SUNGLASS MENAGERIE

Don’t masquerade with the guy in shades.

Above is a poster for Seijan Suzuki’s 1967 underground gangster flick Koroshi no rakuin, aka Branded To Kill, with Jo Shishido and Annu Mari. This is about as stylish a movie as you could hope to see, with some stunning directorial flourishes and a cool jazz score. When Tokyo’s No. 3 Killer misses a mark because a butterfly lands in front of his rifle scope, he must pay the price for his failure. Pretty soon he’s facing off against No. 1 Killer, who was supposed to be a myth but turns out to be very real.

Shot in black and white, Koroshi no rakuin is all shadows, flames and frantic shootouts between guys in skinny ties. Suzuki goes on a whirlwind tour of Tokyo and its environs, seeking out every unusual backdrop imaginable for his meticulous and surreal set pieces. We think the movie is worth viewing for the fire stunt alone—a gangster holes up in a WWII bunker, and when it catches fire he flees while fully aflame and manages a fifty yard sprint down a rocky slope, running so fast that the wind of his passage pushes the flames behind him like the crest of some exotic bird.

Like everything else in Koroshi no rakuin, the moment is over all too quickly. That could also be said of its theatrical run—the film was a flop, and its failure resulted in conflicts between Suzuki and his studio Nikkatsu that got him blacklisted for ten years. In a sense, we can understand Nikkatsu’s disappointment—it’s clear Suzuki didn’t take his assignment to direct a gangster film as literally as he might have. But as always, the most important critic of all is time, and Suzuki’s nervous, absurdist, disjointed noir masterpiece has survived. Koroshi no rakuin opened in Tokyo today in 1967.

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HISTORY REWIND

The headlines that mattered yesteryear.

1961—Bay of Pigs Invasion Is Launched

A group of CIA financed and trained Cuban refugees lands at the Bay of Pigs in southern Cuba with the aim of ousting Fidel Castro. However, the invasion fails badly and the result is embarrassment for U.S. president John F. Kennedy and a major boost in popularity for Fidel Castro, and also has the effect of pushing him toward the Soviet Union for protection.

1943—First LSD Trip Takes Place

Swiss scientist Albert Hofmann, while working at Sandoz Laboratories in Basel, accidentally absorbs lysergic acid diethylamide, better known as LSD, and thus discovers its psychedelic properties. He had first synthesized the substance five years earlier but hadn’t been aware of its effects. He goes on to write scores of articles and books about his creation.

1912—The Titanic Sinks

Two and a half hours after striking an iceberg in the North Atlantic Ocean on its maiden voyage, the British passenger liner RMS Titanic sinks, dragging 1,517 people to their deaths. The number of dead amount to more than fifty percent of the passengers, due mainly to the fact the liner was not equipped with enough lifeboats.

1947—Robinson Breaks Color Line

African-American baseball player Jackie Robinson officially breaks Major League Baseball’s color line when he debuts for the Brooklyn Dodgers. Several dark skinned men had played professional baseball around the beginning of the twentieth century, but Robinson was the first to overcome the official segregation policy called—ironically, in retrospect—the “gentleman’s agreement.”

1935—Dust Storm Strikes U.S.

Exacerbated by a long drought combined with poor conservation techniques that caused excessive soil erosion on farmlands, a huge dust storm known as Black Sunday rages across Texas, Oklahoma, and several other states, literally turning day to night and redistributing an estimated 300,000 tons of topsoil.

Horwitz Books out of Australia used many celebrities on its covers. This one has Belgian actress Dominique Wilms.
Assorted James Bond hardback dust jackets from British publisher Jonathan Cape with art by Richard Chopping.
Cover art by Norman Saunders for Jay Hart's Tonight, She's Yours, published by Phantom Books in 1965.
Uncredited cover for Call Girl Central: 08~022, written by Frédéric Dard for Éditions de la Pensée Moderne and its Collection Tropiques, 1955.

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