HARD TARGET

His wife sometimes made him so mad he felt like he could kill her. Then the opportunity came.


We’ve watched a lot of movies this month, and today is the day we begin squeezing them onto the site before the end of the year. The shooter’s POV poster above was made for Aiyoku no wana, aka Trap of Lust, which is a roman porno reinterpretation of Seijun Suzuki’s 1967 gangster classic Koroshi no rakuin, aka Branded to Kill. It’s the story of a veteran hitman who botches an assignment, with the unexpected consequence that he’s ordered to kill his own wife.

It isn’t a punishment thing, exactly, that brings this about. The reason she becomes his target is narratively more complex. But killing one’s spouse is not easy even for a cold-blooded professional terminator, and ultimately he’s pitted against a couple of top yakuza hitmen, one of whom is a freaky deaky assassin who does his work alongside a nearly life-sized marionette that he voices like a schoolgirl. We know it sounds out there, and it is. Look at the screenshots below for an idea what this disturbed character is about.

The marionette gimmick isn’t totally gratuitous. It contributes to a pivotal duel that by itself nudges the movie onto the positive side of the watch/don’t watch ledger. While we’re tempted to get into the weird psychocultural reasons why embodiments of pure human evil in Japanese films are often covered in brown shoe polish, we’ll just leave the obvious unspoken. Ready for something bizarre? Then go for it. Aiyoku no wana premiered in Japan today in 1973.
She's overworked, underpaid, unappreciated, and has no backup plan. Also there's that whole curse thing.


Can a working girl find happiness à la Pretty Woman? That’s the eternal question asked by (Maruhi) joroÌ‚ seme jigoku, aka The Hell-Fated Courtesan. An Edo-era geisha-turned-prostitute played by Rie Nakagawa is believed by superstitious locals to be cursed because some of those who’ve had sex with her died. Her only sort-of-friend in this dark existence is a perverted artist, and her pimp is of course cruel and untrustworthy. But eventually she meets a puppeteer to whom she offers herself romantically only to be rebuffed. Surprised, she intones, “This is not an ordinary guy.” She’s right. He refused her because he thinks he can only be turned on if a woman looks like one of his puppets, but when he finally samples some of that sweet Nakagawa he changes his mind about that and offers to take her with him to Osaka, where her problems and alleged curse will be behind her. Will she go? Will she be allowed to go? Will fate cut her a break? Pertinent questions all.

In 1973 Nikkatsu Studios’ roman porno line had not yet jumped the shark, which means (Maruhi) joroÌ‚ seme jigoku resembles a normal film in most ways. Its plot is basically linear, though it contains one framing segment; its sexual content is perverse, though not pointlessly misogynistic; and its humor generally works. In fact, there are some truly funny moments in this, such as when Nakagawa lets a carp suck her nipples. We won’t even bother to describe what direction that scene goes. Later she slices off a dead man’s finger and masturbates with it. Afterward she tells the finger that, though its former owner was a scoundrel and a snake, he will now go to heaven. That’s some magical pussy. Maybe Nakagawa isn’t cursed after all. Maybe she just embodies male insecurities and fears and they punish her as a result. And if that’s true, maybe there is a Pretty Woman ending for her. But you never know. One character observes that a woman’s heart is unpredictable and terrifying. (Maruhi) joroÌ‚ seme jigoku tries to prove that adage true. It premiered in Japan today in 1973

Rie Nakagawa loses battle with cancer.


We talked just last week about Rie Nakagawa’s film Danjo Seiji-gaku: Kojin jugyo, aka Man & Woman Sexology: Private Lessons, and we also wrote up her film Kaben no shizuku, aka Beads from a Petal back in February. News came that she died of cancer in Tokyo yesterday. Though known mainly for her roman porno films, she had continued working and had appeared on television as recently as last year. Japanese cinema is a bit less luminous today.

Nakagawa demonstrates the benefits of one-on-one teaching.

Above, a promo poster for Danjo Seiji-gaku: Kojin jugyo, aka Man & Woman Sexology: Private Lessons. Haven’t seen this one, but reviews exist online, if you can read Japanese or are inclined to use Google translate. Basically, it’s about an impotent man who rescues a woman from an assault in a park, and her subsequent attempts to sexually rejuvenate him. Starring Rie Nakagawa, Danjo Seiji-gaku: Kojin jugyo premiered today in 1974.

Tips for perking up a wilting flower.

This beautiful poster was made for the drama Kaben no shizuku, which was known in English as Beads from a Petal, as in beads of moisture. A lot of Japanese softcore movies have titles referencing beads of moisture, or dew, or the various parts of flowers, such as pistils and petals and whatnot. In this one Rie Nakagawa plays a married woman who is unfulfilled by sex. When her husband strays, the betrayal sends her seeking help, which she eventually gets from a psychiatrist (an ex of hers actually, which we’re sure is unethical, but whatever) and he is able to determine that her aversion to sex has to do with the repressed memory of having seen her parents making love when she was young. Nakagawa really chews the scenery in this one with a performance we can only call overwrought, complete with multiple bouts of hysterical screaming, but you’ll get used to it. Kaben no shizuku premiered in Japan today in 1972.

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HISTORY REWIND

The headlines that mattered yesteryear.

1964—Ruby Found Guilty of Murder

In the U.S. a Dallas jury finds nightclub owner and organized crime fringe-dweller Jack Ruby guilty of the murder of Lee Harvey Oswald. Ruby had shot Oswald with a handgun at Dallas Police Headquarters in full view of multiple witnesses and photographers. Allegations that he committed the crime to prevent Oswald from exposing a conspiracy in the assassination of President John F. Kennedy have never been proven.

1925—Scopes Monkey Trial Ends

In Tennessee, the case of Scopes vs. the State of Tennessee, involving the prosecution of a school teacher for instructing his students in evolution, ends with a conviction of the teacher and establishment of a new law definitively prohibiting the teaching of evolution. The opposing lawyers in the case, Clarence Darrow and William Jennings Bryan, both earn lasting fame for their participation in what was a contentious and sensational trial.

1933—Roosevelt Addresses Nation

Franklin D. Roosevelt uses the medium of radio to address the people of the United States for the first time as President, in a tradition that would become known as his “fireside chats”. These chats were enormously successful from a participation standpoint, with multi-millions tuning in to listen. In total Roosevelt would make thirty broadcasts over the course of eleven years.

1927—Roxy Theatre Opens

In New York City, showman and impresario Samuel Roxy Rothafel opens the Roxy Theatre, a 5,920-seat cinema. Rothafel would later open Radio City Music Hall in 1932, which featured the precision dance troupe the Roxyettes, later renamed the Rockettes. Rothafel died in 1936, but his Roxy remained one of America’s greatest film palaces until it was closed and demolished in 1960.

1977—Polanski Is Charged with Statutory Rape

Polish-born film director Roman Polanski is charged with raping a 13-year-old girl at the home of Hollywood star Jack Nicholson. Polanski allegedly had sex with the girl in a hot tub after plying her with Quaaludes and champagne. Rather than risk prison Polanski fled the U.S. for Europe, but was eventually arrested in Switzerland in 2009.

Uncredited cover for Call Girl Central: 08~022, written by Frédéric Dard for Éditions de la Pensée Moderne and its Collection Tropiques, 1955.
Four pink Perry Mason covers with Robert McGinnis art for Pocket Books.
Unknown artist produces lurid cover for Indian true crime magazine Nutan Kahaniyan.
Cover art by Roswell Keller for the 1948 Pocket Books edition of Ramona Stewart's Desert Town.

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