TO HAVE AND TO HOLD

Possession is nine-tenths of breaking the law.


We’re back to Richard Himmel today and his franchise character, Chicago tough guy lawyer Johnny Maguire. I Have Gloria Kirby came third in the Maguire series, first appearing as this Gold Medal original edition with uncredited cover art in 1951. As we mentioned before, Maguire is a lawyer, but Himmel basically treats him as a detective, and his narrative follows all the expected forms of private dick novels.

As with the earlier books, there are some good moments here. There’s an excellent scene that comes after Maguire and his occasional love Tina, who works in a stenographer’s office in Maguire’s building, have just narrowly escaped a brutal maiming. Maguire has finished explaining to the confused and terrified Tina why everything has been happening, including why he made her burn a mink coat in the building incinerator a couple of days earlier. It’s all about seventy thousand missing dollars:

Do you know where it is, Johnny?”

Sure. Sure, I know where it is.”

Where?”

I dropped my gun on the desk. “You’ve got it.”

What did you say?”

I said you’ve got it. It’s in your office. I put it there myself.”

Tina passed out. She went limp and collapsed to the floor. I let her lie there. She needed the rest. I went into my bottom drawer for the bottle. That bottle had been getting a hell of a workout. Out in the hall I rang for the elevator.

[snip]

When I went back in my office, Tina was sitting up on the floor drinking out of the bottle. “For people that burn mink coats and have seventy thousand dollars lying around, we sure drink cheap liquor,” she said.

That’s pretty good. The book isn’t at that level all the way through, but it’s well written and keeps the tension cranked to high. The final showdown between Maguire and his organized crime nemesis is highly unlikely, but not to the extent that it ruins the tale. As mid-century detective—er, lawyer—novels go, we think I have Gloria Kirby is in the upper half of the distribution. 

Chinese communists try to whip Americans in the nuclear race.


The Chinese Keyhole, Richard Himmel’s second novel starring his creation Johnny Maguire, finds the ass kicking lawyer immersed in intrigue in Chicago’s Chinatown district, where a mission to deliver a coded message reveals a conspiracy centered in a strip bar. Turns out communists, including a whip wielding psycho, are trying to steal nuclear secrets. Maguire is no longer just a lawyer, but a government agent with his law practice as a front. We don’t remember that from the first book, but maybe we missed it.

As in the debut outing Maguire is a guy who takes what he wants, never really asking permission before laying his lips on a nearby woman, and always, of course, he’s correct in his assumption that he’s sexually desired. Faithful Tina from book one returns to be shabbily treated again, and as before the romantic subplots blossom into full-blown melodrama that would fit perfectly in a Harlequin novel.

We probably don’t need to mention that any mid-century book with Asian characters is going to cross some lines, and Maguire doesn’t defy expectations on that front, nor does he miss an opportunity to disparage homosexuality. If you haven’t read many of these old thrillers you might think that was the norm, but actually it’s rare because gay characters don’t figure in most of the books. When they did, well, the language got baroque, to say the least. Culturally we’ve arrived at a better—though still imperfect—place in time.

Flaws aside, we thought The Chinese Keyhole was better written than Himmel’s first Maguire novel I’ll Find You. Even with this mostly hackneyed commie conspiracy potboiler, he’s intrigued us enough to take another ride with his interesting lawyer/lothario/secret agent, so we’ll read the third book I Have Gloria Kirby and see where that leaves us. The art on this Gold Medal edition is by Barye Phillips and it dates from 1951.
 
I know we're basically strangers, baby, but it's you and me till death do us part.


Here’s a quick quiz for you. Is the following passage from a crime novel or a romance? There was one truth between us, one truth that would never be untrue. Whatever this animal thing inside me was, there was something inside her that was a mate for it. I felt that nothing could ever change that. It had to be brought alive again. It had to live and burn its own fire and be electric with its own voltage.

