Gary Paradis, but became Sherman after a name change at age sixteen. As a transvestite she scored a job dancing for the Jewel Box Revue, which was a comedic drag queen show that criss-crossed the U.S. for more than thirty years. Probably the Jewel Box Revue deserves a write-up of its own, but the shorter version is it was the most popular extravaganza of its kind, and was run by gay management who were marketing to straight audiences.

Sherman moved on from the revue and worked mainly in Chicago, appearing at places such as the Nite Life, where her act sometimes involved dressing as a witch doctor and roasting a fake baby over a fire while singing Yma Sumac songs. Sometime later she underwent gender reassignment surgery, and all the while was passing through a string of pseudonyms, among them Gerri Weise, Brandy Alexander, and Geraldine Parades.

She eventually opted for breast enlargement surgery and at that point became Alexandria the Great 48, a stage name under which she would become a national celebrity. The number of course referenced her bust size. She was sometimes dubbed “Sophia Loren's twin,” but when audiences paid to see her they got something wholly different. She had left burlesque and moved into standard stripping, sometimes appearing at porno cinemas between features. She continued dancing until 1967, when bluenose politicians in Chicago managed to outlaw nude dancing. Sherman became a hairdresser, and was out of the public eye until her death in 2019.

As we mentioned above, vintage tabloids often featured transexuals, and while those stories were always sensationalistic, they were also surprisingly non-cruel. Not always, but often. The editors' accepting stances probably weren't sincere. Because tabloid readership was generally a cross section of middle class, middle American squares, the tone of the articles tended be: “this wild stuff happens in Hollywood and Paris, but who knows, maybe it's more prevalent than you suspect where you live.” As the saying goes, even a stopped clock is right twice a day—the tabs probably nailed it. 1.4 million Americans identify as transexual. There's no total from 1963, but you can bet it would be more than a few. In National Informer, the excellent money quote from the Gayle Sherman article is: “My birth certificate is stamped male, but my body is stamped female.” We have a photo of her below, and she's all woman.
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Vintage Pulp Oct 27 2021
GIVE 'EM ENOUGH ROPE
Reiko and Miki chew over a very tough problem.


Reiko Ike (front) and Miki Sugimoto pose together in a rope gnawing b/w promo made for their pinky violence actioner Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, which premiered today in 1973. We found this on Reddit, so thanks to whoever originally uploaded this slightly bizarre item. We have plenty on the movie in our website, including some amazing posters. We recommend clicking its keywords below and scrolling.

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Vintage Pulp Oct 26 2021
MAN THIS IS THE LIFE
Smut you can carry with you everywhere you go.

You can always count on us for rare Aussie goodness. Today: the cover and many interior scans from Man magazine, the pocket edition, published this month in 1970.
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Modern Pulp Oct 22 2021
HAPPY HUNTING
Sekkusu and you shall find.


The above poster was made to promote the Japanese roman porno flick Sekkusu hantâ: Sei kariudo, aka Sex Hunter, and we should note, as we do periodically, that roman porno films are not porn, but imaginative softcore excursions made by very twisted minds. Proving once again that it's amazing what you can imply when frontal nudity is illegal, here you get a tale about an aspiring ballerina (played by pouty Ayako Ôta in her cinematic debut) and her teacher (Erina Miyai looking her very best) who descend into a bizarre bondage odyssey notable for the fact that most taboos you can imagine are shattered, starting with rape and kinbaku-bi, and ending with handicapped sex and incest. In between you get bottle penetrations, a snowballing, an orgy on swings, and other sexual variations. There's a plot, but not one we'll bother to outline, because it's just a framework for one hundred and seven minutes of determined attempts to shock. Even the magical Miyai can't save this one. Sekkusu hantâ: Sei kariudo premiered in Japan today in 1980.

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Intl. Notebook Oct 9 2021
A MUSICAL PROGRESSION
Renoir takes impressionism in a whole new direction.


The above image shows French burlesque dancer Rita Renoir, who gained fame on stage at the Parisian nightclub Le Crazy Horse during the 1950s and danced there through the ’60s. She also performed onscreen, appearing in such films as 1958's Le Sicilien, 1967's Le Désir Attrapé par la Queue, 1970's Cannabis, and Italian legend Michelangelo Antonioni's 1964 drama Il deserto rosso, aka The Red Desert. We have more of this fun series below, and you'll see that Renoir had a real talent for musical progression. We don't think she actually knew how to play the double bass, but we bet she still managed to get her audiences jazzed.

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History Rewind
The headlines that mattered yesteryear.
January 27
1967—Apollo Fire Kills Three Astronauts
Astronauts Gus Grissom, Edward White and Roger Chaffee are killed in a fire during a test of the Apollo 1 spacecraft at the Kennedy Space Center in Florida. Although the ignition source of the fire is never conclusively identified, the astronauts' deaths are attributed to a wide range of design hazards in the early Apollo command module, including the use of a high-pressure 100 percent-oxygen atmosphere for the test, wiring and plumbing flaws, flammable materials in the cockpit, an inward-opening hatch, and the flight suits worn by the astronauts.
January 26
1924—St. Petersburg is renamed Leningrad
St. Peterburg, the Russian city founded by Peter the Great in 1703, and which was capital of the Russian Empire for more than 200 years, is renamed Leningrad three days after the death of Vladimir Lenin. The city had already been renamed Petrograd in 1914. It was finally given back its original name St. Petersburg in 1991.
1966—Beaumont Children Disappear
In Australia, siblings Jane Nartare Beaumont, Arnna Kathleen Beaumont, and Grant Ellis Beaumont, aged 9, 7, and 4, disappear from Glenelg Beach near Adelaide, and are never seen again. Witnesses claim to have spotted them in the company of a tall, blonde man, but over the years, after interviewing many potential suspects, police are unable generate enough solid leads to result in an arrest. The disappearances remain Australia's most infamous cold case.
January 25
1949—First Emmy Awards Are Presented
At the Hollywood Athletic Club in Los Angeles, California, the Academy of Television Arts & Sciences presents the first Emmy Awards. The name Emmy was chosen as a feminization of "immy", a nickname used for the image orthicon tubes that were common in early television cameras.
1971—Manson Family Found Guilty
Charles Manson and three female members of his "family" are found guilty of the 1969 Tate-LaBianca murders, which Manson orchestrated in hopes of bringing about Helter Skelter, an apocalyptic war he believed would arise between blacks and whites.
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