THE EVIL THAT MEN DO

And the ineptitude that authors do.


Why did we read Evil Desire? Because the cover femme fatale is obviously copied from Ursula Andress (in her 1965 role in What’s New Pussycat?) and sometimes that’s all it takes to attract our interest. The artist is credited only as Ellison, and though we wouldn’t say he/she is greatly skilled, they at least chose a good model. The book was written by Carl DeMarco, author or pseudonym behind other sleaze efforts such as The Body Beautiful, Suzanne, and Woman on a String, and is exactly as its cover describes, as a stepfather gets sexually involved with his wife’s eighteen year-old daughter. It all begins when he attempts to punish the daughter with a spanking, and finds not only that he likes it—so does she. In the end the two end up living together in Brazil and the spurned wife finds love at home, leaving everyone horny and happy by the final sentence. It wasn’t competent in terms of writing skill, but in its favor it was—despite its title—light in tone, making for an easy and fast read. Is that a recommendation? Not even remotely. 

I know you're new to this life but I feel you have a lot of untapped potential.

Above: a cover for Toni Adler’s Dance-Hall Dyke, 1964, from Playtime Books, with a blurb written by an editor who was the William Butler Yeats of teaser text. It’s so good it stands alone as a poem:

The vicious jungle
of lesbian lures
the fickle and the fake
screaming the obscenity
of the passions
while tender lovers
cry for understanding

We may inaugurate a Pulp Intl. awards season just for cover blurbs. We wanted to buy the book despite its rude title, but it was going for more than two-hundred bucks, which meant no sale. The cover art is uncredited.

Whoa! Did I say round heels? I have no idea why I was even looking down there.

We come across the phrase “round heels” in vintage fiction all the time. It cracks us up because it’s so rude, so sexist, so steeped in patriarchal double-standard. All of you know what round heels means, right, or did we get ahead of ourselves? Well, if not, it means that a woman will so readily have sex with whoever she meets that she might as well have round heels so she can fall on her back at any moment. She’s a pushover.

Returning to that double standard thing, there’s actually been a bit of a shift in recent years. Nowadays a woman might call a guy who gets around a fuckboy, which is the only insult referring to male sluttiness that we’ve ever noticed actually getting under guys’ skins. Call him a manslut or a male hussy and he might laugh it off. Call him a fuckboy and he’ll actually get angry most of the time. Such are the vagaries of English that if you tack “fuck” onto a term it’s a whole new ballgame.

In any case, Lars Raymer’s cheapie sleazer Round Heels was published in 1964 by Playtime Books and the art is by the always memorable Robert Bonfils. It also has one of the best cover blurbs we’ve ever seen: “She was a pushover, the easiest lay in town. Ask her doctor… or better still, ask his wife.” That’s really funny. To us, anyway. As a side note, we’d like to add that sexually take-charge women are amazing. If not for you we’d still be playing Dungeons & Dragons on Friday nights. You make every university, nightclub, and church congregation better. Don’t change a thing.

You can’t spell “stud” without STD and you.

Above: a copy of William Spain’s sleaze pulp Dial “S” for Stud, a book so obscure that an internet search yields zero hits. That means, unfortunately, we can’t tell who was the owner of what we suspect is a pseudonym. We even came up blank in the Library of Congress online database. So maybe whoever wrote this disowned it. Probably a good idea. But we’re tenacious, so hopefully we’ll turn up more info later. 

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HISTORY REWIND

The headlines that mattered yesteryear.

1940—The Battle of Britain Begins

The German Air Force, aka the Luftwaffe, attacks shipping convoys off the coast of England, touching off what Prime Minister Winston Churchill describes as The Battle of Britain.

1948—Paige Takes Mound in the Majors

Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.

1965—Biggs Escapes the Big House

Ronald Biggs, a member of the gang that carried out the Great Train Robbery in 1963, escapes from Wandsworth Prison by scaling a 30-foot wall with three other prisoners, using a ladder thrown in from the outside. Biggs remained at large, mostly living in Brazil, for more than forty-five years before returning to the UK—and arrest—in 2001.

1949—Dragnet Premiers

NBC radio broadcasts the cop drama Dragnet for the first time. It was created by, produced by, and starred Jack Webb as Joe Friday. The show would later go on to become a successful television program, also starring Webb.

1973—Lake Dies Destitute

Veronica Lake, beautiful blonde icon of 1940s Hollywood and one of film noir’s most beloved fatales, dies in Burlington, Vermont of hepatitis and renal failure due to long term alcoholism. After Hollywood, she had drifted between cheap hotels in Brooklyn and New York City and was arrested several times for public drunkenness and disorderly conduct. A New York Post article briefly revived interest in her, but at the time of her death she was broke and forgotten.

Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.
Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.
Uncredited cover art for Orrie Hitt's 1954 novel Tawny. Hitt was a master of sleazy literature and published more than one hundred fifty novels.
George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.

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