Vintage Pulp

November 21 2023

GUNS BLAZING

Did somebody order a spaghetti western with extra cheese?

We take every opportunity we can to show you the work of Renato Casaro, even when it’s used to promote a movie as bad as Carogne si nasce. Casaro painted a lot of spaghetti western posters but this one is a bit more intense than most. There’s a reason for that—the character he painted was intense. The movie is known in English as Cry of Death, and it deals with conflict that erupts between squatters and ranchers in fictional Houstonville, Texas, and the marshal—Glenn Saxson—who first tries to stay out of it, but later chooses a side when he realizes that inside the land rights struggle is a deeper problem regarding someone’s secret past and corruption amongst the town bigwigs.

This is one cheap-ass movie. The budget is exemplified by a barroom brawl during which a character is shoved through a cardboard wall. Every castmember is a b-level actor at best. And the script—don’t even bring up the script. It’s like it was accidentally shot full of holes during one of the gunfights. But we’ll give this cheeseball movie one thing—the main bad guy is amazing. He’s played by ex-bodybuilder Gordon Mitchell, and he looks like a demon wearing bronzer. Spaghetti western producers were good at casting villains, and Mitchell fits the tradition with a capital V. Otherwise, this flick—even with its final act twist—is nowheresville. Carogne si nasce premiered in Italy today in 1968

That’s right. I’m the bad guy. You never guessed, did you?

I’m pure evil, but I can smile winningly. See?

Though I’m from hell and consume only souls, I can mimic human rituals such as drinking beer.

But I don’t mimic swallowing it. My master should serve this pisswater to the thirsty wretches in his realm.

Italy, Carogne si nasce, Cry of Death, Glenn Saxson, Gordon Mitchell, Renato Baldini, Nello Pazzafini, Mirella Pamphili, Renato Casaro, poster art, cinema, spaghetti western, movie review

Vintage Pulp

November 3 2023

SPLASH GORDON

Dirty mind, clean body.

Above: a poster for the 1972 sexploitation flick I pornogiochi delle femmine svedesi, painted by Italian illustrator Renato Casaro, along with a photo of star Claire Gordon going a rub-a-dub-dub with both hands in a tub, used by Casaro to inspire his creative process. The movie was originally made in England as Suburban Wives. While Gordon is lovely, and the poster is too, the movie is pretty dumb. Many years back we discussed it in a bit more detail and shared another Casaro promo, so if you’re inclined to check that out, you can do so here.

Italy, I pornogiochi delle femmine svedesi, Suburban Wives, Claire Gordon, Renato Casaro, poster art, cinema, sexploitation

Intl. Notebook

October 8 2023

CIRCUS MAXIMUS

Welcome to the greatest show on Earth

Renato Casaro was a celebrated Italian movie poster artist, but he worked in other media, including album sleeves and portraiture. Above he’s created an advertising poster for Cirque d’Hiver Bouglione, a Parisian circus that traces its roots back to 1852, when Charles de Mornay, commonly referred to as Duc de Morny, undertook its creation and named it after his half brother Prince Louis-Napoléon III. When the circus finally opened in 1859 it featured equestrianism, animal acts, and aerial acrobatics from the famed Jules Léotard. After being interrupted by World War I, the business passed over to Gaston Desprez in 1923, and again in 1934 to the Bouglione Brothers, who were Italians who’d made a name for themselves traveling France with a menagerie and wild cat act. The circus was halted during World War II and the occuptation of its buildings by the Nazis, but emerged post-war to continue its growth and fame, known by then as Cirque d’Hiver Bouglione, the name it bears today. Casaro’s lovely poster dates from 1970.

Italy, France, Paris, Renato Casaro, Louis-Napoléon III, Jules Léotard, Gaston Desprez

Vintage Pulp

February 23 2023

ENTER MILAN

A city with no exit.

