We're gambling that you'll like this poster.
Some of our proudest shares on this website have been the rare posters we've shown you for Hijirimen bakuto, aka, Hidirimen bakuto, aka Red Silk Gambler. All of those amazing promos have now proliferated online and you'll often see them used whenever someone writes about the movie. Well, we have one more to add to the mix, which is the tateken sized promo featuring all the main cast members—Hiroko Fuji, Junko Matsudaira, Mitsue Horikoshi, Eiko Nakamura, Sanae Tsuchida, Reiichi Hatanaka, and Reiko Ike. This should pretty much cover it for this film. Click here and scroll to see the entire collection. Hijirimen bakuto premiered in Japan today in 1972.
Reiko Ike leaves everyone's tongues tied in nots.
Yes, we just shared a rare calendar page of pinku legend Reiko Ike, but what are you gonna do when she stars in photos like this one? We can't not post it. That's a double negative, we know, but some thoughts can only be expressed that way. We can't not not share this photo, because that would be immoral. Is that even right? Not the immoral part. The not part. If you decide you're not not not not going to do something, that means you're going to do it, right? Or maybe you can only successfully use a single double negative, and all the extra nots can only be used as emphasis rather than meaning, like saying you're never never never never going to do something, in which case that would mean you're not going to do it. Tricky questions. We could avoid them by using a single positive, but that would lack the exactness of the double negative. We will post it lacks the punch of we can't not post it. The meaning is similar, but the double negative removes our control over the decision, which is useful when the Pulp Intl. girlfriends look at the site. Baby, we couldn't not post it. So the double negative is better than the single positive and there's no such thing as a double positive. Well, maybe that's not strictly true. For instance, we're double positive about posting this photo. And gramatically speaking, people do say yes yes under certain circumstances, but those circumstances shouldn't occur while looking at naked photos on a computer. If that happens, we can only suggest that it's time to ask someone on a date.
Seems like she gets tougher to work for every year.
The internet is all about change. When we first wrote about Miki Sugimoto’s 1973 pinku flick Sukeban–Kankain Dasso, aka Girl Boss: Escape from Reform School, we shared a rare tateken sized promo poster and mentioned that it was the first of its kind to appear online, while the standard sized promo could be found anywhere. Six years later it's the tateken poster that's everywhere online, while good scans of the standard promo seem to have disappeared. So here's a good scan of the standard promo. Sukeban–Kankain Dasso premiered in Japan today in 1973.
You have the right to remain dead.
We already showed you a rare hand-painted poster for the pinky violence actioner Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs. Today we're showing you the tateken poster, which is rare too, so much so that this may be the best scan you'll of it see online. The kind of washed out look is part of the design. If you haven't seen the movie, it's about a vigilante cop played by Miki Sugimoto who is released from prison by a government agency in order to take down the kidnappers of a powerful politician's daughter.
Like most pinku movies, there's some sexual violence, and many reviewers excoriate this admittedly overused plot device. We don't claim those reviewers are wrong, but it should be noted that rape in pinku is often symbolic, serving both to advance the immediate plot and implant a deeper message. In this case the main perpetrator in the sexual assault of a young Japanese woman is wearing U.S. Navy coveralls. The depth of negative feeling about the U.S. occupation of Japan is made clear. All that said, the constant use of sexual assault in Japanese film—if it was ever artistically justified at all—definitely jumped the shark with the arrival of Nikkatsu Studios' roman porno offerings. We've talked about that before.
One interesting part of assessing vintage art is that at the time it was created the artists often thought they were making a certain statement, but decades later their art is perceived as sending the exact opposite message. Such is the case with pinky violence movies, in which maverick male filmmakers—in this case Yukio Noda—showed Japanese women taking on and usually destroying an entrenched male power structure, but only after being driven to it through degradation and violence. Which in screen terms meant rape. Were there other ways to show women driven to the point where they would kill? No doubt, but in patriarchal 1970s Japan the shock of these films was not how women were driven to kill men, but that they did—and often got away with it.
Miki Sugimoto deals with with some very bad men in Zero Woman, but her focus never wavers. She's to rescue the kidnapped daughter and dispose of the abductors in such a way that no news coverage or police investigation points back toward the father. Wrapped in a crimson raincoat she dispatches villain after villain, but learns that not even the presumed good guys are redeemable—not the politician, not the cops, nobody. It's grim, cynical, nihilistic stuff—and a classic of the genre. Zeroka no onna: Akai wappa opened in Japan today in 1974.
When you gamble with her you're gambling with your life.
