RED DRESS DIARIES

How is it from this angle, boys? Give it to me straight. I really want to make a splash in the fallen women set.

Richard S. Prather’s Dagger of Flesh came fifth in a series of more than forty books starring franchise detective Shell Scott. This Falcon Books edition is from 1952, with excellent Rudy Nappi cover art. The book goes back so far Scott still had black hair. Prather changed it to snow white at some point, but here he’s described by a woman as having, “Black curly hair, brown eyes, a very nice nose, even a Cary Grant dimple in that square chin.” Plotwise he helps a friend who’s been given a post-hypnotic suggestion that may be forcing him to sell his quarter million dollar business for $25,000 to organized crime figures. In desperation he signs the enterprise over to tough guy Scott, and now the crooks have a problem. Of course, with hypnotists around anything can happen, fictionally speaking. Scott begins to suspect he’s been post-hypnotically coerced into committing murder. Improbable? All of it, definitely. Prather does his best with it, but it doesn’t really work. Well, we’ll give him a pass on this one. It’s written fine, so that’s something.

These shots are surprisingly revealing. This shaving thing you do—call me crazy but I think that could really catch on.

Above: a Barye Phillips cover for Bodies in Bedlam by Richard S. Prather, the second entry in his forty-one novel series (or maybe it was forty-two) starring detective Shell Scott, for Gold Medal Books, 1951. We have a couple, so we’ll circle back to Prather and Mr. Scott a bit later. 

Need to spice up your book cover? Try a splash of color.


Over haar lijk was published in 1960 by Rotterdam based Uitgeversmij, and it’s a Dutch edition of Richard S. Prather’s 1959 thriller Over Her Dead Body. This caught our eye because the cover has the same art that was used on Steve Brackeen’s Baby Moll, except with the background changed to an eye-catching blood red. Uitgeversmij often took U.S. covers and colored them. It sometimes led to cheap looking results, but occasionally, such as here and with Henry Kane’s Snatch an Eye (which we showed you a while back), they lucked into beautiful results. We’ve seen this cover around, but we suspect it came from Flickr, so thanks to original uploader on this. 

Sure, you can call me. I'm at Northside u-r-a-zero. And let me give you a fake name to go along with that.

We have a few Richard Prather novels but they haven’t managed to fully enthrall us. This is the fourth book in his Shell Scott series, in which the wackiest dick in the west heads to Las Vegas on a missing persons case. Prather was one of the best selling authors of the 1950s, so we’re confident we’ll soon find a book that makes us see the light (and with three dozen in the Shell Scott series alone there are many from which to choose), but this one didn’t quite get there. It was published in 1951 and this excellent piece of cover art is uncredited.

A flavorful stew of mid-century paperback covers.

This post was long overdue. Most pulp oriented websites do a collection of covers that have the word wanton in the title, so we’re following suit. Basically because we couldn’t think of anything else to do today. Numerous examples below. Enjoy.

What do you call forty dead men? A good start.

Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts.

French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover.

We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy.

For better or worse, in sickness and health, women in pulp don’t have a heck of a lot of choice about it.

Pulp is a place where the men are decisive and the women are as light as feathers. We’ve gotten together a collection of paperback covers featuring women being spirited away to places unknown, usually unconscious, by men and things that are less than men. You have art from Harry Schaare, Saul Levine, Harry Barton, Alain Gourdon, aka Aslan, and others.

Okay, I’ll have one drink. Geez, you dead are pushy.

American author Jay Flynn, aka J.M. Flynn, is one of those writers whose real life reads as entertainingly as some of his fiction. He was a heavy drinker with a case of wanderlust, and he set up shop in places like Massachusetts, California, Paris, Mallorca, and Monte Carlo. 1959’s Drink with the Dead is considered one of his better books—you see Paul Rader’s U.S. cover art above, and as a bonus we’ve shared Richard S. Prather’s Finnish edition of Bodies in Bedlam, which borrows the same image. Drink with the Dead concerns a bunch of modern day bootleggers—ironic, considering Flynn got involved in the illegal liquor trade at one point. He was one of those rough and tumble writers that injected a lot of personal experience into his fiction, and whose erratic, hellraising ways always made subsistence a struggle. He spent time on skid row, was hired and fired by a lot of publishers, and refused to give up the booze even after his doctor said it would kill him. He died younger than he should have, perhaps, but left behind a lot of writing.

Femme Fatale Image

ABOUT

SEARCH PULP INTERNATIONAL

PULP INTL.
HISTORY REWIND

The headlines that mattered yesteryear.

1960—To Kill a Mockingbird Appears

Harper Lee’s racially charged novel To Kill a Mockingbird is published by J.B. Lippincott & Co. The book is hailed as a classic, becomes an international bestseller, and spawns a movie starring Gregory Peck, but is the only novel Lee would ever publish.

1962—Nuke Test on Xmas Island

As part of the nuclear tests codenamed Operation Dominic, the United States detonates a one megaton bomb on Australian controlled Christmas Island, in the Indian Ocean. The island was a location for a series of American and British nuclear tests, and years later lawsuits claiming radiation damage to military personnel were filed, but none were settled in favor in the soldiers.

1940—The Battle of Britain Begins

The German Air Force, aka the Luftwaffe, attacks shipping convoys off the coast of England, touching off what Prime Minister Winston Churchill describes as The Battle of Britain.

1948—Paige Takes Mound in the Majors

Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.

1965—Biggs Escapes the Big House

Ronald Biggs, a member of the gang that carried out the Great Train Robbery in 1963, escapes from Wandsworth Prison by scaling a 30-foot wall with three other prisoners, using a ladder thrown in from the outside. Biggs remained at large, mostly living in Brazil, for more than forty-five years before returning to the UK—and arrest—in 2001.

Rafael DeSoto painted this excellent cover for David Hulburd's 1954 drug scare novel H Is for Heroin. We also have the original art without text.
Argentine publishers Malinca Debora reprinted numerous English language crime thrillers in Spanish. This example uses George Gross art borrowed from U.S. imprint Rainbow Books.
Uncredited cover art for Orrie Hitt's 1954 novel Tawny. Hitt was a master of sleazy literature and published more than one hundred fifty novels.
George Gross art for Joan Sherman’s, aka Peggy Gaddis Dern’s 1950 novel Suzy Needs a Man.

VINTAGE ADVERTISING

Things you'd love to buy but can't anymore

Vintage Ad Image

Around the web