This poster was made for the crime drama Book of Numbers, which premiered in the U.S. today in 1973. The movie falls into the category of blaxploitation, but it’s also an ambitious period piece, with a Depression era focus, a deep subtext, and a determination to portray a type of black American life rarely seen onscreen. During the lean years of 1930s a couple of waiters who harbor big dreams ditch food service and hatch a scheme to set up a numbers racket. They roll into El Dorado, Arkansas, get some local help, and soon are making cash faster than they know how to spend it. Their success inevitably attracts the attention of the law, organized crime, and the local Ku Klux Klan. Can the protagonists succeed against all these foes? And what does success look like for black men in the 1930s? No matter how much money they make, they are still not respected, safe, or free.
The movie stars future Miami Vice stud Philip Michael Thomas, along with Raymond St. Jacques, who produced and directed. Their two characters are decades apart in age, and vastly different in how they deal with constant racism. Thomas takes no guff from anyone, even when it costs him; St. Jacques will play any role expected of him by whites in order to survive. This doesn’t sit well with the hot-headed Thomas, and leads to growing resentment. In our view, this is the most unique aspect of the film. It implies that because society forces black men to play roles, they can never be truly known by anyone outside their intimate circle. Robert Deane Pharr wrote the source material for this, and it must be an interesting novel, because it spawned a good movie. Book of Numbers is tough, adult, thought-provoking, and historically revealing. We recommend it for 1930s buffs, blaxploitation aficionados, and of course fans of Miami Vice.
