Pulp International

vintage and modern pulp fiction; noir, schlock and exploitation films; scandals, swindles and news

ALWAYS A PLAISIR

Pulp and art deco. Two great tastes that rarely went together.

The pulp era is generally agreed as having commenced the last several years of the 19th century and having ended during the 1950s. Art deco is agreed to have begun around 1900 and ended around the beginning of World War II. Despite co-existing, they occupied the same place surprisingly little. You would see crossover in cinematic adaptations of pulp material such as Flash Gordon, with its deco styled spaceships and costumes. Some pulp magazines had art deco influenced fonts, and some hardbacks had art deco sleeve art, such as those designed by Edna Reindel for W.R. Burnett’s novels Iron Man and Saint Johnson. But when popular paperbacks and magazines began to focus on high quality cover art they developed their own visual style which we think of today as good girl art, or GGA.

But even if pulp and art deco didn’t mix much back then, they mix on our website. Today we have an issue of Paris Plaisirs published in 1929 with drawings, paintings, studio photography, French wit and more. The cover photo-illustration was shot by Lucien Waléry, also known as StanisÅ‚aw Julian Ignacy Ostroróg. Though his name was Polish he was a British citizen, born in London after his father StanisÅ‚aw Julian Ostroróg—also a famed photographer—emigrated there in 1856 and became a citizen in 1862. The younger Ostroróg took the pseudonym Waléry and thus forever created confusion with earlier photographers who had used the same name. We won’t bother unwinding all those Walérys. You can see another of our Waléry’s beautiful art deco covers here, and we have other issues of Paris Plaisirs you can see by clicking the keywords at bottom.

France, Poland, London, Paris Plaisirs, Flash Gordon, Lucien Waléry, StanisÅ‚aw Julian Ignacy Ostroróg, magazine art

THE PLEASURE IS MINE

I'd like to thank all my fans—particularly the one I'm holding.


It’s been a while since we shared an issue of Paris Plaisirs, so today we have a nice example for you with Lily Damita, aka Liliane Marie-Madeleine Carré, on the cover. Mid-century paperback art generally features tough guys and femmes fatales, and that aesthetic has become intertwined in most people’s minds with the idea of pulp, but during the movement’s actual heyday in the early 20th century the visual style most commonly seen in publications was art deco. This art deco styled issue of Paris Plaisirs hit newsstands in Paris in November 1929, which is when U.S. magazines like Life and Vogue were also busily churning out art deco covers, and newspapers were filled with the exploits of gangsters and flappers. At the same time, legendary pulp publications like Argosy, Amazing Stories, and Black Mask were on their way to establishing a different visual style, and that would in turn evolve into the lurid paperback art of tough guys and femmes everyone knows and loves. We’re quite fond of Paris Plaisirs and have quite a few more of them which we’ll try to share down the line

France, Paris Plaisirs, Lily Damita, Liliane Marie-Madeleine Carré, Henri de Rothschild, magazine art

THE PARIS OF YOUR DREAMS

Where the pleasure never seems to end.

Though they are at a glance aesthetically very different, the pulp era and the art deco era were contemporaneous, both in full bloom during the 1920s. Above you see the dreamy cover of a 1925 issue of the art deco style magazine Paris Plaisirs, i.e. Paris Pleasures, which was published from 12 Rue Georges-Berger in Paris. The cover star is dancer Isabelitta Ruiz, shot by R. Sobol. It looks to us as if Sobol provided the original image, but it was tinted by a second artist in the employ of the magazine. At least that’s our suspicion. We think that because we can see a second signature on the cover at lower left—it looks like, maybe, Cuaillant? No, that sounds wrong even for French. Maybe C. Jaillant? Better, but still quite possibly wrong. Here we go again with these French artists. And the magazines never seem to bother with masthead credits either. Too prosaïque maybe. We can hear our French friends say, “Comment typique! You Americans, always wanting to know exactly who did what. Learn to embrace uncertainty!” Okay, then. Twenty-two scans below, and you can see a lot more Paris Plaisirs art at the excellent webpage aucarrefouretrange.

France, Paris, Paris Plaisirs, Isabellita Ruiz, R. Sobol, magazine art

GOLDEN GIRL

What did she have to show for her three years in Hollywood? Little more than a colorful description of it.

Paris Plaisirs was devoted to lifestyle and arts, with an emphasis on dance. We’ve featured it several times, such as here and here. The above issue appeared this month in 1925, and the cover shows golden Ginette Maddie, who in addition to performing at the Cinéma Français appeared in twenty films between 1922 and 1958, including under the direction of Alfred Machin and Julien Duvivier. At one point she scored a contract with MGM, and was whisked to Hollywood where she sat in a villa waiting for work that never came. Her complaints confused her acquaintances—after all, she was drawing a salary, so what did it matter if she worked? She wasn’t even the only idle foreigner on the scene. Russian actor Ivan Mosjoukine was also wandering about town drawing checks while waiting for roles that never materialized.

