UNDER COVER OF NIGHT

When the sun's away the crooks will slay.


And speaking of the film noir starring Aldo Ray and Anne Bancroft, we watched it right after finishing the book, and though the novel was pretty dark, the filmmakers decided a little upbeat mood music was on order, so they got the immortal jazz crooner Al Hibbler to sing a theme song. Everybody knows this one. Join right in: Nightfaaaaaaall… and youuuuuuuuuuu… lovely you… underneath the wreath of heaven’s pale blue… you are poetry (possibly haiku)… you are melody (maybe in d minor, the saddest of keys)You get the idea. Don’t let us turn you off this film. The theme song is nothing the mute button won’t fix.

As we mentioned in our post on the source novel, Nightfall was directed by Jacques Tourneur, the heavyweight talent behind the film noir monument Out of the Past, and he has the kind of skills that make an early shot of co-star James Gregory getting on a bus an artistic achievement. Gregory plays an insurance investigator on the trail of $350,000 worth of missing heist loot, and, as in the novel, the innocent schmuck who accidentally got stuck with it lost it and doesn’t remember how or where. That person is played by Ray, who’s great in this, as he relates his dilemma in flashbacks and desperately tries to deal with the two murderous robbers who originally stole the cash.

Nightfall is no Out of the Past, but it’s a solid film noir entry, well worth watching. Besides Ray and Gregory, the two robbers Brian Keith and Rudy Bond are good, and honey-voiced Bancroft as the femme fatale handles her pivotal role nicely. Credit here also goes to Burnett Guffey, who photographed the movie, and added to his long list of beautiful film noir achievements—Johnny O’Clock, Night Editor, In a Lonely Place, The Sniper, Private Hell 36, Screaming Mimi, and a portfolio of other films. Put Nightfall in your queue. It’ll be worth it—once the theme song is over. It premiered in the U.S. today in 1956

Ida done it better.

Occasionally we run across a VHS box we really like. This one for the 1954 film noir Private Hell 36, with Hollywood legend Ida Lupino in repose on the front, caught our eye with its simple but beautiful design. Anything with Lupino involved is worthwhile, including this film. We talked about it earlier this year, here.

Ida done it her way.


Above, an interesting German language promo poster for the Ida Lupino film noir Private Hell 36, which we talked about last month. Lupino is considered a film pioneer for her migration into directing, but she’s always good in front of the camera too. This piece is signed, though illegibly, so another artist loses their chance for internet immortality. Private Hell 36 premiered in West Germany today in 1956 

We'd to hate to find out what the other thirty-five are like.

Private Hell 36. It doesn’t mean anything, but what a great title. And it comes with two great promo posters. These are probably in the first two chambers of hell to lure you in. Made in 1954, this film noir co-stars and was co-written by Ida Lupino, who plays a woman who is convinced to help the police on a stakeout for a counterfeiter. She’d been passed a fake fifty but the police can’t identify the crook unless she sees him and fingers him. As the days pass cop Steven Cochran takes a liking to her, and she to him. Star-crossed love in the noirish night. Lupino wants the finer things in life. Cochran wants to give them to her. When counterfeit bills start blowing on the wind, Cochran and his partner split over stealing the cash. You know where this goes—nowhere good.

Cochran is really good in this. As his decisions hurt those around him and his circumstances constrict his possibilities in the worst way, the performance he gives generates tension and empathy. Lupino does her usual great job, and the support from Dorothy Malone and Howard Duff is perfect, so in the end what you have is a solid film noir tinged with affecting interpersonal drama and working class pathos. In real life we don’t feel the least bit bad for dirty cops, but that’s the beauty of art—it puts you in other people’s shoes and for an hour or two you understand. Private Hell 36 is short and to the point. It asks: If $80,000 landed in your lap would you keep it? In film noir, you better not.

Bad luck and trouble in post-war Germany.

We’re back to the West German publication Illustrierte Film-Bühne today, supplementing our post from two months ago. These examples are all from American dramas or films noir produced during the 1940s and early 1950s, but which premiered in West Germany later, typically 1954 or after. You can see the earlier IFB collection here.

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HISTORY REWIND

The headlines that mattered yesteryear.

1939—Five-Year Old Girl Gives Birth

In Peru, five-year old Lina Medina becomes the world’s youngest confirmed mother at the age of five when she gives birth to a boy via a caesarean section necessitated by her small pelvis. Six weeks earlier, Medina had been brought to the hospital because her parents were concerned about her increasing abdominal size. Doctors originally thought she had a tumor, but soon determined she was in her seventh month of pregnancy. Her son is born underweight but healthy, however the identity of the father and the circumstances of Medina’s impregnation never become public.

1987—Rita Hayworth Dies

American film actress and dancer Margarita Carmen Cansino, aka Rita Hayworth, who became her era’s greatest sex symbol and appeared in sixty-one films, including the iconic Gilda, dies of Alzheimer’s disease in her Manhattan apartment. Naturally shy, Hayworth was the antithesis of the characters she played. She married five times, but none lasted. In the end, she lived alone, cared for by her daughter who lived next door.

1960—Gary Cooper Dies

American film actor Gary Cooper, who harnessed an understated, often stoic style in numerous adventure films and westerns, including Sergeant York, For Whom the Bell Tolls, High Noon, and Alias Jesse James, dies of prostate, intestinal, lung and bone cancer. For his contributions to American cinema Cooper received a plaque on the Hollywood Walk of Fame and is considered one of top movie stars of all time.

1957—Von Stroheim Dies

German film director and actor Erich von Stroheim, who as an actor was noted for his arrogant Teutonic character parts which led him to become a renowned cinematic villain with the nickname “The Man You Love to Hate”, dies in Maurepas, France at the age of 71.

1960—Adolf Eichmann Is Captured

In Buenos Aires, Argentina, four Israeli Mossad agents abduct fugitive Nazi Adolf Eichmann, who had been living under the assumed name and working for Mercedes-Benz. Eichman is taken to Israel to face trial on 15 criminal charges, including crimes against humanity and war crimes. He is found guilty and executed by hanging in 1962, and is the only person to have been executed in Israel on conviction by a civilian court.

2010—Last Ziegfeld Follies Girl Dies

Doris Eaton Travis, who was the last surviving Ziegfeld Follies chorus girl, dies at age 106. The Ziegfeld Follies were a series of elaborate theatrical productions on Broadway in New York City from 1907 through 1931. Inspired by the Folies Bergères of Paris, they enjoyed a successful run on Broadway, became a radio program in 1932 and 1936, and were adapted into a musical motion picture in 1946 starring Fred Astaire, Gene Kelly, Lucille Ball, and Lena Horne.

Art by Kirk Wilson for Harlan Ellison's juvenile delinquent collection The Deadly Streets.
Art by Sam Peffer, aka Peff, for Louis Charbonneau's 1963 novel The Trapped Ones.
Horwitz Books out of Australia used many celebrities on its covers. This one has Belgian actress Dominique Wilms.
Assorted James Bond hardback dust jackets from British publisher Jonathan Cape with art by Richard Chopping.

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