Milano Calibro 9, for which you see a promo poster painted by Renato Casaro, is a fun entry in the ranks of Italian crime cinema. Derived from a book of twenty-two short stories by Giorgio Scerbanenco, the plot follows a career thief played by a deadpan Gastone Moschin who’s suspected by a crime kingpin of stealing $300,000 of his money. When Moschin is released from prison he’s dogged by the kingpin and the local cops, who both want him to produce the cash. But he says he doesn’t have it. The fact that the money is missing is what’s keeping him alive for the moment, but if he doesn’t come up with it the kingpin will kill him.

This trapped ex-con scenario runs along classic lines familiar to fans of vintage noirs, which works to the movie’s benefit and disadvantage simultaneously. On the negative side, the plot offers little new in the gangster genre, and contemporary reviews pointed that out, but on the positive the movie has gritty Milan exteriors (shot when air pollution was still a major problem throughout the industrialized West), a cold-as-ice mood, a set of great character actors as various brutal criminals, and the presence of Barbara Bouchet as the world’s least rhythmic but most beautiful go-go dancer.

What really sets Milano Calibro 9 apart, though, is its political undertones. The police investigation is hampered by a bitter division between classic rightwing commissioner Frank Wolff and far left head inspector Luigi Pistilli. Their ideological conflict and its implicaition of widespread class struggle in Italy gives the movie’s fight over loose money a significance that still resonates today. In our era characterized by (among other serious problems) a yawning financial inequality gap, Milano Calibro 9 is a reminder that cinematic thrillers weren’t always politically mindless. We recommend it. It premiered in Italy today in 1972.

Italy, Milan, Milano Calibro 9, Calibre 9, Gastone Moschin, Barbara Bouchet, Mario Adorf, Frank Wolff, Lionel Stander, Giorgio Scerbanenco, Renato Casaro, poster art, cinema, movie review

Vintage Pulp

September 30 2022

TROPICO STORM

Haiti gets hit by hurricane Anita.

These two posters for Al tropico del cancro, aka Tropic of Cancer, were painted by Italian master Renato Casaro, and really demonstrate his artistic range, as they’re stylistically different from the other poster he painted for the film. We have plenty of Casaro in the website, so if you want to see more just click his keywords below, or if you’re pressed for time, you can see what we think is his best work here and here. He isn’t the only person we want to highlight today. The movie stars Anita Strindberg, yet another luminous actress to come out of Sweden, and she plays a wife who travels to Haiti and is soon caught up in tropical sensuality, hallucinogenic drugs, and voodoo. It’s unabashed exploitation ranging from the sexual to the cultural, and Strindberg is the main reason it’s watchable, as you see below. Al tropico del cancro premiered in Italy today in 1972.

Italy, Sweden, Al tropico del cancro, Tropic of Cancer, Peacock's Place, Anita Strindberg, Anthony Steffen, Renato Casaro, poster art, cinema, sexploitation, giallo

Vintage Pulp

January 17 2022

BRIGHT LIGHTS BIG CITTA

An American con man in London.

Above: a nice Italian poster for Jules Dassin’s 1950 film noir Night and the City. The city is London, which proves to have numerous hazards for shady Richard Widmark. In Italy the movie was called I trafficanti della notte, then retitled Nella citta la notte scotta. You see both on the poster. Earlier promos exist that have only the first title, but we like this later one painted by Renato Casaro the most. It has a beautiful glowing cityscape in the background. Amazing work. We don’t know why the title was changed, but the original translates as “the traffickers of the night,” while the second is, “in the city the night is hot,” so maybe the distributors simply preferred the more poetic second title. We certainly do. We haven’t talked about this movie yet, but we’ll get to it a little later. It opened in Italy today in 1951.

Italy, I trafficanti della notte, Nella citta la notte scotta, Night and the City, Richard Widmark, Gene Tierney, Jules Dassin, Renato Casaro, poster art, cinema, film noir

Vintage Pulp

November 1 2020

MUSHROOM CROWD

The fallout from this situation will be lethal.

Above, an Italian poster painted by Renato Casaro for the Japanese macabre sci-fi flick Matango, which in Italy was called Matango il mostro and in the U.S. Attack of the Mushroom People. We shared the excellent Japanese posters back during the summer and you can see those here. The film opened in Italy at the Festival della Fantascienza di Trieste today in 1964.

