BOND RESTRUCTURING

Diamonds are forever, but Connery wasn’t.

Sean Connery made as many appearances in sixties and seventies tabloids as just about any celeb of his time period, so here he is again in an article promoting his role in Diamonds Are Forever, which would premiere just a couple of weeks after this December 1971 National Police Gazette hit newsstands. we talked a bit about the source novel for the film, and author Ian Fleming’s troubles with his publishers. It’s interesting, so check here if you wish.

In Gazette, Connery speaks of his futile struggle to portray James Bond as a balding hero, and quips about making his stylist thin his wigs so there was almost no point in wearing them at all. Connery said about Bond’s aging, “No one is immortal—not me, not you, and not James Bond.” It was a commendable sentiment, but naïve. Seems as though Connery didn’t realize United Artists had already branded Bond well beyond the point where the character was tethered to any concept of aging.

The studio proved that when it brought the much younger Roger Moore on the scene for 1973’s Live and Let Die. Moore would later give way to Dalton, who gave way to Brosnan, who gave way to Craig, as Bond himself remained eternally forty-ish through the passing years. Elsewhere in the Gazette you get a report on the hash capital of the world, the world’s greatest racing systems, and the usual assortment of random beauties in bathing suits. All that, plus hashish toasted cheese, below.

Live fast, die young, and leave a terribly damaged corpse thanks to James Bond.


As with Shaft a few days ago, we can’t add much new to the longtime assessments of 1973’s Live and Let Die. We wouldn’t discuss the film at all except that the posters were the work of illustration wizard Robert McGinnis. However, in light of our Shaft examination, there’s an angle we can take: Live and Let Die was the first Bond movie to be clearly influenced by the diversification of Hollywood, becoming the first to include numerous black cast members in speaking roles. Since most participants in a Bond movie are there to get killed, including, often, all but one of the women he sleeps with, the rules didn’t change even with the diversified cast. This leads to head villain Yaphet Kotto suffering perhaps the most brutal death in the franchise, and hottie Gloria Hendry departs for the hereafter too, which is criminal, in our view. But their participation was a landmark and gives Live and Let Die, even today, a different feel and look than the usual Bond fare.

On other fronts, Live and Let Die seems like the movie in which Bond stuntwork kicked into high gear, beginning a push that would soon extend beyond the bounds of earthly physics. The speedboat chase produced a then-world record aerial leap of 110 feet. On the acting front, newcomer Roger Moore displayed even at the outset of his Bond journey some of the cheeseball tendencies that would eventually take over his later portrayals, but it works fine. He was probably one of the best looking actors in the world in 1973, and while he doesn’t have a chiseled physique, he’s still everything and a free refill. We consider Live and Let Die to be one of two good Moore outings as Bond, along with The Man with the Golden Gun. It’s certainly worth a watch, even if you’ve already seen it. And if you want to have a really fun night, watch it back-to-back with Shaft.
For me, at least, this thing brings to mind making love, not war.

Barbara Bach has had three distinct periods of fame. The first was as an actress in numerous Italian movies during the late 1960s and the entire decade of the 1970s. Her second stage came when she starred as Anya Amasova in 1981’s James Bond adventure The Spy Who Loved Me. It was the third Bond outing for Roger Moore, and the last before he stopped taking the character seriously and began smirking and mugging his way through the movies. Not that we disliked it. The smirky Moore was fun. Bach became globally recognized in that film, as all Bond girls do.

Her third stage of fame was as the wife of one of the most recognized men in the world—Ringo Starr of the Beatles. Mixed into all of that were a few American movies, and one of them was a 1980 comedy called Up the Academy, from which the above promo photo came. The movie arrived on the heels of a string of successful comedies like Animal House that slayed at the box office, but Up the Academy bombed with critics and ticket buyers. We absolve Bach of any blame, though. We haven’t seen Up the Academy, but we have zero doubt she was one of the best things in it.

Madeline as hell and not going to take it anymore.


British actress Madeline Smith takes aim in this promo image made when she was filming the James Bond movie Live and Let Die. It’s probably her best known role. She played Miss Caruso, an Italian agent who tumbled into bed with Roger Moore during the opening of the film. The photo is from 1973.
 
Redhead risks serious sunburn to get a base tan.


Belgium’s Ciné-Revue is one of the best film magazines of the mid-century era. It’s also one of the hardest to scan. Not only do the pages need to be scanned in halves and joined via computer, but the tiny text makes lining the halves up a real challenge. We didn’t think about that when we bought a stack of these in Paris several years back, and now the sheer effort involved causes us to doubt we’ll ever get them all uploaded. But we managed to carve out a few hours, so today we have this issue from May 1975 with French actress Marlène Jobert doing a little topless boating on the cover, hopefully well slathered in sunscreen. Jobert also features in the beachy center spread wearing even less clothing (and theoretically more sunscreen), but the real star of this issue is Bette Davis, who receives a career retrospective with shots from seemingly every movie she ever made. You also get William Holden, Jane Birkin, Dominique Sanda, Sidney Poitier, Sophia Loren, Rita Hayworth, Agostina Belli, a feature on Steven Spielberg’s Jaws, and much more, in forty-plus scans.