Hibotan bakuto: oryû sanjô, which in English was called Red Peony Gambler: Oryu's Return, is the sixth of eight films in the Red Peony Gambler series. Uploading its special round promo poster in one piece makes it kind of small, so we've also broken it into two pieces so you can pull them off the page and paste them together if you're inclined. It's an incredibly rare piece, so credit would be appreciated. The movie premiered today in 1970, and stars Junko Fuji, a prolific actress who made more than ninety films during a busy run between 1963 and 1972, and another dozen or so after that.
The plot here involves a greedy yakuza cartel and the downtrodden farmers who oppose the imposition of a new tax. The farmers are basically planning to strike in protest, which angers the yakuza because they stand to loose profits with the yearly village festival approaching. Drastic measures seem to be the only solution, but Junko stands in the way with guile, guts, gambling skill, and gunplay. And as a fallback position she's good with fists and sword. Hibotan bakuto: oryû sanjô isn't quite top tier pinky violence, but it's beautifully shot, the blood flies high and far, and ultimately the film is a winner.
If it were easy to steal anyone could do it.
We have some nice pinku posters lined up for this month, and above you see the first of those—the tateken and standard promos for Suke Yakuza, aka Female Yakuza Convict, aka Female Prisoner Yakuza, which premiered in Japan today in 1974 starring Yoko Horikoshi and Reiko Ike. Though we can't be sure, we don't think this movie has been released on DVD, because we couldn't find it—the first time that's happened with one of Ike's films. No copy means no firsthand rundown, but we can tell you what the Japanese websites say. It's about bank robbers who steal 30 million yen and try to elude the cops and escape with the cash. Of the three, only one manages to avoid capture. Horikoshi, a female accomplice, is tossed in a women's prison where she meets Reiko, and the two of them manage to escape. Their plan is meet up with the robber who avoided capture, get ahold of the cash, and get for away from the big city, but mishaps and twists follow. Basically, it's sounds like classic Toei pinky violence, but sadly we may not get to see this one unless we go to Japan. But the posters sure are pretty. We have bonus material below—production photos, a Horikoshi promo poster, and a Reiko promo shot from wherever.
Don't you want to be one of the cruel kids?
Above, a poster for Kokosei bancho: zubeko seito-ha
, aka High School Boss 4: Bad Girl Group
, which was the fourth film in a series after:Kokosei Bancho
, aka High School Gang Leader.
Kokosei bancho: botate asobi
, aka High School Boss 2: The All-Out Game.
Kôkôsei banchô: Shin'ya hôsô, aka High School Boss 3: Midnight Broadcasting.
All these films came out in the second half of 1970, which is impressive but not unusual—that's just how quickly pinku filmmakers worked. We couldn't locate this one, so we can't summarize it, but you know what to expect. Kokosei bancho: zubeko seito-ha premiered today in 1970.
Japanese society is very formal, but around here I keep things pretty laid back.
Above, a provocative promo photo of Japanese pinku icon Miki Sugimoto, one of dozens she made, all of which are rare. If you don't know her work we suggest adding it to your life. You can start with this film, this one, and this one.
The key to an even tan is to turn regularly.
Japanese action movie icon Reiko Ike, who you just saw recently, is back giving both halves of her body equal time in the sun in these two promo images from the early 1970s. She's also careful to keep her tender bits covered because, let's face it, that's a sunburn that'll ruin your week. The hand shaped tan line will raise eyebrows, though. Why didn't she simply wear bottoms? Actually she did, and we have a photo of that we may post later. Meanwhile see plenty more of Reiko by clicking her keywords below. |
The headlines that mattered yesteryear.
The Battle of Normandy, aka D-Day, begins with the landing of 155,000 Allied troops on the beaches of northern France in an event codenamed Operation Overlord. The German army by this time is already seriously depleted after their long but unsuccessful struggle to conquer Russia in the East, thus Allied soldiers quickly break through the Nazi defensive positions and push inland in the largest amphibious military operation in history.
1963—John Profumo Resigns
British Secretary of State for War John Profumo resigns after the revelation
that he had been sexually involved with a showgirl and sometime prostitute named Christine Keeler. Among Keeler's close acquaintances was a senior Soviet naval attaché, thus in addition to Profumo committing adultery then lying about it before the House of Commons, authorities pressed for his resignation because they also feared he had been plied for state secrets.
1939—Journey of the St. Louis
The German passenger liner MS St. Louis, carrying 963 Jewish refugees, is denied permission to land in Florida, United States, after already being turned away from Cuba. Forced to return to Europe, many of its passengers later die in Nazi concentration camps. The event becomes the subject of a 1974 book, Voyage of the Damned, by Gordon Thomas and Max Morgan-Witts, and is later adapted into a film with the same title, released in 1976.
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