A REAL G

Trouble comes with two guns blazing.

We’ll assume we don’t have to define the vernacular term “G” as used in our header, and will merely point out that this is a very nice Italian promo poster for the 1972 blaxploitation movie Trouble Man. In Italy it was titled Detective G., and in Italian the G stands for something non-vernacular—guai: “trouble.” There’s no release date for Italy, but the movie—which is well worth seeing—probably played there sometime in 1973. 

There are only three sure things: taxes, death, and trouble.


Above is a poster for the drama Trouble Man, a well known movie from the blaxploitation cycle, not least because Marvin Gaye wrote the excellent soundtrack. In fact, a line from his theme song provided our subhead about taxes, death, and trouble. Like his music, unusual talent went into the film. That goes for the direction by Ivan Dixon, the writing, and the acting. All of that is pretty well known. The movie usually makes it onto lists of best blaxploitation movies. But it can also hold its own with most detective movies from outside the genre made during the early seventies, and because blaxploitation had so many cheap, fly-by-night productions, the fact that you don’t have to squint beyond many shortcomings to see it as a good movie is something to appreciate.

Robert Hooks plays a Los Angeles badass who everyone calls simply Mr. T. He makes his money as a fixer, taking care of people’s troubles for payment. That’s where the “T” comes from—T for trouble. Two underworld figures who run craps games come to him because their game nights are being robbed by masked men. For $10,000 T agrees to stop the thieves. Unfortunately, the robbery tale is a set-up. The two underworld guys plan to frame T for murder. The how of it is a bit complicated to explain in a short write-up, but the important detail is why—the planned mark is a top henchman of a rival gangster, and his death will make the rival’s territory ripe for a takeover. The plan works, as does the frame, but T doesn’t end up in jail or dead, which means he’s on the loose to dig for answers.

Hooks had already been a working actor for years by the time he took on the role of Mr. T, and the experience shows. He’s far better than the music stars and ex-athletes that often headlined blaxploitation productions (though a few of them were good too). An ace cast is needed because this is the type of film where the audience knows exactly what’s going on from the beginning, while T and the cops are in the dark. Without a mystery, the tension is provided by filling the movie with numerous tough guys who don’t give an inch. Hooks has more than enough presence to hold his own. Thanks to him and his capable co-stars, including the regal Paula Kelly as his girlfriend, Julius Harris as a top criminal figure, and Vince Howard as Harris’s main strongman, Trouble Man delivers the goods. It premiered today in 1972.
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This awesome cover art is by Tommy Shoemaker, a new talent to us, but not to more experienced paperback illustration aficionados.
Ten covers from the popular French thriller series Les aventures de Zodiaque.
Sam Peffer cover art for Jonathan Latimer's Solomon's Vineyard, originally published in 1941.

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