Those lines are from Richard Himmel’s 1950 thriller I’ll Find You, aka It’s Murder, Maguire, first in a series of books starring mobbed up Chicago lawyer Johnny Maguire. The passage illustrates something we’ve noted before—that crime novels and romance novels sometimes intersect. Fictional tough guys occasionally fall head over heels in love, and when they do, the prose describing that love—in some author’s hands—can be as overwrought as what you’d find in any romance novel.

In this story, Maguire, who must be one of the dumbest smart characters in crime fiction, falls for a deceased friend’s wife who later fakes her own suicide. While the police believe she’s dead, he never buys it, and risks his career and safety to locate her. He finds her living under a new identity and refuses to let her get away from him again—which is exactly as stalkerish as it sounds, considering he barely knew her before she vanished. She eventually submits to his overbearing attentions, but sadly, malign actors may ruin their love story.

It’s surprising to us that there was a sequel, but Himmel’s crime-romance must have struck a nerve with the reading public. It didn’t strike one with us, but we didn’t dislike it. We felt that it was eye-rollingly saccharine, and we found Himmel’s dialogue a bit stilted. On the plus side, Maguire is funny at times, and his friend-with-benefits relationship with a supporting character named Tina has the potential to be engaging, assuming she hangs around. We’ll see what develops in book two.
 
Femme Fatale Image

ABOUT

SEARCH PULP INTERNATIONAL

PULP INTL.
HISTORY REWIND

The headlines that mattered yesteryear.

1964—Ruby Found Guilty of Murder

In the U.S. a Dallas jury finds nightclub owner and organized crime fringe-dweller Jack Ruby guilty of the murder of Lee Harvey Oswald. Ruby had shot Oswald with a handgun at Dallas Police Headquarters in full view of multiple witnesses and photographers. Allegations that he committed the crime to prevent Oswald from exposing a conspiracy in the assassination of President John F. Kennedy have never been proven.

1925—Scopes Monkey Trial Ends

In Tennessee, the case of Scopes vs. the State of Tennessee, involving the prosecution of a school teacher for instructing his students in evolution, ends with a conviction of the teacher and establishment of a new law definitively prohibiting the teaching of evolution. The opposing lawyers in the case, Clarence Darrow and William Jennings Bryan, both earn lasting fame for their participation in what was a contentious and sensational trial.

1933—Roosevelt Addresses Nation

Franklin D. Roosevelt uses the medium of radio to address the people of the United States for the first time as President, in a tradition that would become known as his “fireside chats”. These chats were enormously successful from a participation standpoint, with multi-millions tuning in to listen. In total Roosevelt would make thirty broadcasts over the course of eleven years.

1927—Roxy Theatre Opens

In New York City, showman and impresario Samuel Roxy Rothafel opens the Roxy Theatre, a 5,920-seat cinema. Rothafel would later open Radio City Music Hall in 1932, which featured the precision dance troupe the Roxyettes, later renamed the Rockettes. Rothafel died in 1936, but his Roxy remained one of America’s greatest film palaces until it was closed and demolished in 1960.

1977—Polanski Is Charged with Statutory Rape

Polish-born film director Roman Polanski is charged with raping a 13-year-old girl at the home of Hollywood star Jack Nicholson. Polanski allegedly had sex with the girl in a hot tub after plying her with Quaaludes and champagne. Rather than risk prison Polanski fled the U.S. for Europe, but was eventually arrested in Switzerland in 2009.

Uncredited cover for Call Girl Central: 08~022, written by Frédéric Dard for Éditions de la Pensée Moderne and its Collection Tropiques, 1955.
Four pink Perry Mason covers with Robert McGinnis art for Pocket Books.
Unknown artist produces lurid cover for Indian true crime magazine Nutan Kahaniyan.
Cover art by Roswell Keller for the 1948 Pocket Books edition of Ramona Stewart's Desert Town.

VINTAGE ADVERTISING

Things you'd love to buy but can't anymore

Vintage Ad Image

Around the web