But Maddie had been a shining star in the City of Light. Transforming into an earthly nobody in Hollywood didn’t sit well. Eventually she fled back to her home. She dismissed Hollywood as a “ville factice et sans âme peuplée de gens superficiels et insignifiants.” Loose translation: a dummy-populated city without soul, for superficial and insignificant people.” Joke’s on her, though—that’s what everyone from Hollywood thinks too. The time away had kept Maddie idle for three years, damaging her career, but she finally scored a new role in 1930 and acted in two films that year and the next before pretty much fading from the cinema scene. Inside Paris Plaisirs you get more dancers, some photography, plus art deco style drawings from Mario Laboccetta, J. Bonnotte, and others. All below.

France, Paris, Hollywood, Metro-Goldwyn-Mayer, Paris Plaisirs, Cinéma Français, Mario Laboccetta, Ginette Maddie, Mario Laboccetta, J. Bonnotte, Ivan Mosjoukine, magazine art

PARIS WHEN IT’S GREY

Even when it’s drab it’s beautiful.

This issue of Paris Plaisirs goes back farther than any we’ve featured—to 1924. But the pulp era officially began in the late 1800s, which means this art deco influenced publication fits right in. It debuted in 1922, lasted into the late 1930s, and was published out of Rue Georges-Berger in the Plaine de Monceaux quarter, fashioning itself as a specialty publication for Parisian music halls. Though this issue is very grey, the magazine became more colorful as time went by, which you can see in our other posts. That’s about all we can tell you about Paris Plaisirs because the mastheads in these are not exactly packed with information. We’ll find out more eventually, but in the meantime we’ll just enjoy the racy photographic vignettes and many ink drawings evocative of the Jazz Age.

France, Paris Plaisirs, magazine art

ROUGH PLAY

She just earned herself a major penalty for enticing.

Above is the cover of a March 1932 issue of the French “esthétique, humoristique, théâtral” monthly Paris Plaisirs with cover star Marjorie King cheerfully wielding a field hockey stick from a position that suggests she’s been knocked on her ass. If you tilt your head you can see that she was really striking. When this issue appeared she seemed to be on the cusp of a cinema breakthrough, having appeared in four films in quick succession. But she only made two screen appearances after this cover—1933’s My Weakness and 1936’s J’ai gagné un million. However, she had some Broadway roles and appeared on and in many magazines, so when you add it all up she seems to have had a nice career. Regarding Paris Plaisirs, it launched in 1922 and ran until at least 1938. We’ve shared several of these before and you can see those by clicking here. And we also found another photo of King from the same field hockey session, as well as a nice shot of her by photography legend Alfred Cheney Johnston which we’ll share a bit later.

France, Paris, Broadway, Paris Plaisirs, My Weakness, J’ai gagné un million, Marjorie King, magazine art, nudity

HIGHS AND LOWS

So if you'll all glance behind me, you'll see I've prepared this helpful chart to represent our current dilemma.

Above is a nice little artifact from the Jazz Age, a cover of Paris Plaisirs, numbered 88 and published in October 1929, the month disaster struck when a massive speculative bubble that had built up within the lightly regulated New York Stock Exchange burst and led to a collapse that dragged the world into a global depression. The background pattern here looks like superimposed bar charts, but since it comes about thirty days before the actual crash, we’ll just go ahead call the graphic coincidental. But how eerie. The cover star is a Folies Bergère dancer known only as Eva, and inside you get the usual assortment of flappers, showgirls, art, and photography from Studio Manassé.

France, Great Depression, Folies Bergère, Studio Manassé, Paris Plaisirs, magazine art
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HISTORY REWIND

The headlines that mattered yesteryear.

1939—Batman Debuts

In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.

1953—Crick and Watson Publish DNA Results

British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.

1967—First Space Program Casualty Occurs

Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth’s atmosphere after more than ten successful orbits, the capsule’s main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule’s descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.

1986—Otto Preminger Dies

Austro-Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood’s Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer’s disease.

1998—James Earl Ray Dies

The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray’s fight to clear his name believed the U.S. Government had been involved in Dr. King’s killing, but with Ray’s death such questions became moot.

1912—Pravda Is Founded

The newspaper Pravda, or “Truth”, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country’s leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.

1983—Hitler's Diaries Found

The German magazine Der Stern claims that Adolf Hitler’s diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess’s flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.

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CAUGHT IN A TRAP

Art by Sam Peffer, aka Peff, for Louis Charbonneau's 1963 novel The Trapped Ones.

MY MY MY DELILAH

Horwitz Books out of Australia used many celebrities on its covers. This one has Belgian actress Dominique Wilms.

UNBREAKABLE BOND

Assorted James Bond hardback dust jackets from British publisher Jonathan Cape with art by Richard Chopping.

HIGH STAKES GAME

Cover art by Norman Saunders for Jay Hart's Tonight, She's Yours, published by Phantom Books in 1965.

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