Ciné-Revue's clever mix made it one of Europe's longest running celeb magazines.

This issue of the Belgian magazine Ciné-Revue was one of our treasures from last year’s trip to the Saint-Ouen flea market in Paris. Inside you get too many stars to name (and too many pages to scan), but the highlights are Marlon Brando, Susan Denberg, Marilyn Monroe, and Nadja Tiller. On the cover is British actress and pop singer Minnie Minoprio, who during the early 1970s starred in several films, all considered obscure today. But that was Ciné-Revue‘s m.o.—giving equal exposure to both lesser lights and the biggest stars. And of course the obscurities were usually required to get naked, justifying their positioning on the covers and in the centerfolds. Monika Käser, who you see below, is a perfect example. We can find nothing about her. Her only moment in the spotlight—insofar as we can determine using the internet to research her—seems to have been the photo below. But Ciné-Revue‘s formula worked—it began publishing in 1944 and is still around today (though the days of centerfolds are gone). This issue hit newsstands today in 1973.

We’ve got something special up our sleeves.

Above and below are the front and rear sleeves of four Japanese soundtrack pressings for the 1960s James Bond films Thunderball, From Russia with LoveYou Only Live Twice, and Goldfinger. The themes were sung by Tom Jones, Matt Munro, Nancy Sinatra, and Shirley Bassey respectively, and pictured along with Sean Connery you see Bond beauties Claudine Auger and Shirley Eaton. Ms. Eaton, as wrong-place wrong-time Jill Masterson, had the dubious honor of being suffocated under a coating of gold paint, certainly one of the most infamous deaths of any Bond femme. We think these sleeves are great, and if you agree and want to see a lot more excellent 007 soundtrack art, check our previous posts herehere, and especially here.

On a related note, the Bond franchise’s fiftieth anniversary is next month, and in honor of the occasion former star Roger Moore, along with co-stars Britt Ekland and Richard Kiel, are touring around England with a Blu-ray box set of all the films, which are stored inside a gold case that is in turn comfortably riding in one of Bond’s preferred vehicles, an Aston Martin DBS. Actors, auto, and discs are visiting some of the iconic locations of the Bond series in advance of the release of the next film, which is entitled Skyfall. You can read more about all that here.

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HISTORY REWIND

The headlines that mattered yesteryear.

1970—Angela Davis Arrested

After two months of evading police and federal authorities, Angela Davis is arrested in New York City by the FBI. She had been sought in connection with a kidnapping and murder because one of the guns used in the crime had been bought under her name. But after a trial a jury agreed that owning the weapon did not automatically make her complicit in the crimes.

1978—Sid Vicious Arrested for Murder

Sex Pistols bassist Sid Vicious is arrested on suspicion of murder after the body of his girlfriend Nancy Spungen is found in their room at New York City’s Chelsea Hotel. Vicious and Spungen had a famously stormy relationship, but Vicious proclaims he is innocent. He is released on bail and dies of a heroin overdose before a trial takes place.

1979—Adams Publishes First Hitchhiker's Book

The Hitchhiker’s Guide to the Galaxy, the first of five books in a series, is published by Douglas Adams. The novels follow on the heels of the tremendously successful British television series of the same name.

1976—China Coup Thwarted

The new head of the Chinese Communist Party, Hua Goufeng, snuffs out a coup led by Chairman Mao’s widow Jiang Qing and three other party members. They become known as the Gang of Four, and are tried, found guilty of treason, and receive death sentences that are later commuted to lengthy prison terms.

1987—Loch Ness Expedition Ends

A sonar exploration of Scotland’s Loch Ness, called Operation Deepscan, ends after a week without finding evidence that the legendary Loch Ness Monster exists. While the flotilla of boats had picked up three sonar contacts indicating something large in the waters, these are considered to be detections of salmon schools or possibly seals.

1971—London Bridge Goes Up

After being sold, dismantled and moved to the United States, London Bridge reopens in the resort town of Lake Havasu City, Arizona.

1975—Burton and Taylor Marry Again

British actor Richard Burton and American screen star Elizabeth Taylor secretly remarry sixteen months after their divorce, then jet away to a second honeymoon in Chobe Game Park in Botswana.

Classic science fiction from James Grazier with uncredited cover art.
Hammond Innes volcano tale features Italian intrigue and Mitchell Hooks cover art.

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