Japan, Italy, Trieste, Festival della Fantascienza di Trieste, Matango il mostro, Matango, Attack of the Mushroom People, Renato Casaro, poster art, cinema, sci-fi

Vintage Pulp

March 6 2020

FEELING KIND OF BLEU

A film noir of a different color.

Above, two Italian posters for Operazione Lotus bleu, better known as The Scarlet Hour. Funny that the color in the title changed. Why not call it “operazione lotus rosso”? Actually, “bleu” isn’t evan an Italian word, as far as we know, which makes this poster even weirder. Italian for blue is “blu.” The movie also played under a title translated literally from the English original—L’ora scarlatta—and we’d show you those posters but they don’t compare to these. No surprise, since these were painted by the great Renato Casaro. As for the color change, that will likely remain a mystery. There’s no known Italian release date for the film, but it premiered nearly everywhere in Europe between September and November of 1956. More here.

Italy, The Scarlet Hour, L'ora scarlatta, Operazione Lotus bleu, Tom Tryon, Carol Ohmart, Renato Casaro, poster art, cinema, film noir

Vintage Pulp

November 29 2019

FATAL VISION

Murder is in the eye of the beholder.

Above are three beautiful posters for L’occhio che uccide, or “the eye that kills,” which premiered in Italy today in 1961. The movie was originally called Peeping Tom when released in Britain in 1960. The second and third posters are signed by Renato Casaro, while the top one is unsigned. But it resembles his work, so what the heck—let’s say he painted all three until someone corrects us. This movie was a career killer, a bizarre and confounding thriller that irreparably damaged the ambitions of director Michael Powell, but which today has ardent advocates. In the mood for a voyeur mass murderer who tries to turn his killings into art? See our write-up here, and check out a Japanese poster for the flick here.

Italy, Britain, L'occhio che uccide, Peeping Tom, Michael Powell, Renato Casaro, poster art, cinema

Vintage Pulp

November 7 2019

THE WESTERN SIDE OF ITALY

Somewhere between Hollywood and Rome lay the wild frontier.

Above: numerous Italian posters for 1960s and 1970s westerns. Some of these movies were true spaghetti westerns (produced in Italy and shot in Europe, often Spain), while others are U.S. productions. All the imagery is beautiful. The artists responsible include Renato Casaro, Rodolfo Gasparri, Averardo Ciriello, Aller, aka Carlo Alessandrini, et al.

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HISTORY REWIND

The headlines that mattered yesteryear.

October 9

A day after being captured, Marxist revolutionary Ernesto “Che” Guevara is executed in Bolivia. In an attempt to make it appear as though he had been killed resisting Bolivian troops, the executioner shoots Guevara with a machine gun, wounding him nine times in the legs, arm, shoulder, throat, and chest.

October 8

1918—Sgt. York Becomes a Hero

During World War I, in the Argonne Forest in France, America Corporal Alvin C. York leads an attack on a German machine gun nest that kills 25 and captures 132. He is a corporal during the event, but is promoted to sergeant as a result. He also earns Medal of Honor from the U.S., the Croix de Guerre from the French Republic, and the Croce di Guerra from Italy and Montenegro. Stateside, he is celebrated as a hero, and Hollywood even makes a movie entitled Sergeant York, starring Gary Cooper.

October 8

1956—Larsen Pitches Perfect Game

The New York Yankees’ Don Larsen pitches a perfect game in the World Series against hated rivals the Brooklyn Dodgers. It is the only perfect game in World Series history, as well as the only no-hitter.

October 7

1959—Dark Side of Moon Revealed

The Soviet space probe Luna 3 transmits the first photographs of the far side of the moon. The photos generate great interest, and scientists are surprised to see mountainous terrain, very different from the near side, and only two seas, which the Soviets name Mare Moscovrae (Sea of Moscow) and Mare Desiderii (Sea of Desire).

October 6

1966—LSD Declared Illegal in U.S.

LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.