There’s nothing special about this poster for Mado kara Roma ga mieru, aka Roma dalla finestra, aka Rome from a Window, other than perhaps that it’s double-sided, as you see at right. But the movie does feature Kimiko Nakayama, which is no small thing. Shot in Italy by a Japanese director with a mostly Italian cast and crew, it’s the story of a photographer named Carlo, his wife, Nakayama’s character O, and the various sexual entanglements these three experience, both between themselves and with others.This being an erotic movie made by Shochiku-Fuji Company but modeled after Nikkatsu Studios’ very popular roman porno flicks, it’s in no way a surprise that the photographer meets O because he comes across her peeing. She happens to be doing this at the monument marking the site where Italian director Pier Paolo Pasolini was murdered in 1975, beaten to death by an assailant or assailants then run over several times with his own car. When Carlo and O get together later for fun and games she comments upon the prodigious size of his member, to which he responds that he is of normal Italian size. As a joke, it can cut both ways, as can many aspects of the movie.
In general, it’s all very weird, possibly because director Masuo Ikeda, who also wrote the screenplay, was foremost a painter, sculptor, ceramicist, printmaker and award-winning novelist who only dabbled in film direction. The sense of artistic freedom, in terms of not being concerned with following norms, really shows. With an atmospheric soundtrack from Paul Mauriat that’s better remembered than the actual movie, Mado kara Roma ga mieru premiered in Japan today in 1982. And just because we had it laying around, below is a shot of Nakayama to go along with one we shared several years ago.
