Above, six Japanese posters for 1950s and 1960s gangster movies. These are, top to bottom, Shichinin no yajû: chi no sengen, aka Return of the Filthy Seven, Sono gosôsha wo nerae: “Jûsangô taihisen” yori, aka Take Aim at the Police Van, Kawaita hana, aka The Pale Flower, Kutabare akutô-domo—Tantei jimusho 23, aka Detective Bureau 2-3: Go to Hell Bastards, and finally two versions of Gendai yakuza: yotamono jingi, aka Hoodlum Yakuza.
Crime, mayhem, and murder in Japan.
Japan, Shichinin no yajû: chi no sengen, Return of the Filthy Seven, Sono gosôsha wo nerae: “Jûsangô taihisen” yori, Take Aim at the Police Van, Kawaita hana, The Pale Flower, Kutabare akutô-domoTantei jimusho 23, Detective Bureau 2-3: Go to Hell Bastards, Gendai yakuza: yotamono jingi, Hoodlum Yakuza, Bunta Sugawara, Jo Shishido, Seijun Suzuki, Masahiro Shinoda, Mariko Kaga, Michitarô Mizushima, poster art, cinema