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Above: a bo-ekibari style promo, and a zoom, for the pinky violence clash Kyôfu joshi kôkô: Animal dôkyôsei, known in English by the attention garnering title Terrifying Girls High School: Animal Courage. It starred Reiko Ike, Ryôko Ema, and Natsuko Yashiro. You can see the tateken promo here, and the standard promo here, as well as read what we thought about the film.
Above: a tateken promo for Eiko Yanami’s Akumyô ama, which premiered today in 1971, and for which we shared the standard promo poster some years back. At that time there were no English language titles because it never played in the West, but these days people are calling either Wicked Nun or Nun’s Bad Reputation. Sounds fine. This poster isn’t very different from the other, but we’re completists here, plus we always share tateken art when we find it because we like its elegant dimensions. We haven’t found a copy of the film to watch, though, so we’re done with this subject unless that changes.
This rare tateken size poster was made for the roman porno movie Hirusagari no joji: Uramado, which premiered today in 1972 and is known in English as Afternoon Affair: Rear Window. Plotwise, Kazuko Shirakawa plays a beautiful bar worker who’s carrying on an affair with elderly Taiji Tonoyama. He lives in a mid-city highrise and uses binoculars to spy on his many neighbors, which he needs to do to become sexually aroused. Kazuko is more or less fine with this little kink, mainly because she wants to use him to improve her circumstances. She convinces Taiji to move to a higher, larger apartment and buy a telescope so he can get his rocks off even more efficiently.
So basically what you have here is a roman porno take on Rear Window with all restraint removed. It makes sense, right? Admit it—when you watched Jimmy Stewart getting an eyeful of Georgine Darcy you made the same jokes we did about how in real life he’d be getting handsy with himself. Nikkatsu Studios brought those thoughts into the open. We respect it. We do the same with Pulp Intl., which is why it has a sharper focus on sex compared to other vintage book and movie sites. As we’ve said before, many of those novels and noirs are catalyzed by sex, but it couldn’t be described or shown. Nikkatsu took the next logical step. As we do.
Inevitably, peeper and peeped upon meet. Kazuko bumps into Junko Miyashita, then Junko calls on Kazuko later and shares a confidence with her. When Kazuko’s other, younger lover needs a million yen, a desperate Kazuko resorts to blackmail. Think that’s going to work out okay? Then you don’t know roman porno. This one, with its focus on crime rather than sexual domination, is superior for the genre. Since only about 20% of roman pornos are good, we should probably quit while we’re ahead. But we won’t because we love sharing the posters. And speaking of, if you watch Hirusagari no joji: Uramado see if you can spot the Christina Lindberg posters in one scene.
Did we just say to quit with the roman pornos while we’re ahead? Well, we failed. We watched a second movie from the genre, and as it’s our third film of the day you might be wondering why this sudden surplus of screening time has arisen. It’s because the girls are out of town. Into that gap we’ve been plugging every flick we can find that premiered this week, including this one that opened today in 1978—Toruko 110-ban: Monzetsu kurage. Known in English as Bathhouse 911: Jellyfish Bliss, it starred Etsuko Hara, Yuko Katagiri, and Yuki Yoshizawa, and right off the bat we’ll tell you it wasn’t as good as Hirusagari no joji: Uramado. But it wasn’t bad either. Huh? Two decent roman pornos in a row? Two in a row without sexual torture? It really happened. Though we should caution—there’s an enema. But a guy takes it, and it’s played for laughs. So… fine then.
In addition to avoiding too much extreme content, this movie is fantastically shot. It bursts with color, and is largely a clinic in composition in that way specific to roman porno where directors suggested explicitness but weren’t legally allowed to show even a single pubic hair. The story deals with a smalltime pimp who picks up Etsuko Hara on the street and turns her into a prostitute in a bathhouse. When the yakuza move in on his operation and take Etsuko away he suffers in the throes what he’s realized is love. But there’s little he can do, save vividly fantasize about revenge. Will he actually screw up the courage to fight for Etsuko’s freedom? We’d recommend getting a new profession, one where the competition isn’t tattooed guys with katanas, but if the odds weren’t long it wouldn’t be a movie worth watching. Feel free to do so. There’s hope for this genre yet.
