This cover illustration from Robert McGinnis features one of his more famous elongated femmes fatales. He’s also cleverly included iconic detective art objects such as a pistol, a martini glass, a smoldering cigarette, and a tumbler of some amber liquid or other, and with some nifty positioning he’s placed all these items clearly in view while keeping the poses of his stylized figures easy and balanced. And for good measure his femme has lost a heel, which invites speculation as to how that happened. That’s GGA (good girl art) at its best.
Could Robert Kyle’s, aka Robert Terrall’s, aka Brett Halliday’s 1960 thriller Kill Now, Pay Later possibly be as good as its cover art? That’s a big ask. Too big, really, though the book is pretty good. Kyle’s franchise detective Ben Gates is hired to guard gifts at a high society wedding, but someone slips a mickey into his coffee and he’s in la-la land while two murders and a robbery occur. As a matter of self preservation he has to solve the crimes or his chances of securing more work will be pretty slim. After all, who’d hire a detective that passes out on the job?
So Gates delves into the mystery, unravels a complicated plot, and handles the advances of three beautiful women. We think of these babe-magnet detectives as the male analogue to the dewy maidens of romance novels. As male wish fulfillment goes, Kill Now, Pay Later gets the job done, offering up a tough and competent protagonist and an engaging assortment of secondary personalities. This was third in the Gates series after Blackmail, Inc. and Model for Murder. We’ll probably try to locate those. Kyle/Terrall/Halliday knows how to entertain a reader.