Above is a poster for the roman porno flick Osanazuma: Zekkyô. We haven’t watched a roman porno since the summer, and there are good reasons for that. They’re not often fun. This one had no Western release, thus no English title. Its official title 幼な妻絶叫!! means in English “young wife screams.” Okey dokey. We watched it and it’s another cookie-cutter entry from Nikkatsu pictures, this time starring Rina Nagisa, who according to legend was discovered in a nightclub and, after an appearance in Semi-dokyumento: Sukeban yôjimbô, eventually installed as the latest hot thing in Japanese sexploitation cinema.
Nagisa plays an eighteen-year-old smalltowner who elopes to the big city with her boyfriend Nagatoshi Sakamoto, but falls on hard times. She and her man both take low wage jobs, and it’s at Nagatoshi’s gas station attendant gig that he’s noticed by none other than Naomi Tani. Burdened by the knowledge that Rina wants to attend night school, he shags Tani in exchange for 50,000 yen to pay for classes. The tryst leads to lingering problems, but meanwhile, on the opposite side of the roman porno plotline, Rina is noticed by a pervy old stranger who clearly believes that desire and consent are two different beasts. We won’t reveal more.
Roman porno movies, which we’ll note again aren’t hardcore but rather the equivalent of envelope pushing r-rated fare, all have the same sexually violent underpinning, and the same unblinkingly voyeuristic approach. In this era, they all read as indictments of male cinematic tastes. In our efforts to understand the genre we’ve learned mainly one thing: there’s a feminist reckoning coming to Japanese society one day, and movies like Osanazuma: Zekkyô will be right at the center of the discussion. It premiered today in 1976.
Above: Japanese pinku actress Rushia Santô, who we last saw in Onna kyôshi: Seito no me no maede, aka Female Teacher: In Front of the Students, which we discussed here. Among her other films are Aoi sei, known in English as Green Lovers, and Itazura Lolita: Ushirokara virgin, known in English as Mischievous Lolita: Attacking the Virgin from Behind. We must—yet again—mention that pinku films are not porn. They’re softcore by law, and all performers are of adult age. That said, we must admit to being extremely curious about that second one. See another Santô promo image here.
At first we cropped this image of Japanese actress Miki Sugimoto frolicking on a mooring rope or hawser, but then we decided to upload it in the dimensions it appeared where we found it—in a 1972 issue of Heibon Punch. She made this to promote her role in the pinky violence actioner Sukeban, aka Girl Boss Revenge: Sukeban, in which she starred with fellow heroine Reiko Ike. It’s an iconic entry in Japanese pinku cinema, and this is an iconic shot. We have more from this aquatic session we’ll share later.
Every day we live the same moment Japanese actress Reiko Ike is living in this photo. In or out? Stay or go? Cue the Pulp Intl. girlfriends: “You mean there’s actually a decision-making process behind not leaving the house?” Indeed there is, but it’s not as if we don’t have fun indoors. We don’t know the date on this shot, as it came to us a single page with no information attached, but we’d guess it’s from around 1972. As we mentioned last time Reiko appeared here, we’re not likely to run out of rare images of her. We’ve had this one sitting around for twelve years, but today we finally found a moment to get it uploaded, and that wouldn’t have happened if we’d gone outside.
Every time Miki Sugimoto stars in a promo photo we can barely believe our eyes. Here the cult action actress is squeezing her frame—or part of it anyway—into a tight space to get this wonderful shot. Wonderful for who? Certainly not her. She played some difficult roles, but this may have been her hardest. By the time she finished riding the rails for this image we bet she felt like her bottom was full of novocaine. Sometimes, though, you have to go above and beyond in the pursuit of art. Click her keywords below to see amazing promo shots and movie posters.
In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents’ decision to forbid protests on university property.
Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again.
In the United States, after standing idly by during years of communist witch hunts in Hollywood and beyond, the U.S. Senate votes 65 to 22 to condemn Joseph McCarthy for conduct bringing the Senate into dishonor and disrepute. The vote ruined McCarthy’s career.
In the U.S., in Montgomery, Alabama, seamstress Rosa Parks refuses to give her bus seat to a white man and is arrested for violating the city’s racial segregation laws, an incident which leads to the Montgomery Bus Boycott. The boycott resulted in a crippling financial deficit for the Montgomery public transit system, because the city’s African-American population were the bulk of the system’s ridership.
In London, the landmark structure Crystal Palace, a 900,000 square foot glass and steel exhibition hall erected in 1851, is destroyed by fire. The Palace had been moved once and fallen into disrepair, and at the time of the fire was not in use. Two water towers survived the blaze, but these were later demolished, leaving no remnants of the original structure.
